2022-11-16 11:33:05 | GUAN Liqiong
关丽琼 | Memory of the Tarim River | 塔里木河的记忆 |
| CHINA | Female | Mixed music | 0000 | 2022-11-16 11:50:59 | MI Wenbo
米文博 | Art of War | 破阵 |
| CHINA | Male | Mixed music | 0000 |
2023-02-18 16:16:02 | NAGAMATSU Yu
永松ゆか | as a luminogra | as a luminogra |
|
|
|
| 0000 |
2023-02-18 16:14:30 | NISHI Natsuo
西夏緒 | bleu vill | bleu vill |
|
| Female |
| 0000 |
2022-12-08 08:11:16 | AAAAAA TEST EMSAN
| aaaa |
| 1910 | BRAZIL | Female | tape | 0000 |
2020-08-10 05:22:42 | ABUDUSHALAMU Yikeshan
| Butterfly Effect |
| 1985 | CHINA | Male | Tape | 0000 |
2020-08-10 05:22:28 | ABUDUSHALAMU Yikeshan
| Divine Light |
| 1985 | CHINA | Male | Tape | 0000 |
2016-05-17 02:40:25 | AHN Doo-Jin
안두진* | Bada,han siganzum | 바다, 한시간쯤 | 1955 | KOREA (South) | Male | Mixed Music | 2013 |
2016-05-03 18:55:24 | AHN Doo-Jin
안두진* | Chungsung | 정성* | 1955 | KOREA (South) | Male | Mixed music | 0000 |
2016-05-03 18:55:44 | AHN Doo-Jin
안두진* | Mu Ryung Zi Gok | 무령지곡 | 1955 | KOREA (South) | Male | Mixed music | 2002 |
2016-05-25 00:31:18 | AHN Doo-Jin
안두진 | The River |
| 1955 | KOREA (South) | Male | Tape | 0000 |
2017-08-13 15:15:19 | AHN Doo-Jin
안두진 | “Who is ringing the bell?” |
| 1955 | KOREA (South) | Male | Électroacoustique | 2016 |
2015-05-06 11:43:24 | AKIYAMA Kuniharu
秋山 邦晴 | Animation music "Here and there"* | アニメーション「あっちはこっち」の音楽 | 1929-1996 | JAPAN | Male | tape | 1961 |
2015-05-06 11:43:34 | AKIYAMA Kuniharu
秋山 邦晴 | Animation music "The Chair"* | アニメーション「椅子」の音楽 | 1929-1996 | JAPAN | Male | tape | 1962 |
2015-05-06 11:43:45 | AKIYAMA Kuniharu
秋山 邦晴 | Animation music "Window"* | アニメーション「窓」の音楽 | 1929-1996 | JAPAN | Male | tape | 1965 |
2019-11-01 01:02:16 | AKIYAMA Kuniharu
秋山 邦晴 | Anthology No. 1 | アニメーション「アンソロジィ＝No. 1」の音楽 | 1929-1996 | JAPAN | Male | tape | 1964 |
2015-05-06 16:27:05 | AKIYAMA Kuniharu
秋山 邦晴 | Arcana 19 | 声と音楽のエクスペリメント「秘法19」 | 1929-1996 | JAPAN | Male | singers，5 performers，tape (1 ch.) | 1960 |
2015-05-06 16:27:29 | AKIYAMA Kuniharu
秋山 邦晴 | Environmental Mechanical Orchestra No. 1 | エンバイラメンタル・メカニカル・オーケストラ 第一号 | 1929-1996 | JAPAN | Male | electronic transformation of environmental sounds, tape | 1966 |
2015-05-06 16:28:34 | AKIYAMA Kuniharu
秋山 邦晴 | For a Cracked Right Eye (Film music)* | 映画「つぶれかかった右眼のために」の音 | 1929-1996 | JAPAN | Male |
| 1968 |
2015-05-06 14:25:43 | AKIYAMA Kuniharu
秋山 邦晴 | Kiss Kiss Kiss | アニメーション「Kiss Kiss Kiss」の音楽 | 1929-1996 | JAPAN | Male | tape | 1964 |
2015-05-06 16:28:59 | AKIYAMA Kuniharu
秋山 邦晴 | Macbeth | 人形劇「マクベス」の音楽 | 1929-1996 | JAPAN | Male | tape | 1961 |
2015-05-06 14:27:39 | AKIYAMA Kuniharu
秋山 邦晴 | March | アニメーション「March」の音楽 | 1929-1996 | JAPAN | Male |
| 1963 |
2015-05-06 14:27:54 | AKIYAMA Kuniharu
秋山 邦晴 | Music for Coffee shop* | 城の眼 喫茶店のための音楽 | 1929-1996 | JAPAN | Male | tape | 1963 |
2015-05-24 18:17:27 | AKIYAMA Kuniharu
秋山 邦晴 | Music for Eating* | 食事のための音楽 | 1929-1996 | JAPAN | Male | tape | 1964 |
2015-05-24 18:18:24 | AKIYAMA Kuniharu
秋山 邦晴 | Music for Next Bastard* | アニメーション「隣りの野郎」の音楽 | 1929-1996 | JAPAN | Male | tape | 1965 |
2015-05-24 18:13:55 | AKIYAMA Kuniharu
秋山 邦晴 | Music for Resting* | 憩いのための音楽 | 1929-1996 | JAPAN | Male | tape, 12 ch. | 1964 |
2015-05-10 15:44:10 | AKIYAMA Kuniharu
秋山 邦晴 | Music for the H Bomb |
| 1929-1996 | JAPAN | Male | tape | 1971 |
2015-05-24 17:09:41 | AKIYAMA Kuniharu
秋山 邦晴 | Music for the opening show of the Nissei Theatre, with sculpture |
| 1929-1996 | JAPAN | Male | tape, 2 ch. | 1963 |
2015-05-06 16:30:56 | AKIYAMA Kuniharu
秋山 邦晴 | Music for the "Brain" of puppets* | 人形劇「脳味噌」の音楽 | 1929-1996 | JAPAN | Male | tape | 1962 |
2015-05-24 17:55:14 | AKIYAMA Kuniharu
秋山 邦晴 | Music for "2 mackerels"* (Nihiki no Sanma) | アニメーション「二匹のサンマ」の音楽 | 1929-1996 | JAPAN | Male | tape | 1960 |
2015-05-06 16:32:10 | AKIYAMA Kuniharu
秋山 邦晴 | Music of Bells (Songs of bells for peace)* | 鐘の音楽（平和の鐘の曲） | 1929-1996 | JAPAN | Male | tape | 1970 |
2015-05-06 15:09:45 | AKIYAMA Kuniharu
秋山 邦晴 | Poem for magnetic tape recorder "Work B: Prisonnière" | テープ・レコーダーのための詩 作品Ｂ「囚われた女」 | 1929-1996 | JAPAN | Male | tape | 1953 |
2020-01-07 05:22:51 | AKIYAMA Kuniharu
秋山 邦晴 | Poem for tape recorder "Work A" | テープ・レコーダーのための詩 作品Ａ | 1929-1996 | JAPAN | Male | tape | 1953 |
2015-05-24 16:54:24 | AKIYAMA Kuniharu
秋山 邦晴 | Poem for TV |
| 1929-1996 | JAPAN | Male | Tape | 1960 |
2015-05-06 16:33:06 | AKIYAMA Kuniharu
秋山 邦晴 | Poem of Stone (Television music)* | テレビ「石の詩」の音響 | 1929-1996 | JAPAN | Male | tape | 1963 |
2015-11-23 17:36:23 | AKIYAMA Kuniharu
秋山 邦晴 | 'Demonstration' of Nissei Theatre | 「 舞台機構のためのデモンストレーション」の音楽 | 1929-1996 | JAPAN | Male | tape | 1963 |
2015-05-06 16:26:04 | AKIYAMA Kuniharu / YUASA Joji
秋山 邦晴 / 湯浅 譲二 | Textiles Pavilion, Expo 70 | 日本万国博覧会 せんい館 展示室とロビーの音楽 | 1929-1996 | JAPAN | Male |
| 1970 |
2015-05-06 16:24:54 | AKUTAGAWA Yasushi
芥川 也寸志 | Method for Raising Men (Film music)* | 映画「男性飼育法」の音楽 | 1925-1989 | JAPAN | Male | tape | 1959 |
2015-05-06 16:24:29 | AKUTAGAWA Yasushi
芥川 也寸志 | Music for microphone | マイクロフォンのための音楽
マイクロフォンのための「ファンタジー」 | 1925-1989 | JAPAN | Male | tape (1 ch.) | 1952 |
2015-05-06 16:49:53 | AKUTAGAWA Yasushi
芥川 也寸志 | Two Melodies of Papua Tribe | 立体再生と踊りのための「パプア族の二つの旋律」(1 : Death, 2 : Joy) | 1925-1989 | JAPAN | Male | tape | 1961 |
2016-07-12 23:25:59 | ALBORNOZ Alejandro
阿里安德罗 - 埃博尔诺兹 | Ciento Veinte Milliones (One hundred twenty millions) | 一亿两千万 | ? | CHILE | Male | Mixed Music | 2005 |
2016-07-05 17:42:38 | AN Chengbi
安承弼 | Chen Xi II | 晨曦 II | ? | CHINA | Male | Electroacoustic Music | 2004 |
0000-00-00 00:00:00 | AN Chengbi
안승필,安承弼 | Gediao |
| 1967 | CHINA | Male | Mixed music | 2008 |
2017-11-13 15:20:22 | AN Chengbi
안승필,安承弼 | Hyun.Oh (Le rêve d 'un poisson au fond de la mer, son désir de lumière) | 현오 | 1967 | CHINA | Male | Mixed music | 1998 |
2013-11-22 13:09:44 | AN Chengbi
안승필,安承弼 | Pattern* | 무늬 | 1967 | CHINA | Male | Mixed music | 2003 |
0000-00-00 00:00:00 | AN Chengbi
안승필,安承弼 | Saek Gong (Space of colours) | 색공 | 1967 | CHINA | Male | Mixed music | 2004 |
0000-00-00 00:00:00 | AN Chengbi
안승필,安承弼 | Shin.Woon (Mystical Movement) | 신운 | 1967 | CHINA | Male | Mixed music | 2001 |
2013-12-24 13:59:52 | AN Chengbi
安承弼 | The combination of cells | 细胞的组合 | 1967 | CHINA | Male | Electroacoustic music | 0000 |
2017-10-21 13:50:13 | ANDO Daichi
安藤 大地 | Thimbletail |
|
| JAPAN | Male | Mixed music, live | 2017 |
2015-06-18 16:51:33 | ANDO Yoshiko
| KotoBAbble | KotoBAbble |
| JAPAN | Female | Tape | 2002 |
0000-00-00 00:00:00 | ANDO Yoshiko
| Tsubasa |
|
| JAPAN | Female | Mixed music | 2002 |
2013-11-22 12:19:06 | ANH Doo-Jin
안두진 | Devotion* | 정성 |
| KOREA (South) | Male | Mixed music | 0000 |
2012-12-27 03:26:46 | ARIMA Sumihisa
有馬 純寿 |
| うつしのエチュード | 1965 | JAPAN | Male |
| 2010 |
2012-12-27 03:26:33 | ARIMA Sumihisa
有馬 純寿 |
| うつしのエチュード Ib | 1965 | JAPAN | Male |
| 2012 |
2017-10-25 14:56:53 | ASHIMOTO Kenji
| Inertia II |
| 1951 | JAPAN | Male |
| 2004 |
2016-07-15 01:41:37 | ASHTON Ryan, RILL Bryan, HART David, Gogsci Group
莱恩 - 埃什顿, 布莱恩 - 里尔, 大卫 - 哈特, Gogsci 小组 | Experiment #1 | 实验第一号 | ? | HONG KONG | Male | Electronic Music | 2014 |
2016-11-19 10:36:31 | AYERS Lydia
| Ah |
|
| UNITED STATES | Female | Tape | 1993 |
2016-11-19 10:36:06 | AYERS Lydia
| Appetizer |
|
| UNITED STATES | Female | Tape | 1995 |
2016-11-19 10:34:13 | AYERS Lydia
| Balinese |
|
| UNITED STATES | Female | Tape | 1993 |
2016-11-19 10:37:36 | AYERS Lydia
| Belfast Botanical Birds |
|
| UNITED STATES | Female | Mixed music | 2008 |
2016-11-19 10:38:31 | AYERS Lydia
| Bioluminescense |
|
| UNITED STATES | Female | Tape | 1990 |
2016-11-19 10:39:34 | AYERS Lydia
| Brassoufflé |
|
| UNITED STATES | Female | Tape | 1995 |
2016-11-22 10:06:42 | AYERS Lydia
| Butterfly Stir Fry (version 2) |
|
| UNITED STATES | Female | musique mixte | 2005 |
2016-11-22 10:08:07 | AYERS Lydia
| CatJak |
|
| UNITED STATES | Female | Tape | 2005 |
2016-11-22 10:11:01 | AYERS Lydia
| Companion of Strange Intimacies |
|
| UNITED STATES | Female | Tape | 1990 |
2016-11-22 10:09:47 | AYERS Lydia
| The Chalky Desert Where Nothing Grows |
|
| UNITED STATES | Female | musique mixte | 1991 |
2014-08-18 11:35:49 | AYERS Lydia
| Why Ask Questions |
|
| UNITED STATES | Female | Tape | 1997 |
2014-08-18 11:38:06 | AYERS Lydia
| Yazi's Dream |
|
| UNITED STATES | Female | Tape | 2003 |
2020-01-06 11:40:56 | BABA Noriko
馬場 法子 | Nié
|
| 1972 | JAPAN | Female | Mixed music | 2019 |
2015-06-18 17:09:08 | BABA Noriko
馬場 法子 | Oü pour clarinette solo et électronique
| Oü pour clarinette solo et électronique
| 1972 | JAPAN | Female |
| 2004 |
2017-11-06 16:22:16 | BAI Xiaomo
白小墨 | Possessing A Thousand Houses |
|
| CHINA | Male | Multimedia | 2013 |
2017-11-06 14:31:09 | BAI Xiaomo
白小墨 | Reflect on mirror | 镜子里的回想 - 为单簧管和max |
| CHINA | Male | Mixed music | 2010 |
2016-08-25 00:24:30 | BAI Xiaomo
白小墨 | Reflect on mirror - for a clarinetist and max | 镜子里的回想 - 为单簧管和max |
| CHINA | Male | Mixed music | 2010 |
2013-11-13 13:12:12 | BATTIER Marc
| Audio Scan |
| 1947 | FRANCE | Male | video and computer music | 2006 |
2015-04-12 10:22:41 | BATTIER Marc
| Constellations - for guzheng and electronic sounds (processed koto) |
| 1947 | FRANCE | Male | Mixed music | 2012 |
2015-06-29 18:24:19 | BATTIER Marc
| Constellations - for koto and electronic sounds |
| 1947 | FRANCE | Male | Mixed music | 2012 |
2015-04-12 10:21:59 | BATTIER Marc
| Conversaciones |
| 1947 | FRANCE | Male | Mixed music | 2010 |
0000-00-00 00:00:00 | BATTIER Marc
| Double Suns |
| 1947 | FRANCE | Male | Mixed music | 2011 |
2015-04-12 10:19:12 | BATTIER Marc
| Mist on a Hill | 山中薄暮 | 1947 | FRANCE | Male | Mixed music | 2009 |
2020-01-06 10:01:33 | BATTIER Marc
| Rustle and Shimmer | 沙沙作响，闪闪发光 | 1947 | FRANCE | Male | mixed music | 2019 |
0000-00-00 00:00:00 | BATTIER Marc
| Toca |
| 1947 | FRANCE | Male | Mixed music | 1993 |
2015-07-07 11:01:18 | BECKER Frank W.
フランク・ベッカ | Big Dipper | 春 スターパターン・北斗七星 エクオイノクス（分点） | 1944 | UNITED STATES | Male |
| 1978 |
2015-07-05 12:25:06 | BECKER Frank W.
フランク・ベッカ | Celebration | セレブレイション | 1944 | UNITED STATES | Male |
| 1976 |
2015-07-05 12:24:51 | BECKER Frank W.
フランク・ベッカ | Incursion | インカージョン | 1944 | UNITED STATES | Male | Tape | 1972 |
2015-07-07 10:58:56 | BECKER Frank W.
フランク・ベッカ | Orion | 冬 スターパターン・オリオン オーロラ | 1944 | UNITED STATES | Male |
| 1978 |
2015-07-07 11:03:15 | BECKER Frank W.
フランク・ベッカ | Pegasus | 秋 スターパターン・ペガサス 孤独 | 1944 | UNITED STATES | Male |
| 1978 |
2015-07-07 11:02:15 | BECKER Frank W.
フランク・ベッカ | Summer Triangle | 夏 スターパターン・三角座 霧の大地の中へ | 1944 | UNITED STATES | Male |
| 1978 |
2015-07-05 12:25:16 | BECKER Frank W.
フランク・ベッカ | Waves | ウェイヴス | 1944 | UNITED STATES | Male | Mixed music | 1974 |
2015-05-23 15:32:53 | BEKKU Sadao
別宮 貞雄 | Giant's Garden | 大男の庭 | 1922-2012 | JAPAN | Male | narrator，mixed-cho，orch，electronic sound | 1962 |
2020-01-12 06:12:02 | BOO Dahae
부다혜 | Dialogue |
| 1988 | KOREA (South) | Female | Musique Mixte | 2015 |
2020-01-12 06:15:36 | BOO Dahae
부다혜 | Kaléidoscope |
| 1988 | KOREA (South) | Female | Musique mixte | 2017 |
2020-01-12 06:17:42 | BOO Dahae
부다혜 | Three tales of. |
| 1988 | KOREA (South) | Female | Musique mixte | 2018 |
2017-08-13 14:25:11 | BOO Dahae
부다혜 | XAMP-Marionnettes |
| 1988 | KOREA (South) | Female | Musique Mixte | 2016 |
2015-04-12 15:16:13 | BOULANGER Richard
| Resonances, Reflections and Projections |
| 1956 | UNITED STATES | Male | Mixed music | 2010 |
2014-08-12 20:27:57 | BYEON Gyewon
| Multitone |
| 1969 | KOREA (South) | Female | Mixed music | 2002 |
2022-04-13 11:30:57 | C Jiaxun
|
|
|
|
|
|
| 0000 |
2022-04-13 11:32:31 | CAI Jiaxun
蔡佳迅 | Particle system | 粒⼦系统 |
| CHINA |
|
| 0000 |
2019-11-24 04:59:26 | CAI Lifei
蔡黎飞 | Worm Cave – Multimedia | 虫洞 |
| CHINA | Male | Multimedia | 2019 |
2016-08-25 00:37:28 | CAO Ziwen
曹子闻 | Si | 似 | 1988 | CHINA | Male | Electroacoustic Music | 2010 |
2020-01-11 05:16:24 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | Awakening |
|
| HONG KONG | Male | Mixed music | 2010 |
2020-01-11 05:15:12 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | Oceanus |
| 1986 | HONG KONG | Male | Tape | 2010 |
2020-01-11 05:15:24 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | Of Metals and Electrons |
| 1986 | HONG KONG | Male | Tape | 2010 |
2020-01-11 05:28:04 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | tempora mutantur |
|
| HONG KONG | Male | Mixed music | 2013 |
2020-01-11 05:15:35 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | Three Episodes |
| 1986 | HONG KONG | Male | Tape | 2010 |
2020-01-11 05:16:14 | CHAN Chin Ting (Patrick CHAN)
陳展霆 | Zone 23 |
| 1986 | HONG KONG | Male | Tape | 2010 |
2016-06-23 16:19:37 | CHAN Ching Ting (Patrick CHAN)
陳展霆 | Improvisations |
| 1986 | HONG KONG | Male | Mixed music | 2010 |
2015-05-26 12:05:59 | CHAN Joshua Kam-biu
陳錦標 | Artarmon |
| 1962 | HONG KONG | Male | Mixed music | 1989 |
2014-05-22 00:51:13 | CHAN Joshua Kam-biu
陳錦標 | Carousel |
| 1962 | HONG KONG | Male | Tape | 1986 |
2015-05-26 12:10:42 | CHAN Joshua Kam-biu
陳錦標 | Falling leaves | 落葉 | 1962 | HONG KONG | Male | Mixed music | 1996 |
2014-05-22 00:55:03 | CHAN Joshua Kam-biu
陳錦標 | Fated Night |
| 1962 | HONG KONG | Male | Mixed music | 1989 |
2015-05-26 12:13:17 | CHAN Joshua Kam-biu
陳錦標 | Fire Dance |
| 1962 | HONG KONG | Male | Mixed music | 1998 |
0000-00-00 00:00:00 | CHAN Joshua Kam-biu
陳錦標 | Innerutterance | 細語內心 | 1962 | HONG KONG | Male | Mixed music | 1991 |
2015-05-26 12:16:21 | CHAN Joshua Kam-biu
陳錦標 | Radio Programme: Voss and the Letter |
| 1962 | HONG KONG | Male | Tape (stereo) | 1987 |
2015-05-26 12:17:55 | CHAN Joshua Kam-biu
陳錦標 | Somewhere in the Bermuda Triangle |
| 1962 | HONG KONG | Male | Tape (stereo) | 1986 |
2014-05-22 00:53:06 | CHAN Joshua Kam-biu
陳錦標 | Spring Fever Hotel |
| 1962 | HONG KONG | Male | Mixed music | 1996 |
2015-05-26 12:08:33 | CHAN Joshua Kam-biu
陳錦標 | The Black Cat Who Knows |
| 1962 | HONG KONG | Male | Mixed music | 1990 |
0000-00-00 00:00:00 | CHAN Joshua Kam-biu
陳錦標 | The Spring Garden | 春暉園 | 1962 | HONG KONG | Male | Mixed music | 1998 |
2016-05-03 13:21:48 | CHAN Joshua Kam-biu
陳錦標 | Unknown journey | 未知旅程 | 1962 | HONG KONG | Male | Tape (stereo) | 1992 |
2015-05-26 12:14:13 | CHAN Joshua Kam-biu
陳錦標 | Xekamasuka |
| 1962 | HONG KONG | Male | Mixed music | 1990 |
2016-07-11 17:57:32 | CHAN Ming-chi
陈明志 |
| 千堆雪 | 1961 | HONG KONG | Male |
| 0000 |
2016-07-11 18:10:24 | CHAN Ming-Chi
陳明志 |
|
| 1961 | HONG KONG | Male | Mixed music | 2003 |
2016-07-11 18:04:28 | CHAN Ming-Chi
陳明志 | Reminiscence |
| 1961 | HONG KONG | Male | Mixed music | 2011 |
2013-05-31 00:48:05 | CHAN Sze-rok
陳詩諾 | Arias and Ostinatos of Celestial Ocean | 月夜星海 | 1980 | HONG KONG | Female | Live music | 2004 |
2016-07-11 18:13:19 | CHAN Sze-rok
陳詩諾 | Dream Sketches | 絮梦随想 | 1980 | HONG KONG | Female | Live music | 2006 |
2016-08-25 00:38:20 | CHAO Ching-Wen
趙菁文 | Fragments of a fallen leaf | 落葉片刻 | 1973 | TAIWAN | Female | Mixed Music | 2012 |
2016-08-25 00:38:41 | CHAO Ching-Wen
趙菁文 | Light of Sound, Sound of Light | 光 | 1973 | TAIWAN | Female | Mixed Music | 2009 |
2016-07-11 18:14:40 | CHAO Ching-Wen
趙菁文 | Natural Boundary | 天倪 | 1973 | TAIWAN | Female | Mixed Music | 2006 |
2016-08-25 00:38:55 | CHAO Ching-Wen
趙菁文 | Soundstates | Soundstates | 1973 | TAIWAN | Female | Mixed Music | 1998 |
2016-07-11 18:24:47 | CHAO Ching-Wen
趙菁文 | Soundstates (Sublimation*) | 純化 | 1973 | TAIWAN | Female | Mixed music | 2003 |
2016-08-31 01:50:52 | CHEN Chia-hui
陳家輝 | Une mémoire sous l'ombre I | Une mémoire sous l'ombre I | 1986 | TAIWAN | Male | Mixed Music | 2013 |
2016-08-31 01:47:19 | CHEN Chia-hui
陳家輝 | Une mémoire sous l'ombre II – Ondulation | Une mémoire sous l'ombre II – Ondulation | 1986 | TAIWAN | Male | Mixed Music | 2015 |
2019-10-31 09:42:08 | CHEN Ding-Lian
陳定廉 | Title |
| 14 Mars 1995 | TAIWAN | Male | Electroacoustic Music | 0000 |
2016-08-25 00:45:27 | CHEN Jasmine
陳怡之 | The wanderer - 8 channel playback, 2 microphones for piano amplification | 漫遊者 | ?1985 | TAIWAN | Female | Mixed Music | 0000 |
2020-01-11 05:48:50 | CHEN Lily
陳立立 | Hypochondriasis |
| 1981 | CHINA | Female | Mixed Music | 2014 |
2020-01-11 05:45:05 | CHEN Lily
陳立立 | Nine Pieces of Loneliness |
| 1981 | CHINA | Female | Mixed Music | 2015 |
2020-01-11 05:41:59 | CHEN Lily
陳立立 | Shimmering in the Air: (2018) 9 min [program note]
– commissioned & premiered by Soo Yeon Lyuh & Ellen Ruth Rose, Davis, CA, USA, Oct. 2018 |
| 1981 | CHINA | Female | Mixed Music | 2018 |
2020-05-30 07:44:25 | CHEN Qiangbin
陈强斌 | Line9 |
| 1964 | CHINA | Male | Mixed music | 0000 |
2017-11-06 14:22:41 | CHEN Qiangbin
陈强斌 | Phantom Sanliu |
| CHEN Qiangbin (1964) | CHINA | Male | Mixed music | 0000 |
2020-05-30 07:46:55 | CHEN Qiangbin / JI Dongyong
陈强斌 / 纪冬泳 | Ban | 斑 | 1964 | CHINA | Male | Multimedia | 0000 |
2020-05-30 06:48:10 | CHEN Shizhe
陈世哲 | Book of Songs | 咏书 |
| CHINA | Male |
| 0000 |
2020-05-30 06:47:39 | CHEN Shizhe
陈世哲 | Commercial Song | 商歌 |
| CHINA | Male |
| 0000 |
2020-05-30 06:44:59 | CHEN Shizhe
陈世哲 | Spot | 斑 |
| CHINA | Male |
| 0000 |
2020-05-30 06:45:56 | CHEN Shizhe
陈世哲 | Worm |
|
| CHINA | Male |
| 0000 |
2022-11-16 11:29:23 | CHEN Si
陈思 | Dystopia |
|
| CHINA |
| multimedia electroacoustic music | 0000 |
2017-11-04 11:09:15 | CHEN Si
| Prossima Fermata |
|
| CHINA | Male | Multimedia electronic music | 2017 |
2022-04-13 10:23:57 | CHEN Si
陈思 | Zen of Sound |
|
| CHINA |
| AudioVisual | 0000 |
2022-04-13 10:23:57 | CHEN Si
陈思 | Zen of Sound |
|
| CHINA |
| AudioVisual | 0000 |
2022-04-06 12:22:24 | CHEN Tong
陈桐 | Im Sommerschatten durch den Schwarzwald wandern |
|
| CHINA | Female | Acousmatic music | 0000 |
2022-04-13 12:26:28 | CHEN Tong
陈桐 | Seclusive and mysterious bamboo forest | 幽篁 |
| CHINA | Female | Computer Music with Instrumentalists | 0000 |
2016-07-11 18:53:28 | CHEN Yeung-Ping
陳仰平 | A Silence Tree
| 一棵寂靜的樹 | 1983 | HONG KONG | Male | Mixed music | 2010 |
2016-07-11 18:56:57 | CHEN Yeung-Ping
陳仰平 | SONIC ENGRAVING- FUGUES OF DISTANCES
|
| 1983 | HONG KONG | Male | Mixed music | 2013 |
2016-08-19 21:53:06 | CHEN Yi
陳怡 | Pipetting | 吹打 | 1953 | CHINA | Female | Electronic Music | 1984 |
2016-07-15 02:10:08 | CHEN Yilei
陈一磊 | Summon | 唤 | ? | CHINA | Female | Mixed Music | 2014 |
2014-08-16 23:03:19 | CHEN Ying-Jung
陳映蓉 | Firefly Secret |
| 1990 | TAIWAN | Female | Mixed music | 2013 |
2014-08-16 22:58:30 | CHEN Ying-Jung
陳映蓉 | Fluctuation |
| 1990 | TAIWAN | Female | Tape (stereo) | 2013 |
2019-10-31 09:42:26 | CHEN Ying-Jung
陳映蓉 | Mirage |
| 1990 | TAIWAN | Female | Electroacoustic Music | 2015 |
2020-01-06 12:15:41 | CHEN Ying-Jung
陳映蓉 | Mirage |
| 21 July 1990 | TAIWAN | Female | Electroacoustic Music | 0000 |
2017-11-06 13:07:01 | CHEN Ying-Jung
陳映蓉 | Mirror Image | 镜像 | 1990 | TAIWAN | Female | Mixed music | 2015 |
2016-07-11 19:02:55 | CHEN Yuanlin
陈远林 | Flying Swan | 飞鹄行 | 1957 | CHINA | Male | Mixed Music | 1993 |
2016-08-19 22:11:49 | CHEN Yuanlin
陈远林 | Hao | 昊 | 1957 | CHINA | Male | Electronic Music | 1984 |
2016-08-19 22:55:03 | CHEN Yuanlin
陈远林 | Jin Yun | 京韵 | 1957 | CHINA | Male | Mixed Music | 1992 |
2016-07-11 19:04:05 | CHEN Yuanlin
陈远林 | Jing Yun | 京韵 | 1957 | CHINA | Male | Mixed Music | 1995 |
2016-08-19 22:55:11 | CHEN Yuanlin
陈远林 | Niulangzhinu | 牛郎織女 | 1957 | CHINA | Male | Electronic Music | 1986 |
2016-08-19 22:10:18 | CHEN Yuanlin
陳遠林 | Nu guo bu tian | 女鍋補天 | 1957 | CHINA | Male | Electronic Music | 1984 |
2020-01-22 06:10:32 | CHENG Chien-Wen
鄭建文 | A Legend in the Mountains |
| 1972 | TAIWAN | Male | tape | 2013 |
2020-01-22 06:39:58 | CHENG Chien-Wen
鄭建文 | Behind the Door | 門後 | 1972 | TAIWAN | Male | Tape | 2010 |
2020-01-22 06:16:20 | CHENG Chien-Wen
鄭建文 | Chrysanthemum in the Rain | 雨中菊 | 1972 | TAIWAN | Male | Mixed Music | 2013 |
2020-01-22 07:04:09 | CHENG Chien-Wen
鄭建文 | Don Quixote's Fight against Sheep Monsters | 唐吉訶德的羊群之戰 | 1972 | TAIWAN | Male | Live electronics | 2014 |
2020-01-22 06:05:35 | CHENG Chien-Wen
鄭建文 | Dream Walker | 夢行者 | 1972 | TAIWAN | Male | Mixed Music | 2014 |
2020-01-22 05:41:33 | CHENG Chien-Wen
鄭建文 | Game of Colors | 顏色的遊戲 | 1972 | TAIWAN | Male | Mixed Music | 2015 |
2020-01-22 06:18:29 | CHENG Chien-Wen
鄭建文 | I Hear the Wind Talking with the Trees |
| 1972 | TAIWAN | Male | Mixed Music with live electronics | 2013 |
2020-01-22 06:28:58 | CHENG Chien-Wen
鄭建文 | Morning Rain |
| 1972 | TAIWAN | Male |
| 2011 |
2020-01-22 06:46:54 | CHENG Chien-Wen
鄭建文 | Moth and Fire | 飛蛾與火 | 1972 | TAIWAN | Male |
| 2007 |
2020-01-22 07:06:11 | CHENG Chien-Wen
鄭建文 | Rain in a Dream | 夢中的雨 | 1972 | TAIWAN | Male | Live electronics | 2017 |
2020-01-22 07:09:04 | CHENG Chien-Wen
鄭建文 | Rain Reflection | 雨光 | 1972 | TAIWAN | Male | Tape | 2011 |
2020-01-22 06:11:48 | CHENG Chien-Wen
鄭建文 | Sailing towards the Sea |
| 1972 | TAIWAN | Male | Tape | 2013 |
2020-01-22 07:20:13 | CHENG Chien-Wen
鄭建文 | Samadhi | 三摩地 | 1972 | TAIWAN | Male | Tape | 2003 |
2020-01-22 07:21:51 | CHENG Chien-Wen
鄭建文 | Samsara | 輪迴 | 1972 | TAIWAN | Male | Tape with video | 2004 |
2020-01-22 06:43:51 | CHENG Chien-Wen
鄭建文 | Snow Spell | 雪咒 | 1972 | TAIWAN | Male | Mixed Music with live electronics | 2007 |
2020-01-22 07:09:53 | CHENG Chien-Wen
鄭建文 | Soliloquy | 獨白 | 1972 | TAIWAN | Male | Mixed Music with live electronics | 2011 |
2020-01-22 06:07:39 | CHENG Chien-Wen
鄭建文 | Soundscape in Meditation | 冥想中的音景 | 1972 | TAIWAN | Male | Electronic Music | 2014 |
2020-01-22 07:10:31 | CHENG Chien-Wen
鄭建文 | Southern Mountain Lakes | 南山 | 1972 | TAIWAN | Male | Live electronics | 2013 |
2020-01-22 07:11:06 | CHENG Chien-Wen
鄭建文 | The Journey | 旅程 | 1972 | TAIWAN | Male | Tape | 2009 |
2020-01-22 07:11:45 | CHENG Chien-Wen
鄭建文 | The Wounded Don Quixote | 受傷的唐吉訶德 | 1972 | TAIWAN | Male | Live electronics | 2014 |
2020-01-22 06:25:51 | CHENG Chien-Wen
鄭建文 | Tune of Wind | 風雷引 | 1972 | TAIWAN | Male | Mixed Music with live electronics | 2018 |
2020-01-22 07:22:23 | CHENG Chien-Wen
鄭建文 | Tune of Wind, Rain and Thunder | 風雷引 | 1972 | TAIWAN | Male | Electroacoustic music | 2007 |
2020-01-22 07:19:21 | CHENG Chien-Wen
鄭建文 | Under the Sea | 海底尋夢 | 1972 | TAIWAN | Male | tape | 2005 |
2020-01-22 06:23:51 | CHENG Chien-Wen
鄭建文 | Village Sound |
| 1972 | TAIWAN | Male | tape | 2012 |
2020-01-22 06:51:21 | CHENG Chien-Wen
鄭建文 | Wind Sketch | 風的素描 | 1972 | TAIWAN | Male | Mixed Music with live electronics | 2005 |
2020-08-06 13:14:24 | CHENG Huihui
程慧惠 | Echo&Narcisuss |
| 1985 | CHINA | Female | Mixed music | 0000 |
2020-08-06 14:01:08 | CHENG Huihui
程慧惠 | Me Du Ca |
| 1985 | CHINA | Female | Mixed music | 0000 |
2022-11-07 09:06:50 | CHENG Huihui
程慧惠 | Robot Leaves Loop Extrat |
| 1985 | CHINA | Female | Tape | 0000 |
2020-08-06 13:15:09 | CHENG Huihui
程慧惠 | SEA.M.S |
| 1985 | CHINA | Female | Mixed music | 0000 |
2020-08-06 13:15:27 | CHENG Huihui
程慧惠 | Tianwen |
| 1985 | CHINA | Female | Mixed music | 0000 |
2016-08-19 20:28:25 | CHENG I-lly
鄭伊里 | Kaleidoscope | 萬花筒 | 1984 | CHINA | Female | Electronic Music | 2011 |
2016-08-02 16:14:53 | CHENG I-lly
鄭伊里 | Submerged in Silence | Submerged in Silence | 1984 | CHINA | Female | Mixed Music | 2013 |
2016-08-19 20:17:42 | CHENG I-lly
鄭伊里 | Superimpose | 疊 | 1984 | CHINA | Female | Mixed Music | 2009 |
2016-08-19 21:15:47 | CHENG I-lly
鄭伊里 | The Sensation of Reality | The Sensation of Reality | 1984 | CHINA | Female | Mixed Music | 2016 |
2016-08-19 21:08:54 | CHENG I-lly
鄭伊里 | Uni | Uni | 1984 | CHINA | Female | Mixed Music | 2015 |
2016-07-11 19:15:02 | CHENG Yibing (Perry Chen)
程伊兵 | My students - A Collection of Morphed Piano Sound | 我的学生们 - 钢琴音色变形小品集 | 1985 | CHINA | Male | Electroacoustic music | 2009 |
2022-07-22 03:26:10 | CHENG Yu Sum (Anthony)
鄭汝森 | The Great Wall. End |
|
| HONG KONG | Female | Mixed music | 0000 |
2022-07-22 03:25:35 | CHENG Yu Sum (Anthony)
鄭汝森 | War Prayer |
|
| HONG KONG | Female | Multimedia electronic | 0000 |
2022-07-22 03:22:47 | CHENG Yu-Sum (Anthony)
鄭汝森 | Lost and Regain |
|
| HONG KONG | Male |
| 0000 |
2017-11-06 13:12:46 | CHEUNG Hon Him Chris
张瀚谦 | Radiancescape | 辐射界 |
| HONG KONG | Female | Video | 2015 |
2022-07-22 03:30:20 | CHEUNG Pui-shan, Florence
張珮珊 | Hung |
|
| HONG KONG | Female | Mixed music | 0000 |
2013-08-18 23:07:52 | CHEUNG Pui-shan, Florence
| Sensuous Expression |
|
| HONG KONG | Female | Mixed music and multimedia | 1998 |
2013-08-18 23:10:07 | CHEUNG Pui-shan, Florence
| Starry Night |
|
| HONG KONG | Female | Multimedia | 1999 |
2013-08-18 23:09:00 | CHEUNG Pui-shan, Florence
| Three Birdies |
|
| HONG KONG | Female | Visual and Electronic music | 1998 |
2013-08-18 23:36:42 | CHEUNG Pui-shan, Florence
| Time Reflection |
|
| HONG KONG | Female | Multimedia | 1999 |
2013-08-18 22:59:18 | CHEUNG Pui-shan, Florence
| Translucent Ring |
|
| HONG KONG | Female | Mixed music | 1999 |
2013-11-13 13:57:18 | CHEUNG Pui-shan, Florence
| Translucent Ring II |
|
| HONG KONG | Female | Mixed music | 2000 |
2012-11-13 17:12:08 | CHIN Unsuk
진은숙 | Allegro ma non troppo | 알레그로 마 논 트로포 | 1961 | KOREA (South) | Female | Tape | 1994 |
0000-00-00 00:00:00 | CHIN Unsuk
진은숙 | Allegro ma non troppo | 알레그로 마 논 트로포 | 1961 | KOREA (South) | Female | Mixed music | 1998 |
0000-00-00 00:00:00 | CHIN Unsuk
진은숙 | Double Blind ? | 더블 블라인드 ? | 1961 | KOREA (South) | Female | Mixed music | 2007 |
2017-03-06 11:20:13 | CHIN Unsuk
진은숙 | Fanfare chimérique | 괴물같은 팡파르 | 1961 | KOREA (South) | Female | Dispositif électronique non spécifié | 2011 |
2014-08-09 14:20:41 | CHIN Unsuk
진은숙 | Fanfare chimérique |
| 1961 | KOREA (South) | Female | Mixed music | 2011 |
0000-00-00 00:00:00 | CHIN Unsuk
진은숙 | Gradus ad Infinitum | 그라두스 아드 인피니툼 | 1961 | KOREA (South) | Female | Tape | 1989 |
0000-00-00 00:00:00 | CHIN Unsuk
진은숙 | ParaMetaString | 파라메타스트링 | 1961 | KOREA (South) | Female | Mixed music | 1996 |
2017-03-06 11:20:27 | CHIN Unsuk
진은숙 | Spectres-speculaires | 스펙트럼 거울 | 1961 | KOREA (South) | Female | Dispositif électronique non spécifié | 2000 |
0000-00-00 00:00:00 | CHIN Unsuk
진은숙 | Xi | 씨 | 1961 | KOREA (South) | Female | Mixed music | 1999 |
2017-04-13 14:41:03 | CHIU Ming-ching
| Hanging on a Fallen Leaf |
|
|
|
| Tape | 2008 |
2017-08-13 14:34:33 | CHO Hyen-Hwa
조현화 | Starboard the helm |
| 1977 | KOREA (South) | Female |
| 2016 |
2017-06-30 15:59:15 | CHO Hyen-Wha
조현화 | Camera Obscura |
| 1977 | KOREA (South) | Female | Musique acousmatique | 2007 |
2017-06-30 16:18:56 | CHO Hyen-Wha
조현화 | Jardin d'Éden | 에덴의 동산 | 1977 | KOREA (South) | Female | Performance pour trois flûtes, électronique et projection vidéo | 2017 |
2017-06-30 16:05:53 | CHO Hyen-Wha
조현화 | Métametaux |
| 1977 | KOREA (South) | Female | Musique acousmatique | 2007 |
2017-06-30 15:59:42 | CHO Hyen-Wha
조현화 | Micro Etudes I,II |
| 1977 | FRANCE | Female | Musique acousmatique | 2007 |
2017-06-30 16:09:58 | CHO Hyen-Wha
조현화 | Share, Sound |
| 1977 | KOREA (South) | Female | Vidéo, installation (détail, auteur) : Chorégraphie de Pansun Kim. | 2014 |
2016-05-03 13:21:00 | CHO Hyun-Hwa
조현화 | Karma trauma |
| 1977 | KOREA (South) | Female | Sons fixés sur support | 2010 |
2016-05-03 13:18:16 | CHO Hyun-Hwa
조현화 | Scrap | 스크랩 | 1977 | KOREA (South) | Female | Temps réel | 2008 |
2016-04-29 23:17:34 | CHO Hyun-Hwa
조현화 | Vox Humana |
| 1977 | KOREA (South) | Female | Dispositif multimédia (vidéo, lumière) | 2009 |
2014-08-13 14:32:03 | CHO In-Sun
| Reflexion of Time I |
| 1953 | KOREA (South) | Female | Tape | 2004 |
2013-11-12 22:32:27 | CHOI Jenny-Jiyoun
| Polylogos |
|
| KOREA (South) | Female |
| 0000 |
2017-06-30 16:59:05 | CHOI Jiyeon
최지연 | Corpuscules |
| 1969 | KOREA (South) | Female | Musique Mixte | 2003 |
2017-06-30 17:06:13 | CHOI Jiyeon
최지연 | Orient |
| 1969 | KOREA (South) | Female | Musique Mixte | 2010 |
2017-06-30 16:51:24 | CHOI Jiyeon
최지연 | Seconde Suite |
| 1969 | KOREA (South) | Female | Musique Mixte | 2015 |
2016-05-26 21:57:36 | CHOI Kyong Mee
최 경 미 | In the midst of |
| 1971 | KOREA (South) | Female | tape, stereo | 2015 |
2015-08-31 14:18:22 | CHOI Kyong Mee
최 경 미 | Slight Uncertainty is Very Attractive |
| 1971 | KOREA (South) | Female | Mixed music | 2006 |
2016-04-28 13:36:02 | CHOI Kyong Mee
최 경 미 | A New Earth |
| 1971 | KOREA (South) | Female | Mixed music | 2014 |
2016-04-28 13:37:19 | CHOI Kyong Mee
최 경 미 | Ceaseless Cease |
| 1971 | KOREA (South) | Female | Mixed music | 2014 |
2015-08-31 14:18:56 | CHOI Kyong Mee
최 경 미 | Conceptual View of Worlds II |
| 1971 | KOREA (South) | Female | tape, stereo | 2001 |
2015-08-31 14:19:08 | CHOI Kyong Mee
최 경 미 | Dawn and Dusk |
| 1971 | KOREA (South) | Female | Mixed music | 2012 |
2016-04-28 13:35:52 | CHOI Kyong Mee
최 경 미 | Freed |
| 1971 | KOREA (South) | Female | Mixed music | 2014 |
2016-04-28 13:35:39 | CHOI Kyong Mee
최 경 미 | In Flux |
| 1971 | KOREA (South) | Female | Mixed music | 2014 |
2015-08-31 14:19:38 | CHOI Kyong Mee
최 경 미 | Inner Space |
| 1971 | KOREA (South) | Female | Mixed music | 2009 |
2015-08-31 14:19:48 | CHOI Kyong Mee
최 경 미 | It only needs to be seen |
| 1971 | KOREA (South) | Female | Mixed music | 2007 |
2015-08-31 14:19:57 | CHOI Kyong Mee
최 경 미 | OM |
| 1971 | KOREA (South) | Female | Live electronics (Laptop Ensemble) | 2009 |
2015-08-31 14:20:06 | CHOI Kyong Mee
최 경 미 | Onomatopoetic Mimesis |
| 1971 | KOREA (South) | Female | tape, stereo | 2002 |
2015-08-31 14:23:04 | CHOI Kyong Mee
최 경 미 | Open Arms |
| 1971 | KOREA (South) | Female | Mixed music | 2013 |
2015-08-31 14:20:16 | CHOI Kyong Mee
최 경 미 | Photogene |
| 1971 | KOREA (South) | Female | tape, stereo | 2005 |
2015-08-31 14:20:31 | CHOI Kyong Mee
최 경 미 | Rumi-Rings of Being |
| 1971 | KOREA (South) | Female | tape, stereo | 2003 |
2015-08-31 14:20:40 | CHOI Kyong Mee
최 경 미 | Sublimation |
| 1971 | KOREA (South) | Female | Mixed music | 2004 |
2015-08-31 14:20:49 | CHOI Kyong Mee
최 경 미 | TAO |
| 1971 | KOREA (South) | Female | Mixed music | 2002 |
2015-08-31 14:20:59 | CHOI Kyong Mee
최 경 미 | Tender Spirit I |
| 1971 | KOREA (South) | Female | Mixed music | 2013 |
2015-08-31 14:21:07 | CHOI Kyong Mee
최 경 미 | Tensile Strength |
| 1971 | KOREA (South) | Female | tape, stereo | 2008 |
2015-08-31 14:21:17 | CHOI Kyong Mee
최 경 미 | The line we can’t cross |
| 1971 | KOREA (South) | Female | Mixed music | 2008 |
2015-08-31 14:21:27 | CHOI Kyong Mee
최 경 미 | The words of Tagore |
| 1971 | KOREA (South) | Female | Mixed music | 2012 |
2015-08-31 14:21:41 | CHOI Kyong Mee
최 경 미 | To Unformed |
| 1971 | KOREA (South) | Female | Mixed music | 2009 |
2015-08-31 14:21:51 | CHOI Kyong Mee
최 경 미 | Tranquility |
| 1971 | KOREA (South) | Female | tape, stereo | 2005 |
2016-05-19 02:27:45 | CHOI Kyoug Mee
최 경 미 | Slight Uncertainty is Very Attractive |
| 1971 | KOREA (South) | Female | Mixed Music | 2006 |
2016-05-19 01:56:22 | CHOI Kyoug Mee
최 경 미 | Tender Spririt II |
| 1971 | KOREA (South) | Female | Multimedia,Mixed music | 2013 |
2016-05-19 02:19:07 | CHOI Kyoug Mee
최 경 미 | The Eternal Tao |
| 1971 | KOREA (South) | Female | One Act Multimedia Production | 2010 |
2013-09-02 19:45:03 | CHOI Young-Shin
최영신 | Ajaeng Transcendent |
| 1970 | KOREA (South) | Male |
| 0000 |
2013-08-27 00:10:30 | CHOI Young-Shin
최영신 | Ben Hurricane |
| 1970 | KOREA (South) | Male | Mixed music | 2004 |
2013-08-27 00:08:19 | CHOI Young-Shin
최영신 | Blurred Lines I |
| 1970 | KOREA (South) | Male | Electronics | 2010 |
2016-05-17 01:46:32 | CHOI Young-Shin
최영신 | Blurred Lines II |
| 1970 | KOREA (South) | Male | Multimedia | 2011 |
2013-11-27 13:39:12 | CHOI Young-Shin
최영신 | Butterfly* | 나비* | 1970 | KOREA (South) | Male | Electronics | 2010 |
2013-08-27 00:11:13 | CHOI Young-Shin
최영신 | Dialogue II |
| 1970 | KOREA (South) | Male | Mixed music | 2004 |
2013-09-02 19:45:28 | CHOI Young-Shin
최영신 | Heullim Garak |
| 1970 | KOREA (South) | Male |
| 0000 |
2013-08-27 00:08:31 | CHOI Young-Shin
최영신 | Hurum |
| 1970 | KOREA (South) | Male | Mixed music | 2005 |
2013-09-02 19:43:58 | CHOI Young-Shin
최영신 | Hyang II |
| 1970 | KOREA (South) | Male |
| 0000 |
2013-08-26 23:40:16 | CHOI Young-Shin
최영신 | Layered Dream I |
| 1970 | KOREA (South) | Male | Multimedia | 2007 |
2013-08-20 14:56:27 | CHOI Young-Shin
최영신 | Layered Dream II |
| 1970 | KOREA (South) | Male | Multimedia | 2008 |
2016-05-17 02:03:00 | CHOI Young-Shin
최영신 | Layered Dream III |
| 1970 | KOREA (South) | Male | Multiledia | 2012 |
2016-05-17 02:13:14 | CHOI Young-Shin
최영신 | Low Clouds |
| 1970 | KOREA (South) | Male | Mixed Music | 2011 |
2013-09-02 19:29:11 | CHOI Young-Shin
최영신 | Nori no.1-4 |
| 1970 | KOREA (South) | Male | Mixed music | 2008 |
2016-05-17 01:37:15 | CHOI Young-Shin
최영신 | Pamuk |
| 1970 | KOREA (South) | Male | Mixed music | 2012 |
2016-05-17 02:24:24 | CHOI Young-Shin
최영신 | The Chase |
| 1970 | KOREA (South) | Male | Multimedia | 2008 |
2013-09-02 19:36:17 | CHOI Young-Shin
최영신 | The Chase |
| 1970 | KOREA (South) | Male | Multimedia | 2006 |
2013-12-04 15:10:27 | CHOI Young-Shin
최영신 | The Fog and Wind |
| 1970 | KOREA (South) | Male |
| 0000 |
2016-05-17 02:19:04 | CHOI Young-Shin
최영신 | The Wind |
| 1970 | KOREA (South) | Male | electronics | 2009 |
2016-05-17 01:53:15 | CHOI Young-Shin
최영신 | Triptych II |
| 1970 | KOREA (South) | Male | Multimedia | 2012 |
2013-09-02 19:28:59 | CHOI Young-Shin
최영신 | Ujo Imu I |
| 1970 | KOREA (South) | Male | Mixed music | 2009 |
2013-09-02 19:31:25 | CHOI Young-Shin
최영신 | Ujo Imu II |
| 1970 | KOREA (South) | Male | Mixed music | 2009 |
2013-09-02 19:33:51 | CHOI Young-Shin
최영신 | Ujo Imu III |
| 1970 | KOREA (South) | Male | Electronics | 2009 |
2013-11-13 13:57:30 | CHONG Kee Yong
鍾啟榮 | Endless whispering |
| 1971 | MALAYSIA | Male | Mixed music | 2006 |
2013-11-13 13:57:41 | CHONG Kee Yong
鍾啟榮 | Monodrama |
| 1971 | MALAYSIA | Male | Mixed music | 2004 |
2013-08-20 15:00:23 | CHONG Kee Yong
鍾啟榮 | Monodrama II |
| 1971 | MALAYSIA | Male | Mixed music | 2005 |
2022-11-16 11:40:14 | Chu-Huan LO
罗珠环 | Nothingness | 虚无 |
| CHINA | Female | Mixed music | 0000 |
2017-11-13 09:59:04 | COLEMAN Christopher
| My Grandfather's Kalimba |
| 1958 | UNITED STATES | Male | Tape | 1996 |
0000-00-00 00:00:00 | COLEMAN Christopher
| Rite |
| 1958 | UNITED STATES | Male | Mixed music | 1992 |
2017-11-04 10:49:31 | DA Chuan
| Reverse |
|
| CHINA | TBA | Multimedia electronic | 2017 |
2013-08-18 11:57:05 | DAI Weiyi, YANG Lei
戴维一、杨磊 | ShangGe for four drums, pipa, KunJing and electronic | 商歌——为四个大鼓、琵琶、昆净与电子音乐而作 |
|
| Male |
| 2006 |
2017-07-15 14:40:48 | DE RITIS Anthony
| Erhu-Flute — six movements for flute and two or four-speaker audio |
|
| UNITED STATES | Male | Mixed music | 2011 |
2013-03-27 12:13:07 | DENG Feng
邓凤 |
| 淼.焱 | 1988 |
| Female | Applied | 2010 |
2016-07-15 01:22:08 | DENG Feng
邓风 | Illusion. Interaction | 幻 - 唤 | ? | CHINA | Female | Mixed Music | 2013 |
2014-05-17 11:28:09 | DENG Feng
邓凤 | Piano* | 钢琴 | 1988 | CHINA | Female | Electroacoustic | 2011 |
2022-04-06 12:22:01 | DENG Xianli
邓先立 | Under Depth | 深·邃 | 1999 | CHINA | Male | Acousmatic music | 0000 |
2017-11-06 17:24:30 | DING Lanqing
| The book of the ancient tea-horse road |
|
| CHINA | Female | Electroacoustic Music | 2013 |
2022-04-13 12:10:29 | DONG Jindai
董金岱 | Mystery | 浮城谜事 | 1998 | CHINA | Male | Acousmatic music | 0000 |
0000-00-00 00:00:00 | DONG Kui
董葵 | Crossing |
| 1966 | CHINA | Female | Tape | 1999 |
2017-08-27 17:59:32 | DONG Kui
董夔 | Crossing | Crossing | 1966 | CHINA | Female | Electroacoustic Music | 2002 |
2013-11-13 13:57:53 | DONG Kui
董葵 | Eclipse |
| 1966 | CHINA | Female | Tape (2 or more channels) + slides | 1995 |
2017-08-27 17:59:51 | DONG Kui
董夔 | Feixiang de Pingguo | 飞翔的苹果 | 1966 | CHINA | Female | Electroacoustic Music | 1994 |
0000-00-00 00:00:00 | DONG Kui
董葵 | Flying Apples |
| 1966 | CHINA | Female | Tape (2 or more channels) | 1994 |
2017-08-27 18:00:11 | DONG Kui
董夔 | Impromptu | 即兴曲 | 1966 | CHINA | Female | Mixed Music | 1997 |
0000-00-00 00:00:00 | DONG Kui
董葵 | Untitled |
| 1966 | CHINA | Female | Mixed music | 2009 |
0000-00-00 00:00:00 | DONG Kui
董葵 | Youlan |
| 1966 | CHINA | Female | Tape + slides | 0000 |
2022-04-13 11:14:04 | DONG Yuanliang; LIU Jiafeng; SUN Mao song
| SymphonyNet: Rhapsody of dancing strings |
|
| CHINA |
| automatically composed by AI | 0000 |
2022-04-13 10:57:40 | DONG Yuchun
董宇淳 | Invitation of wine | 将进酒 |
| CHINA | Male | Mixed music | 0000 |
2017-07-15 16:03:53 | DU Xiaohu
| Changing |
|
| CHINA | Male | Mixed music | 2016 |
2017-11-04 11:00:49 | DU Yuxing
| Light |
|
| CHINA | Female | Mixed music | 2017 |
2017-11-04 11:02:26 | DUAN Ruilei
王鹤霏 | Milky Way
|
|
| CHINA | Male | Tape | 2017 |
2015-05-06 18:14:44 | EZAKI Kenjiro
江崎 健次郎 | B. G. M. Computer Music II | B. G. M. Computer Music II | 1926 | TAIWAN | Male |
| 1972 |
2015-05-07 10:29:45 | EZAKI Kenjiro
江崎 健次郎 | Computer Music No. 1 | コンピュータ・ミュージック第一番 | 1926 | TAIWAN | Male | tape (computer FACOM270-30) | 1969 |
2012-12-29 07:16:32 | EZAKI Kenjiro
江崎 健次郎 | Electronic Adumbration |
| 1926 | TAIWAN | Male | tape, mixed media | 1972 |
2012-12-27 05:11:20 | EZAKI Kenjiro
江崎 健次郎 | Electronic Composition No. 1 |
| 1926 | TAIWAN | Male | tape, mono | 1966 |
2015-05-06 18:32:34 | EZAKI Kenjiro
江崎 健次郎 | Electronic Music 225 | 電子音楽「225」 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-06 18:32:49 | EZAKI Kenjiro
江崎 健次郎 | Electronic Music 313 | 電子音楽「313」 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-06 18:34:48 | EZAKI Kenjiro
江崎 健次郎 | Electronic Music 402 | 電子音楽「402」 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-06 18:37:51 | EZAKI Kenjiro
江崎 健次郎 | Electronic Music for modern ballet | モダン・バレエのための電子音楽 | 1926 | TAIWAN | Male | tape | 1966 |
2015-05-07 10:29:13 | EZAKI Kenjiro
江崎 健次郎 | Ensemble for a piano and two playback devices | １台のピアノと２台の再生装置のための「アンサンブル」 | 1926 | TAIWAN | Male | pf，2 tape recorder，playback devices | 1967 |
2015-05-06 18:50:27 | EZAKI Kenjiro
江崎 健次郎 | Fantasy | 幻想 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-07 10:28:52 | EZAKI Kenjiro
江崎 健次郎 | Flip Flop | ふりっぷ ふろっぷ | 1926 | TAIWAN | Male | tape | 1970 |
2015-05-24 15:53:19 | EZAKI Kenjiro
江崎 健次郎 | Gagaku | 雅楽 | 1926 | TAIWAN | Male | tape | 1966 |
2015-05-06 18:59:43 | EZAKI Kenjiro
江崎 健次郎 | Manhattan | マンハッタン | 1926 | TAIWAN | Male | tape | 1966 |
2015-05-07 10:11:26 | EZAKI Kenjiro
江崎 健次郎 | Meiso n°1 (Meditation) | 冥想 No.1 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-07 10:15:17 | EZAKI Kenjiro
江崎 健次郎 | Meiso n°2 (Meditation) | 冥想 No.2 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-07 10:19:51 | EZAKI Kenjiro
江崎 健次郎 | Metamorphism of One Short Attack | 一つのアタック音による変容 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-07 10:26:15 | EZAKI Kenjiro
江崎 健次郎 | Music for guitar and electronic sound | ギターと電子音のための音楽 | 1926 | TAIWAN | Male | g，2 tape recorder，microphone | 1967 |
2015-05-07 10:41:34 | EZAKI Kenjiro
江崎 健次郎 | Musicronics No. 1 | ミュージクロニクス No. 1 | 1926 | TAIWAN | Male | pf，perc，tape | 1968 |
2015-05-07 10:51:28 | EZAKI Kenjiro
江崎 健次郎 | Nuance | ニュアンス | 1926 | TAIWAN | Male |
| 1973 |
2015-05-24 15:53:31 | EZAKI Kenjiro
江崎 健次郎 | Piece for Orchestra and Electronic Sound |
| 1926 | TAIWAN | Male | Mixed music | 1967 |
2015-05-07 11:05:25 | EZAKI Kenjiro
江崎 健次郎 | Piece No. 1 with Pink Noise* | ピンク・ノイズによる作品 第一番 | 1926 | TAIWAN | Male | tape | 1969 |
2015-05-07 11:08:15 | EZAKI Kenjiro
江崎 健次郎 | Study for Orchestra, Voices and Electronic Sound |
| 1926 | TAIWAN | Male | Mixed music | 1966 |
2015-05-07 11:20:26 | EZAKI Kenjiro
江崎 健次郎 | Subway in New York | ニューヨークの地下鉄 | 1926 | TAIWAN | Male | tape, stereo | 1966 |
2015-05-07 11:42:05 | EZAKI Kenjiro
江崎 健次郎 | Suzuya | 鈴屋シンボル・サウンド | 1926 | TAIWAN | Male | tape | 1971 |
2015-05-07 11:33:17 | EZAKI Kenjiro
江崎 健次郎 | Symptoms | Symptoms | 1926 | TAIWAN | Male | tape | 1970 |
2015-05-07 11:42:43 | EZAKI Kenjiro
江崎 健次郎 | Time center | 日本万国博覧会 タイム・センター セイコー時報音 | 1926 | TAIWAN | Male |
| 1970 |
2015-05-07 11:34:45 | EZAKI Kenjiro
江崎 健次郎 | Times Square Station | タイムズスクエア駅 | 1926 | TAIWAN | Male | tape | 1966 |
2015-05-07 11:36:56 | EZAKI Kenjiro
江崎 健次郎 | Tokyo Universiade | 映画「東京ユニバーシヤード」の音楽 | 1926 | TAIWAN | Male |
| 1967 |
2015-05-24 15:53:38 | EZAKI Kenjiro
江崎 健次郎 | Undine |
| 1926 | TAIWAN | Male |
| 1967 |
2015-05-07 11:40:51 | EZAKI Kenjiro
江崎 健次郎 | Unit-4 | Unit-4 金銀の世界より | 1926 | TAIWAN | Male |
| 1973 |
2015-05-07 11:45:08 | EZAKI Kenjiro
江崎 健次郎 | What's Sound Design ? |
| 1926 | TAIWAN | Male | tape | 1972 |
2015-05-06 17:51:05 | EZAKI Kenjiro
江崎 健次郎 | "Kyojitsu" by electronic sound and piano | 電子音とピアノによる「虚実」 | 1926 | TAIWAN | Male | pf, tape | 1970 |
2015-05-06 18:58:01 | EZAKI Kenjiro
江崎 健次郎 | "Liaison" for 12 channel | 12チャンネルのための「Liaison」 | 1926 | TAIWAN | Male | tape | 1971 |
2015-05-07 10:30:05 | EZAKI Kenjiro
江崎 健次郎 | "Music" for guitar and electronic sound No. 2 | ギターと電子音響のための音楽 第２番 | 1926 | TAIWAN | Male | g, electronic sound | 1972 |
2015-05-06 18:57:42 | EZAKI Kenjiro
江崎 健次郎 | "Requiem 1970" for magnetic tape and soprano | 磁気テープとソプラノのための「鎮魂曲1970」 | 1926 | TAIWAN | Male | tape，S，electronic instruments | 1969 |
2015-05-06 17:46:16 | EZAKI Kenjiro / MORITA Shin-ichi
江崎 健次郎 / 森田 信一 | Bio Music 7310 | Bio Music 7310 | 1926 | TAIWAN | Male |
| 1973 |
2022-04-13 11:30:08 | FAN Hongshuo
范弘硕 | Metamorphosis | 蜕变 |
| CHINA | Male | real-time interactive audio-visual | 0000 |
2015-03-15 12:40:50 | FAN LING
范翎 | Light diffraction | 光衍 |
| CHINA | Female | Multimedia | 2011 |
2022-11-16 11:02:47 | FANG Jinshuo
冯金硕 | Crazy Fabric | 疯狂的布 |
| CHINA | Male | interactive electronic music | 0000 |
2016-07-12 23:01:28 | FEDDERSEN Jeff, KONDO Tetsu
杰夫 - 费德尔森, Kondo Tetsu | Double Harmonics Guitar | 双重泛音吉他 | ? | UNITED STATES | Male | Mixed Music | 0000 |
2017-11-06 16:11:31 | FENG Jian
冯坚 | Mass - for 2 ethnic idiophone and computer | 物质 |
| CHINA | Female | Mixed music | 2011 |
2017-11-06 16:16:04 | FENG Jian
冯坚 | Sound Between the Lines |
|
| CHINA | Female | Mixed music | 0000 |
2017-11-06 16:11:15 | FENG Jian
冯坚 | The furthest distance in the world - for erhu, xiao and electroacoustic music | 迢途 |
| CHINA | Female | Mixed music | 2010 |
2013-04-04 09:38:47 | FENG Jinshuo
冯金硕 | Dawn | 曙光 - 电子音乐与现代芭蕾
|
| CHINA | Male | Applied | 2010 |
2016-06-16 15:55:34 | FENG Jinshuo
馮金碩 | Gu Shu Xinyu | 古樹新語 | 1986 | CHINA | Male | Electroacoustic Music | 0000 |
2013-04-04 09:44:10 | FENG Jinshuo
冯金硕 | i | i | 1986 | CHINA | Male | Electroacoustic | 2010 |
2017-11-04 11:03:18 | FENG Jinshuo
冯金硕 | Line of voice and string |
| 1986 | CHINA | Male | Real-time music | 2017 |
2013-03-27 12:56:05 | FENG Jinshuo
冯金硕 | LOOP I - 2 | LOOP I 组曲第二首 | 1986 | CHINA | Male | Electroacoustic | 2011 |
2013-03-27 12:59:33 | FENG Jinshuo
冯金硕 | LOOP I - 3 | LOOP I 组曲第三首 | 1986 | CHINA | Male | Electroacoustic Multimedia | 2012 |
2014-06-07 21:50:33 | FENG Jinshuo
冯金硕 | Peanuts Dance 2007 | 花生舞蹈 2007
| 1986 | CHINA | Male | Applied | 2007 |
2016-06-16 15:54:34 | FENG Jinshuo
馮金碩 | Taoyun Wuqu | 陶韻舞曲 | 1986 | CHINA | Male | Electroacoustic Music | 0000 |
2017-11-04 10:45:05 | FENG Jinshuo
冯金硕 | The Pipe Duet- |
| 1986 | CHINA | Male | Real-time music | 2017 |
2015-03-11 16:08:40 | FENG Ling-Hsuan
馮玲軒 | SET |
| 1990 | TAIWAN | Female | Electroacoustic Music | 2015 |
2020-01-08 07:00:06 | FENG Ling-Hsuan
馮玲軒 | SET |
| 14 Oct 1990 | TAIWAN | Female | Electroacoustic Music | 0000 |
2015-03-13 22:49:50 | FIELDS Ken
| Grid |
|
| UNITED STATES | Male | Mixed music | 2010 |
2013-12-24 11:56:59 | FIELDS Ken
| v4v6 |
| 1953 | UNITED STATES | Male | Electroacoustic music | 2009 |
2022-04-13 12:02:35 | FU Yu
付玉 | Her Voices | 她的声音 | 1997 | CHINA | Female | AudioVisual | 0000 |
2022-04-13 12:02:35 | FU Yu
付玉 | Her Voices | 她的声音 | 1997 | CHINA | Female | AudioVisual | 0000 |
2016-05-03 14:05:55 | FUCHINO Sakae
| Farbenlehre II |
| 1954 | JAPAN | Male | mixed music | 1991 |
2019-09-01 04:16:49 | FUJIEDA Mamoru
藤枝 守 | Just Chimes Radiated |
| 1955 | JAPAN | Male |
| 2011 |
2015-06-23 14:19:50 | FUJIEDA Mamoru
藤枝 守 | Monochord Suspended | 宙づりのモノコード | 1955 | JAPAN | Male |
| 2009 |
2015-06-23 14:14:35 | FUJIEDA Mamoru
藤枝 守 | Song of night* | 夜の歌～珪藻土からの儀礼歌 | 1955 | JAPAN | Male | Theater | 2005 |
2015-06-22 12:19:26 | FUJIKURA Dai
藤倉 大 | Blue Sky Falling |
| 1977 | JAPAN | Male |
| 2001 |
2015-06-22 12:33:53 | FUJIKURA Dai
藤倉 大 | I dreamed on singing flowers |
| 1977 | JAPAN | Male |
| 2012 |
2015-06-22 11:53:19 | FUJIKURA Dai
藤倉大 | K's Ocean |
| 1977 | JAPAN | Male | Mixed music | 2009 |
2015-06-22 12:42:12 | FUJIKURA Dai
藤倉 大 | moromoro |
| 1977 | JAPAN | Male |
| 2003 |
2015-05-07 12:10:36 | FUJIKURA Dai
藤倉大 | Phantom Splinter |
| 1977 | JAPAN | Male | Mixed music | 2009 |
2015-05-07 12:00:59 | FUJIKURA Dai
藤倉大 | Poison Mushroom |
| 1977 | JAPAN | Male | Mixed music | 2003 |
2015-05-07 12:08:09 | FUJIKURA Dai
藤倉大 | Prism spectra |
| 1977 | JAPAN | Male | Mixed music | 2009 |
2015-05-07 12:13:35 | FUJIKURA Dai
藤倉大 | Solaris |
| 1977 | JAPAN | Male | Mixed music | 2015 |
2015-06-22 12:06:10 | FUJIKURA Dai
藤倉 大 | Sparking Orbit |
| 1977 | JAPAN | Male |
| 2013 |
2015-05-07 12:18:15 | FUJIKURA Dai
藤倉大 | Swarming essence |
| 1977 | JAPAN | Male | Mixed music | 2007 |
2015-06-22 12:18:23 | FUJIKURA Dai
藤倉 大 | The Spirit of Beings |
| 1977 | JAPAN | Male |
| 2012 |
0000-00-00 00:00:00 | FUJIKURA Dai
藤倉大 | Vast Ocean |
| 1977 | JAPAN | Male | Mixed music | 2005 |
2012-12-14 21:36:21 | FUJIMURA Osamu (with Max MATHEWS)
| International Lullaby |
| 1927 | JAPAN | Male | Tape (computer generated music) | 1966 |
2023-02-18 16:00:57 | FUJISHIRO Tatsuya
藤城達也 | Nué |
|
|
| Male |
| 0000 |
2020-04-05 10:54:26 | FUJITA Masanori
| Dimension |
| 1946 | JAPAN | Male | Shakuhachi,harp,percussion,tape | 0000 |
2015-05-25 14:26:09 | FUKAI Shirō
深井 史郎 | Music for microphone | マイクロフォンの為の音楽 | 1907-1959 | JAPAN | Male | tape | 1952 |
2015-05-07 12:30:07 | FUKUDA Makoto
福田 誠 | Hook up the Transmission Line* | 送電線をつなぐ |
|
| Male |
| 1968 |
2017-11-06 14:06:11 | FUKUDA Takuto
福田拓人 | 2/2 |
| 1984 | JAPAN | Male | Mixed music | 2009 |
2017-11-06 11:25:57 | FUKUDA Takuto
福田拓人 | Assimilation |
| 1984 | JAPAN | Male | Mixed music | 2013 |
2017-11-06 11:26:12 | FUKUDA Takuto
| Beyond the Eternal Chaos |
| 1984 | JAPAN | Male | Mixed music | 2014 |
2017-11-06 14:07:17 | FUKUDA Takuto
福田拓人 | Beyond the Eternal Chaos |
| 1984 | JAPAN | Male | Mixed music | 2014 |
2014-08-16 23:17:07 | FUKUDA Takuto
福田拓人 | Chronoscope |
| 1984 | JAPAN | Male | sound/visual interactive installation | 2007 |
2014-08-16 23:15:05 | FUKUDA Takuto
福田拓人 | Flash back |
| 1984 | JAPAN | Male | Tape (stereo) | 2006 |
2014-08-16 23:29:39 | FUKUDA Takuto
福田拓人 | Satellite |
| 1984 | JAPAN | Male | octaphonic fixed medium | 2010 |
2014-08-16 23:25:02 | FUKUDA Takuto
福田拓人 | Still-life of cb |
| 1984 | JAPAN | Male | fixed media played on an 8 channel speaker system | 2013 |
2014-08-16 23:30:56 | FUKUDA Takuto
福田拓人 | Transmigration |
| 1984 | JAPAN | Male | for octaphonic fixed medium | 2010 |
2015-05-07 13:47:44 | FUKUSHIMA Kazuo
福島 和夫 | Music for auto-slide "Form is created" | オート・スライド「水泡は創られる」の音楽 | 1930 | JAPAN | Male | tape | 1953 |
2015-05-07 13:48:05 | FUKUSHIMA Kazuo
福島 和夫 | Poetic drama : A butterfly is not a spider | 詩劇「蝶は蜘蛛ではない」の音楽 | 1930 | JAPAN | Male | narrator，tape | 1959 |
2015-06-23 14:45:47 | FURUKAWA Kiyoshi
古川 聖 | 12 Formen |
| 1959 | JAPAN | Male | MIDI Piano | 1995 |
2015-06-23 14:41:57 | FURUKAWA Kiyoshi
古川 聖 | a manner of dressing I |
| 1959 | JAPAN | Male | MIDI Piano | 1988 |
2015-06-23 14:37:49 | FURUKAWA Kiyoshi
古川 聖 | Antonio.. |
| 1959 | JAPAN | Male |
| 1988 |
2015-06-23 15:16:24 | FURUKAWA Kiyoshi
古川 聖 | Franklin's Kate |
| 1959 | JAPAN | Male | Computer music system | 1986 |
2015-06-23 14:34:19 | FURUKAWA Kiyoshi
古川 聖 | invisible sculpture |
| 1959 | JAPAN | Male |
| 1987 |
2015-06-23 15:19:57 | FURUKAWA Kiyoshi
古川 聖 | mandala or Spinozist's city |
| 1959 | JAPAN | Male |
| 1991 |
2023-02-19 01:22:08 | FURUKAWA Kiyoshi
古川 聖 | Moes Field |
| 1959 |
| Male |
| 0000 |
2015-06-23 15:12:32 | FURUKAWA Kiyoshi
古川 聖 | Mrs. M and her geographisation |
| 1959 | JAPAN | Male | Tape, Synclavier II | 1986 |
2015-06-23 15:17:49 | FURUKAWA Kiyoshi
古川 聖 | QQQQQ |
| 1959 | JAPAN | Male | Carl/Vax/Cmusic | 1988 |
2015-06-23 14:58:55 | FURUKAWA Kiyoshi
古川 聖 | Situatio |
| 1959 | JAPAN | Male | Tape, Synclavier II | 1982 |
2015-06-23 14:35:53 | FURUKAWA Kiyoshi
古川 聖 | Sonett" for soprano |
| 1959 | JAPAN | Male |
| 1987 |
2015-06-23 14:43:48 | FURUKAWA Kiyoshi
古川 聖 | Splendent Meridian II |
| 1959 | JAPAN | Male |
| 1989 |
2015-06-23 15:21:35 | FURUKAWA Kiyoshi
古川 聖 | Szenen |
| 1959 | JAPAN | Male |
| 1995 |
2015-06-23 15:00:16 | FURUKAWA Kiyoshi
古川 聖 | Walking II |
| 1959 | JAPAN | Male | Tape, Synclavier II | 1984 |
2015-06-23 15:03:21 | FURUKAWA Kiyoshi
古川 聖 | Walking II |
| 1959 | JAPAN | Male | Tape, Synclavier II | 1985 |
2015-05-07 13:49:28 | GARNIER Ilse / NIIKUNI Seiichi
GARNIER Ilse / 新国 誠一 | La mer | 海 | 1927 / 1925-1977 |
| N/A | tape | 1966 |
2013-01-05 12:05:45 | GARNIER Ilse / NIIKUNI Seiichi
GARNIER Ilse / 新国 誠一 | Thalatta |
| 1927 / 1925-1977 |
| N/A | tape | 1966 |
2013-01-05 12:05:53 | GARNIER Pierre / NIIKUNI Seiichi
GARNIER Pierre / 新国 誠一 | Climats | 風土 | 1928 / 1925-1977 |
| N/A | tape | 1966 |
2016-07-06 23:47:45 | GERMANAVICIUS Vylautas
V - 日耳曼那维修斯 | LUMINOUS | LUMINOUS | 1969 | LITHUANIA | Male | Mixed Music | 2005 |
2016-07-06 23:51:57 | GERMANAVICIUS Vylautas, DUNN Dorsey
V - 日耳曼那维修斯, 多尔西 - 杜恩 | Dong ji er | 动机二 | 1969 | LITHUANIA | Male | Electroacoustic Music | 2005 |
2022-12-08 08:26:34 | GOTO Suguru
後藤英 | Body in Zero G (2016) | 变化 II | 1966 | JAPAN | Male | Mixed Music | 0000 |
2022-12-06 03:27:37 | GOTO Suguru
後藤英 | Cymatics (2012) |
| 1966 | JAPAN | Male | Kinetic sculpture | 0000 |
2022-12-06 03:37:19 | GOTO Suguru
後藤英 | Resonance II (1999) |
| 1966 | JAPAN | Male | Computer-assisted composition | 0000 |
2022-12-06 03:47:44 | GOTO Suguru
後藤英 | RoboticMusic (2009) |
| 1966 | JAPAN | Male | Live electronics | 0000 |
2016-07-11 23:31:15 | GRANIER Benoit
托多尔 - 托多罗夫 | 12/8 | 12/8 | 1988 | FRANCE | Male | Mixed Music | 2013 |
2015-03-13 23:34:10 | GRANIER Benoit
| After dark - Finding Eri asai |
|
| FRANCE | Male | Mixed music | 2010 |
2013-12-24 14:42:21 | GRANIER Benoit
| L'arbre des possibles |
| 1974 | FRANCE | Male | Mixed music | 2008 |
2015-03-16 19:36:45 | GRANIER Benoit
| PU2012 (protoplastus unus) - for piano and electroacoustic music |
|
| FRANCE | Male | Mixed music | 2012 |
2013-12-24 14:44:27 | GRANIER Benoit
| There will time |
| 1974 | FRANCE | Male | Mixed music | 2009 |
2015-03-13 22:48:04 | GREMO Bruce
| Auto-Heterophony |
|
| CANADA | Male | Mixed music | 2010 |
2013-11-12 20:30:30 | GREMO Bruce
| Cilia |
|
|
| Male | Tape | 0000 |
2015-05-07 13:54:28 | group ANONYM (Kenjiro Ezaki, Komei Hashiyama, Fumito Kondo, etc)
グループ・アノニム (江崎健次郎、端山貢明、近藤史人、など) | Anonymous Space | アノニマス・スペース
|
|
| N/A |
| 1973 |
2016-06-16 15:32:00 | GU Rong
古榕 | Qi Cai Da Li | 七彩大理 | 1985 | CHINA | Male | Electroacoustic Music | 0000 |
2017-11-04 10:39:08 | GUAN Liqiong
| Kanas Lake four music moments |
|
| CHINA | Female | Electronic music and dance | 2017 |
2013-11-12 23:09:53 | GUAN Peng
关鹏 | Extremer | 极 |
| CHINA | Male |
| 0000 |
2016-06-21 14:40:53 | GUAN Peng
关鹏 | Feng Yue | 风月 | 1971 | CHINA | Male | Electroacoustic Music | 2002 |
2015-03-14 00:45:17 | GUAN Peng
关鹏 | Fusion - for piano and electroacoustic music | 融 - 为钢琴和电子音乐
|
| CHINA | Male | Mixed music | 2010 |
2016-07-15 02:31:02 | GUAN Peng
关鹏 | Fusion II | 融 II | 1971 | CHINA | Male | Mixed Music | 2013 |
2016-06-21 14:26:31 | GUAN Peng
关鹏 | Jiang Jun Ling | 将军令 | 1971 | CHINA | Male | Electroacoustic Music | 2002 |
2016-06-16 12:41:44 | GUAN Peng
关鹏 | Jiang Jun Ling | 将军令 | 1971 | CHINA | Male | Electroacoustic Music | 0000 |
2016-07-13 00:38:00 | GUAN Peng
关鹏 | Pu An | 普安 | 1971 | CHINA | Male | Mixed Music | 2015 |
2017-04-13 16:13:15 | GUAN Peng
关鹏 | Variation | 变奏 |
| CHINA | Male | Tape | 2008 |
2016-06-21 14:41:52 | GUAN Peng
关鹏 | Wen | 问 | 1971 | CHINA | Male | Electroacoustic Music | 2002 |
2020-01-06 12:11:22 | GUILLIN Mathieu
| Musique de paumé |
|
| FRANCE | Male | Electroacoustic Music | 0000 |
2022-04-13 10:32:25 | GUO Lemon; ZHANG Mengtai
| >19980-Into Silence They Appear |
|
|
|
| AudioVisual | 0000 |
2022-04-13 10:53:24 | GUO Yifan
| ...as Water | 若水 |
| CHINA | Male | Mixed music | 0000 |
2013-11-23 22:36:44 | HA Moon Young
하문영* | Amorphisms |
|
| KOREA (South) | Male | Tape | 2009 |
2013-11-23 22:36:57 | HA Moon Young
하문영* | Mine to steal |
|
| KOREA (South) | Male |
| 2009 |
2015-05-07 14:02:16 | HACHIMURA Yoshio
八村 義夫 | Catch in the Air | 空中キャッチ | 1938-1985 | JAPAN | Male | tape | 1973 |
2016-05-04 09:01:31 | HAMANO Takayuki
濵野 峻行 | Dot-f version 3 |
| 1985 | JAPAN | Male | Interactive work | 2014 |
2022-04-06 12:21:37 | HAN Jinhao
韩金昊 | Shadow and I | 对影 | 1996 | CHINA | Male | Acousmatic music | 0000 |
2022-04-13 12:07:55 | HAN Jinhao; LIU Jiayue; LI Gengyu
韩金昊；刘嘉岳；李耿宇 | Urban evolution |
| 1998 | CHINA | Male | AudioVisual | 0000 |
0000-00-00 00:00:00 | HAN Jung-Eun
한정은 | Etincelle |
| 1975 | KOREA (South) | Female | Mixed music | 2004 |
0000-00-00 00:00:00 | HAN Jung-Eun
한정은 | Pénétrant |
| 1975 | KOREA (South) | Female | Mixed music | 2006 |
2017-10-21 13:59:26 | HAN Ockmi
한옥미 | Experimental Music for Stage Setting |
|
| KOREA (South) | Female | Electronics | 2014 |
2017-10-21 13:58:35 | HAN Ockmi
한옥미 | Exporation |
|
| KOREA (South) | Female | Multimedia | 2014 |
2017-10-21 13:57:57 | HAN Ockmi
한옥미 | Jakarta Monorail 103 with clapping sound |
|
| KOREA (South) | Female | Multimedia | 2014 |
2017-10-21 13:59:02 | HAN Ockmi
한옥미 | "......" Ellipsis, Part 1 |
|
| KOREA (South) | Female | Multimedia | 2016 |
2017-10-21 13:58:52 | HAN Ockmi
한옥미 | "......" Ellipsis, Part 2 |
|
| KOREA (South) | Female | Multimedia | 2016 |
2017-10-21 13:59:12 | HAN Ockmi
한옥미 | "......" Ellipsis, Part 3 |
|
| KOREA (South) | Female | Multimedia | 2016 |
2022-11-09 11:37:57 | HAN Xue
韩雪 | Awake Dream | 半梦 |
| CHINA | Female | Mixed | 0000 |
2022-11-09 11:40:44 | HAN Xue
韩雪 | Voulez-vous une berceuse |
|
| CHINA | Female |
| 0000 |
2015-05-08 08:44:16 | HASEGAWA Yoshio
長谷川 良夫 | The tale of music. The world in a Jar | 音楽物語「瓶の中の世界」
朗読附の交響的変奏曲「瓶の中の世界」 | 1907-1981 | JAPAN | Male | tape | 1956 |
2022-05-03 06:07:09 | HATAKEYAMA Akiko
| Madara | まだら |
| JAPAN | Female | AudioVisual | 0000 |
2017-10-25 20:31:10 | HATAKI Ayumi
| Dimension |
|
| JAPAN |
|
| 0000 |
2020-01-02 03:21:53 | HAVEL Christophe
| Scherzo | 谐谑曲 | 1956 | FRANCE | Male | mixed music | 2019 |
2016-07-15 01:27:26 | HAWORTH Christopher
克里斯多夫 - 霍沃思 | Conjunctive Disjunction | 世界上的三个地方 | ? | EUROPE | Male | Electronic Music | 2014 |
2015-05-07 14:49:40 | HAYAMA Komei
端山 貢明 | Metamolisme Symphonique pour pianoet orchestre | ピアノとオーケストラのための「交響的変容」 | 1932 | JAPAN | Male | pf，orch | 1969 |
2015-05-07 14:33:04 | HAYAMA Komei
端山 貢明 | Trio for ondes martenot, clavesin and vibraphone | オンド・マルトノ、クラヴサン、ヴィブラフォンのための「三重奏曲」 | 1932 | JAPAN | Male | ondes martenot，cemb，vib | 1962 |
2015-05-07 14:20:54 | HAYAMA Komei
端山 貢明 | "Naorai" for 10 percussionists | 十人の打楽器奏者のための「直会」 | 1932 | JAPAN | Male | 10perc | 1971 |
2015-05-07 14:24:12 | HAYAMA Komei
端山 貢明 | "Symbols", Symphony for recitation, electronic sounds and orchestra | 言葉、電子音、オーケストラのための交響曲「象形」 | 1932 | JAPAN | Male | 4narrator，orch，electronic sound | 1965 |
2015-05-07 14:37:28 | HAYASAKA Fumio, TAKEMITSU Toru, SATO Keijirou, SUZUKI Hiroyoshi
早坂 文雄，武満 徹，佐藤 慶次郎，鈴木 博義 | Four Seasons of Sound* | 音の四季 |
|
| Male | tape （orch，pf，hp，vib，concréte sound） | 1955 |
2015-04-05 17:46:28 | HAYASHI Taiga
林 大雅 | Suite K-1* | Ｋ−１組曲 |
|
| Male | composed by computer | 1961 |
2015-05-07 14:51:39 | HAYASHI Taiga
林 大雅 | TOSBAC Suite | TOSBAC組曲 |
|
| Male | composed by computer (TOSBAC-3100) | 1962 |
0000-00-00 00:00:00 | HE Xun-tian
何训田 | Four Dreams | 梦四则 | 1953 | CHINA | Male | Mixed Music | 1989 |
2022-11-16 11:02:19 | HE Yuanyuan
贺圆圆 | On the Excenter of a Blind Spot | 移动的盲点 |
| CHINA | Female | AudioVisual | 0000 |
2016-06-02 18:35:33 | HIGAKI Tomonari
檜垣 智也 | Arbre de silence | 沈黙の木 | 1974 | JAPAN | Male |
| 2003 |
2016-06-02 18:34:54 | HIGAKI Tomonari
檜垣 智也 | Arc-en-ciel nocturne | 夜の虹 | 1974 | JAPAN | Male |
| 2003 |
2016-06-02 18:34:30 | HIGAKI Tomonari
檜垣 智也 | Chanson de la femme fantôme | 幽霊の歌 | 1974 | JAPAN | Male |
| 2006 |
2017-10-25 18:49:44 | HIGAKI Tomonari
檜垣 智也 | La Mémoire Du Corps Qui Respire Ou Quatre Contacts |
| 1974 | JAPAN | Male | Tape | 0000 |
2016-06-02 19:05:43 | HIGAKI Tomonari
檜垣 智也 | La plus que lente, le plus que piano (Petite musique n°1) | レントより遅く、ピアノより弱く〜小さな音楽第１番 | 1974 | JAPAN | Male |
| 2014 |
2016-06-02 18:36:56 | HIGAKI Tomonari
檜垣 智也 | Mahoroba |
| 1974 | JAPAN | Male |
| 2006 |
2016-06-02 19:05:59 | HIGAKI Tomonari
檜垣 智也 | Prisonnière | 囚われた女〜秋山邦晴のテープレコーダーのための詩による | 1974 | JAPAN | Male |
| 2013 |
2017-10-25 15:04:56 | HIGAKI Tomonari
檜垣 智也 | Souff [l/r] ant |
| 1974 | JAPAN | Male |
| 2004 |
2016-06-02 19:06:32 | HIGAKI Tomonari
檜垣 智也 | Souplesse |
| 1974 | JAPAN | Male |
| 2013 |
2017-10-25 19:06:23 | HIGAKI Tomonari
檜垣 智也 | The Language's Song |
| 1974 | JAPAN | Male |
| 2000 |
2017-10-25 20:09:37 | HIGAKI Tomonari
檜垣 智也 | Une Place, la nuit éternelle |
| 1974 | JAPAN | Male | Tape | 2008 |
2015-05-07 14:53:47 | HIRAISHI Hirokazu
平石 博一 | Time |
| 1948 | JAPAN | Male | pf, el-pf, el-g, el-bass, dr, el-vn, 3f-vo | 1973 |
2016-05-03 14:09:13 | HIRAISHI Hirokazu
平石 博一 | Time Turning |
| 1948 | JAPAN | Male | electronic music | 1992 |
2015-05-07 15:02:10 | HIROSE Ryouhei
廣瀬 量平 | Flora 1971 | 電子音とピアノ、チェレスタ、ハープ、打楽器のための「フローラ 1971」 | 1930-2008 | JAPAN | Male | electronic sound, pf, celesta, hp, perc | 1970 |
2015-05-07 15:18:17 | HISATOME Tomoyuki
久留智之 | Ensaladas | エンサラーダ | 1955 | JAPAN | Male | Mixed music | 1995 |
2015-08-31 14:33:04 | HOH Chungshih
何忠实 | Victory of Will, the Deathethics of Bias |
| 1970 | SINGAPORE | Male |
| 0000 |
2015-08-31 14:33:16 | HOH Chungshih
何忠实 | Victriry of Will, the deafthetics of Bias | 意志的胜利, 偏执的失聪 | 1970 | SINGAPORE | Male | Electroacoustic music | 2008 |
2020-01-02 08:17:27 | HONG Lu
洪露 | Three Life of Floating | 浮生三记 |
|
| Female | Acousmatic | 2019 |
2020-07-08 10:53:39 | HONG Sungji
홍성지 | Black Arrow |
| 1973 | KOREA (South) | Female | Mixed music | 0000 |
2020-01-05 03:32:39 | HONG Sungji
홍성지 | Shine |
| 1973 | KOREA (South) | Female | Mixed music | 2015 |
2020-07-08 10:57:48 | HONG Sungji
홍성지 | Transfiguration | in Amaryllis Fleming Concert Hall at the Royal College of Music in London on 20 January 2017. | 1973 | KOREA (South) | Female | Mixed music | 0000 |
2022-04-13 09:53:11 | HOU Yihan
侯轶涵 | Yan | 魇 |
| CHINA |
| Computer Music | 0000 |
2017-11-04 11:07:24 | HOU Zhipeng
| Error |
|
| CHINA | Male | multimedia electronic music | 2017 |
2022-05-03 07:58:17 | HSIEH Olifa
謝靜瑩 | Hear the Light | 看见光 |
| TAIWAN | Female | AudioVisual | 0000 |
2022-05-03 08:06:31 | HSIEH Olifa
謝靜瑩 | Hear the Light | 看见光 |
| TAIWAN | Female | AudioVisual | 0000 |
2022-12-02 06:49:22 | HSIUNG Jen-Yueh
熊仁岳 | Firefly | 螢 |
| CHINA | Male | Mixed music | 0000 |
2015-08-31 14:34:24 | HUANG Chih Fang
黃志方 | Galaxy - for fractal image and computer music | 银河
| 1965 | TAIWAN | Female | Multimedia | 2012 |
2015-08-31 14:34:36 | HUANG Chih Fang
黃志方 | Image I, II - for pipa, vocal and electronic music | 映像 I II | 1965 | TAIWAN | Female | Mixed music | 2011 |
2020-01-08 08:10:03 | HUANG Chih Fang
黃志方 | Raga-Maqam Fantasy |
|
|
| Male | mixed music | 0000 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Alienation | 異化 | 1965 | TAIWAN | Male |
| 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Bamboo | 竹 | 1965 | TAIWAN | Male | Musical Interaction (Max/MSP) | 2009 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Concertino | 小協奏曲 | 1965 | TAIWAN | Male | Musical Interaction | 2006 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Dance Arabesque | 舞蹈隨想 | 1965 | TAIWAN | Male | Instrument and dance improvisation | 2009 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Drift | 漂 | 1965 | TAIWAN | Male | Image improvisation and music interaction | 2009 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Fallen Leaves | 落葉 | 1965 | TAIWAN | Male | Interaction Music | 2009 |
2015-03-17 00:40:17 | HUANG Chih-Fang
黃志方 | Flowing water | 流水 | 1965 | TAIWAN | Male | Interactive electroacoustic | 0000 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Gagaku Impressions | 雅樂印象 | 1965 | TAIWAN | Male | Electroacoustic Music | 2004 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | He mu du Fantasy | 河姆渡幻想曲 | 1965 | TAIWAN | Male | Electroacoustic Music | 2005 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Hu gu po Song | 虎姑婆 | 1965 | TAIWAN | Male | Electroaoucstic for performance | 2011 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Image II | 映像 II | 1965 | TAIWAN | Male | Mixed Music | 0000 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Microcosmos | 小宇宙 | 1965 | TAIWAN | Male | Electroacoustic Music | 2006 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Mirror Resembling Dream | 鏡外形酷似夢 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | My Memory Had Magnified | 我的記憶中，誇大了 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Piano Concertino | 鋼琴小協奏曲 | 1965 | TAIWAN | Male |
| 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Pine | 松 | 1965 | TAIWAN | Male |
| 2007 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Precession of Echo | 歲差迴聲 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Quiet Wanders Laughing | 安靜德斯笑 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Separation* | 長亭.送別 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Song of Wanderers | 流浪者之歌 | 1965 | TAIWAN | Male | Mixed Music | 2001 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Spools | 線軸 | 1965 | TAIWAN | Male | Mixed Music | 2010 |
2020-01-02 08:48:31 | HUANG Chih-Fang
黄志方 | Sublimation | 升华 |
|
| Male | mixed music | 2019 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Tea-picking Song* | 採茶歌 | 1965 | TAIWAN | Male | Mixed Music | 2012 |
2019-09-02 05:33:19 | HUANG Chih-Fang
黃志方 | The Great Sound Seems Soundless | 大音希聲 | 1965 | TAIWAN | Male | Visual and electroacoustic | 2011 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | The Sound of Natural | 自然之聲 | 1965 | TAIWAN | Male | Electroacoustic Music | 2001 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Three Taiwanese Landscapes | 臺灣三景 – 風吹砂、 墾丁夜空、 合歡飄雪 | 1965 | TAIWAN | Male | Multimedia 碎形動畫與演算法 | 2008 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Trio | 三重奏 | 1965 | TAIWAN | Male | Mixed Music Improvisation | 2011 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Variations on a Theme in Ancient Style | 古樂風格主題與變奏 | 1965 | TAIWAN | Male | Mixed Music | 2011 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | White Cloud | 白雲 | 1965 | TAIWAN | Male | Musical Interaction | 2006 |
0000-00-00 00:00:00 | HUANG Chih-Fang
黃志方 | Wind Fantasy | 風之隨想 | 1965 | TAIWAN | Male |
| 2006 |
2016-07-14 23:54:42 | HUANG Jeff
黄志方 | Raga - Maqam Fantasy | 拉格木卡姆幻想曲 | ? | TAIWAN | Male | Mixed Music | 2014 |
2013-05-28 15:53:47 | HUANG Qin
黄芹 | Ah ! | Aaaah ! | 1981 | CHINA | Female | im Rahmen des Marathon IV für Junge Komponisten | 2010 |
2013-08-26 23:54:13 | HUANG Qin
黄芹 | Industrie | Industrie | 1981 | CHINA | Female | Electroacoustic music/Radiophonie | 2009 |
2013-08-26 23:50:45 | HUANG Qin
黄芹 | Mich dürstet | Mich dürstet | 1981 | CHINA | Female | for trombone solo and electronics | 2010 |
2013-05-28 15:54:13 | HUANG Qin
黄芹 | Text - for electronics and 5 actors | Text - für Elektronik und 5 Schauspieler | 1981 | CHINA | Female |
| 2008 |
2013-08-19 17:43:34 | HUANG Tsai-yun
| Imaginary Place |
|
| TAIWAN | Female | Mixed music | 2007 |
2016-07-14 23:58:22 | HUANG Xu
黄旭 | Wandering | 徘徊 - 行走 | ? | CHINA | Female | Mixed Music | 2014 |
2022-04-06 12:28:39 | HUANG Yaotian
黄耀田 | Echoes in Wooden Spaces | 木质空间里的回响 |
| CHINA | Male | AudioVisual | 0000 |
2022-07-20 04:56:27 | HUANG Yuelin
黄玥琳 | Into the dark surging stars | 坠入暗涌的星斗 | 1996 | CHINA | Female | Acousmatic music | 0000 |
2016-06-21 11:51:51 | HUANG Zhifang
黄志方 | Gang Qin Xiao Xie Zou Qu | 钢琴小协奏曲 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2016-06-21 11:52:42 | HUANG Zhifang
黄志方 | Liu | 流 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2016-06-21 11:50:28 | HUANG Zhifang
黄志方 | Liu Lang Zhe Zhi Ge | 流浪者之歌 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2016-06-21 11:51:18 | HUANG Zhifang
黄志方 | Song | 松 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2016-06-21 11:53:33 | HUANG Zhifang
黄志方 | Taiwan san jing | 台湾三景 | 1965 | TAIWAN | Male | Electroacoustic Music | 0000 |
2016-06-21 11:54:30 | HUANG Zhifang
黄志方 | Xiao Yu Zhou | 小宇宙 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2016-06-21 11:55:18 | HUANG Zhifang
黄志方 | Zhu | 竹 | 1965 | TAIWAN | Male | Mixed Music | 0000 |
2013-08-27 00:16:14 | HUI Steve Ngo-shan
許敖山 | Aeolian FX – Airport | 風流城聲 - 機場 | 1974 | HONG KONG | Male | Mixed music | 2010 |
2013-08-27 00:16:28 | HUI Steve Ngo-shan
許敖山 | Four Symbols | 四象 | 1974 | HONG KONG | Male | Mixed music | 2011 |
2013-08-27 00:16:39 | HUI Steve Ngo-shan
許敖山 | Self Loop | 不鼓自鳴 | 1974 | HONG KONG | Male | Computer music | 2011 |
2013-08-27 00:22:37 | HUI Steve Ngo-shan
許敖山 | Solstice to Solstice |
| 1974 | HONG KONG | Male |
| 0000 |
2013-08-27 00:22:26 | HUI Steve Ngo-shan
許敖山 | The Butterfly Process | 蝶化 | 1974 | HONG KONG | Male | Mixed music | 2011 |
2013-08-27 00:16:49 | HUI Steve Ngo-shan
許敖山 | The Four Infinities | 四象萬相 | 1974 | HONG KONG | Male | Mixed music | 0000 |
2013-08-27 00:18:29 | HUI Steve Ngo-shan
許敖山 | The Memory Palace of Matteo Ricci | 利瑪竇的記憶宮殿 | 1974 | HONG KONG | Male | Digital multimedia opera | 2010 |
2020-01-08 07:39:06 | HUNG Shih-Lin
洪世霖 | Autumn Meditation | 秋思 |
|
| Male | Acousmatic | 0000 |
2016-05-25 01:01:43 | HWANG Sung Ho
황성호 | Hyungsan |
| 1955 | KOREA (South) | Male | Mixed Music | 0000 |
0000-00-00 00:00:00 | HWANG Sung Ho
황성호 | Sabba | 사바 | 1955 | KOREA (South) | Male | Tape | 2010 |
0000-00-00 00:00:00 | HWANG Sung Ho
황성호 | Silhouette for piano and tape |
| 1955 | KOREA (South) | Male |
| 1998 |
0000-00-00 00:00:00 | HWANG Sung Ho
황성호 | TV scherzo |
| 1955 | KOREA (South) | Male |
| 1995 |
2015-06-28 17:08:34 | ICHINOSE Kyo
一ノ瀬 響 | Further Than “Lontano” |
| 1972 | JAPAN | Male |
| 2005 |
2015-06-28 17:13:14 | ICHINOSE Kyo
一ノ瀬 響 | moving blocks | うごくつみき | 1972 | JAPAN | Male |
| 2004 |
2015-06-28 17:04:48 | ICHINOSE Kyo
一ノ瀬 響 | Waiting for the wind | 風を待つ部屋 | 1972 | JAPAN | Male |
| 2006 |
2015-05-07 16:10:08 | ICHIYANAGI Toshi
一柳 慧 | Activities for brass instruments | アクティヴィティーズ | 1933 | JAPAN | Male | live electronic ensemble，orch | 1967 |
2015-05-07 16:14:20 | ICHIYANAGI Toshi
一柳 慧 | Appearance for 3 instrument players, 2 oscillators and 2 ringmodulators | ３つの楽器、２台のオッシレーターとリング変調器のための「アピアレンス」 | 1933 | JAPAN | Male | 3instrument，2oscillator，2 ring modulator | 1967 |
2015-05-07 16:22:24 | ICHIYANAGI Toshi
一柳 慧 | Blood, Mecanical Still Blood (Film music)* | 映画「血液 止血とそのしくみ」の音楽 | 1933 | JAPAN | Male |
| 1962 |
2015-05-07 16:33:18 | ICHIYANAGI Toshi
一柳 慧 | Collage | 尺八、箏、ヴァイオリン、ヴィオラ、チェロ、コントラバス、銅鑼とオペレータのための「コラージュ」 | 1933 | JAPAN | Male | Shakuhachi, Koto, vn, va, vc, cb, Tam-tam, operator | 1965 |
2015-05-07 16:37:22 | ICHIYANAGI Toshi
一柳 慧 | Computer Project #1 | コンピューター・プロジェクト 第１ | 1933 | JAPAN | Male | tape（voice simulater） | 1969 |
2015-05-07 16:39:34 | ICHIYANAGI Toshi
一柳 慧 | Computer Space |
| 1933 | JAPAN | Male |
| 1970 |
2015-05-07 16:44:30 | ICHIYANAGI Toshi
一柳 慧 | Coup d'État | 映画「戒厳令」の音楽 | 1933 | JAPAN | Male |
| 1973 |
2012-12-27 09:04:18 | ICHIYANAGI Toshi
一柳 慧 | D+I-BGS-I | Ｄ＋Ｉ−ＢＧＳ−Ｉ | 1933 | JAPAN | Male | tape | 1968 |
2015-05-24 12:26:14 | ICHIYANAGI Toshi
一柳 慧 | Emptiness* | 空（色即是空・空即是色） | 1933 | JAPAN | Male | tape | 1965 |
2015-05-07 17:03:24 | ICHIYANAGI Toshi
一柳 慧 | Eros Plus Massacre | 映画「エロス＋虐殺」の音楽 | 1933 | JAPAN | Male |
| 1969 |
2015-05-07 17:03:10 | ICHIYANAGI Toshi
一柳 慧 | Expansion | 映画「エクスパンジョン」の音楽 | 1933 | JAPAN | Male | tape | 1972 |
2015-05-07 17:04:44 | ICHIYANAGI Toshi
一柳 慧 | Expo 70, Music for the Opening Ceremony "Event of Robot" (Music of Robot)* | 日本万国博覧会開会式「ロボットのイヴェント」の音楽（ロボットの音楽） | 1933 | JAPAN | Male | tape (computer) | 1970 |
2015-12-28 05:33:23 | ICHIYANAGI Toshi
一柳 慧 | Extended Voices for voices with Moog synthesizer and Buchla associates electronic modular system | エクステンデッド・ヴォイセス | 1933 | JAPAN | Male | cho，tape （syn） | 1967 |
2015-05-07 17:13:32 | ICHIYANAGI Toshi
一柳 慧 | For Sam Francis* | サム・フランシスのために | 1933 | JAPAN | Male | tape | 1968 |
2015-05-07 17:17:23 | ICHIYANAGI Toshi
一柳 慧 | For strings #2 (live electronic version)
For strings No. 2 with Stanzas (live electronic version) |
| 1933 | JAPAN | Male | vn，cartridge-vn with amplification | 1966 |
2015-12-28 06:32:52 | ICHIYANAGI Toshi
一柳 慧 | From The Works Of Tadanori Yokoo |
| 1933 | JAPAN | Male | Opera (multimedia) and electronics | 1969 |
2015-12-28 05:32:22 | ICHIYANAGI Toshi
一柳 慧 | Funakakushi | 船隠 | 1933 | JAPAN | Male | tape | 1963 |
2015-05-08 14:57:25 | ICHIYANAGI Toshi
一柳 慧 | Gate (Theater music)* | 劇「門」の音楽 | 1933 | JAPAN | Male |
| 1966 |
2015-05-08 14:57:49 | ICHIYANAGI Toshi
一柳 慧 | Guillame (Animation music)* | アニメーション「ギヨーム」の音楽 | 1933 | JAPAN | Male | tape | 1965 |
2015-05-24 11:26:44 | ICHIYANAGI Toshi
一柳 慧 | Invitation to the Dark | 暗黒への招待 | 1933 | JAPAN | Male | tape （narrator，traditional instruments，tape） | 1964 |
2015-05-08 14:54:09 | ICHIYANAGI Toshi
一柳 慧 | Keyhole (Theater music)* | 演劇「鍵穴」の音楽 | 1933 | JAPAN | Male |
| 1964 |
2015-05-08 14:58:13 | ICHIYANAGI Toshi
一柳 慧 | Life Music | ライフ・ミュージック | 1933 | JAPAN | Male | tape | 1964 |
2015-05-08 15:15:21 | ICHIYANAGI Toshi
一柳 慧 | Life Music for various modulators, magnetic tape and orchestra
Life Music for magnetic tape, orchestra and electronics sound breaker | オーケストラと多種の変調器、磁気テープのための「ライフ・ミュージック」 | 1933 | JAPAN | Male | orch，tape，electronic sound breaker | 1966 |
2015-05-08 15:20:48 | ICHIYANAGI Toshi
一柳 慧 | Live Electronic Space | ライヴ・エレクトロニック・スペース（エレクトロニック・スペース） | 1933 | JAPAN | Male | Shakuhachi, pf | 1970 |
2015-05-08 15:46:38 | ICHIYANAGI Toshi
一柳 慧 | Metastasis | 映画「メタスタシス」の音楽 | 1933 | JAPAN | Male | tape | 1971 |
2015-05-07 15:45:45 | ICHIYANAGI Toshi
一柳 慧 | Music for animation "Kachikachiyama meotosujimichi"* | アニメーション「堅々獄夫婦庭訓」の音楽 | 1933 | JAPAN | Male |
| 1965 |
2015-05-08 15:01:35 | ICHIYANAGI Toshi
一柳 慧 | Music for Electric Metronome for 3-7 players | 電気メトロノームのための音楽 | 1933 | JAPAN | Male | electric metronomes | 1960 |
2015-05-24 17:21:57 | ICHIYANAGI Toshi
一柳 慧 | Music for Environmental Situation |
| 1933 | JAPAN | Male |
| 1966 |
2015-05-08 15:47:40 | ICHIYANAGI Toshi
一柳 慧 | Music for film "Sain"* | 映画「鎖陰」の音楽 | 1933 | JAPAN | Male |
| 1963 |
2015-05-08 15:29:25 | ICHIYANAGI Toshi
一柳 慧 | Music for piano No. 3, No. 5 (electronic version) | ピアノ音楽第３，第５ (electronic version) | 1933 | JAPAN | Male | pf，tape，electronics | 1969 |
2015-05-08 15:28:59 | ICHIYANAGI Toshi
一柳 慧 | Music for Piano No. 4, electronic version | ピアノ音楽第４ エレクトロニック・ヴァージョン | 1933 | JAPAN | Male | pf, electronics | 1964 |
2015-05-24 17:16:47 | ICHIYANAGI Toshi
一柳 慧 | Music for play "Aido"* | 劇「愛奴」の音楽 | 1933 | JAPAN | Male |
| 1966 |
2015-05-24 18:26:22 | ICHIYANAGI Toshi
一柳 慧 | Music for Strings No. 2 (one violin) with Stanzas (one cartridge violin with amplification) |
| 1933 | JAPAN | Male |
| 1966 |
2015-05-08 14:34:12 | ICHIYANAGI Toshi
一柳 慧 | Music for Tinguely | ミュージック・フォー・ティンゲリー | 1933 | JAPAN | Male | tape | 1963 |
2015-05-08 15:46:59 | ICHIYANAGI Toshi
一柳 慧 | Music for "World of Pulse"* | 映画「パルスの世界 エレクトロニクスと生体と」の音楽 | 1933 | JAPAN | Male |
| 1962 |
2015-05-08 14:37:37 | ICHIYANAGI Toshi
一柳 慧 | Music Project #2 | ミュージック・プロジェクト第２ | 1933 | JAPAN | Male | tape | 1968 |
2015-05-08 14:43:49 | ICHIYANAGI Toshi
一柳 慧 | Music Project No. 3 | ミュージック・プロジェクト第３ | 1933 | JAPAN | Male | cho，tape | 1969 |
2015-05-08 15:48:01 | ICHIYANAGI Toshi
一柳 慧 | Opera "From the Works of Tadanori Yokoo" | オペラ「横尾忠則を歌う」 | 1933 | JAPAN | Male |
| 1968 |
2015-05-08 15:49:02 | ICHIYANAGI Toshi
一柳 慧 | Oxed-Man | アニメーション「牛頭」の音楽 | 1933 | JAPAN | Male |
| 1967 |
2015-12-28 06:35:12 | ICHIYANAGI Toshi
一柳 慧 | Parallel Music | パラレル・ミュージック | 1933 | JAPAN | Male | Tape | 1962 |
2015-05-08 15:52:42 | ICHIYANAGI Toshi
一柳 慧 | Purgatoire eroica | 映画「煉獄エロイカ」の音楽 | 1933 | JAPAN | Male |
| 1970 |
2015-05-24 17:17:29 | ICHIYANAGI Toshi
一柳 慧 | Situation for biwa, koto, violin, contrabass, piano and multiplier | シチュエイション | 1933 | JAPAN | Male | Biwa，Koto，vn，cb，pf，multiplier | 1966 |
2015-04-05 18:50:29 | ICHIYANAGI Toshi
一柳 慧 | Sound Design for Exhibition "Living Space with Sound"* | 展覧会「音のある生活空間」のサウンド・デサイン | 1933 | JAPAN | Male |
| 1972 |
2015-05-08 16:11:40 | ICHIYANAGI Toshi
一柳 慧 | Space | 琵琶とピアノのための「スペース」 | 1933 | JAPAN | Male | Biwa, pf | 1967 |
2015-05-24 17:13:53 | ICHIYANAGI Toshi
一柳 慧 | Space for 2 pianos（electronic version） |
| 1933 | JAPAN | Male | 2pf，2oscillator，modulators | 1966 |
2015-05-08 16:31:45 | ICHIYANAGI Toshi
一柳 慧 | Stanzas for strings instruments
Stanzas for Kenji Kobayashi
Stanzas for any number of string instruments | 弦楽器のための「スタンザス」 | 1933 | JAPAN | Male | str | 1961 |
2015-05-08 16:20:44 | ICHIYANAGI Toshi
一柳 慧 | stereo test record "Moving Pulse" | レコード「耳で聴くステレオ・テスト・レコード『ムービング・パルス』」 | 1933 | JAPAN | Male |
| 1966 |
2015-05-08 16:22:06 | ICHIYANAGI Toshi
一柳 慧 | The Chosen Lactic Acid Bacteria (Film music)* | 映画「選ばれた乳酸菌」の音楽 | 1933 | JAPAN | Male |
| 1965 |
2015-05-08 16:35:08 | ICHIYANAGI Toshi
一柳 慧 | The Pile | ザ・パイル | 1933 | JAPAN | Male |
| 1962 |
2015-05-08 16:38:22 | ICHIYANAGI Toshi
一柳 慧 | The Room | アニメーション「部屋」の音楽 | 1933 | JAPAN | Male |
| 1967 |
2015-05-08 16:46:48 | ICHIYANAGI Toshi
一柳 慧 | The Third Fashion for TV | 第三の流行 | 1933 | JAPAN | Male | tape | 1968 |
2015-05-08 16:51:08 | ICHIYANAGI Toshi
一柳 慧 | Tinguely Mixure | ティンゲリー・ミクスチュア（映画「東京のティンゲリー」の音楽） | 1933 | JAPAN | Male | tape | 1963 |
2015-05-08 16:55:29 | ICHIYANAGI Toshi
一柳 慧 | Tinguely Mixure No. 2 | ティンゲリー・ミクスチュア 第２番 | 1933 | JAPAN | Male | tape | 1963 |
2015-05-08 17:09:51 | ICHIYANAGI Toshi
一柳 慧 | Tokyo 1969（Music Project #1） | 東京1969（ミュージック・プロジェクト第１） | 1933 | JAPAN | Male | Tape | 1969 |
2015-05-08 17:31:28 | ICHIYANAGI Toshi
一柳 慧 | Up to Date Applause for orchestra, rock band and tape | オーケストラとグループ・サウンズおよびテープのための「アップ・トゥ・デイト・アプローズ」 | 1933 | JAPAN | Male | orch，rock band，tape | 1968 |
2015-05-08 17:25:03 | ICHIYANAGI Toshi
一柳 慧 | Vita | 映画「いのち」の音楽 | 1933 | JAPAN | Male |
| 1963 |
2015-05-08 17:28:10 | ICHIYANAGI Toshi
一柳 慧 | Wacoal-Riccar Pavilion, Expo 70 | 日本万国博覧会 ワコール・リッカーミシン館の音楽 （ラヴ・ミュージック） | 1933 | JAPAN | Male | tape | 1970 |
2015-05-07 15:52:46 | ICHIYANAGI Toshi
一柳 慧 | "Environmental Music" #1 for EXPO '70 Festival Plaza | 環境音楽 第１ 日本万国博覧会お祭り広場のための | 1933 | JAPAN | Male | tape | 1970 |
2015-05-07 15:53:47 | ICHIYANAGI Toshi
一柳 慧 | "Environmental Music" #2 for EXPO '70 Festival Plaza | 環境音楽 第２ 日本万国博覧会お祭り広場のための | 1933 | JAPAN | Male | tape | 1970 |
2015-05-07 15:54:51 | ICHIYANAGI Toshi
一柳 慧 | "Environmental Music" #3 for EXPO '70 Festival Plaza | 環境音楽 第３ 日本万国博覧会お祭り広場のための
| 1933 | JAPAN | Male | tape | 1970 |
2015-05-07 15:58:34 | ICHIYANAGI Toshi
一柳 慧 | "Environmental Music" for Takara Group Pavilion | 環境音楽 | 1933 | JAPAN | Male | computer，tape | 1969 |
2015-05-07 16:00:44 | ICHIYANAGI Toshi
一柳 慧 | "Mandarama" for Theme pavilion | マンダラマ | 1933 | JAPAN | Male | tape | 1969 |
2015-05-07 16:05:19 | ICHIYANAGI Toshi
一柳 慧 | "Music for Living Space" for Theme Pavilion | 生活空間のための音楽 | 1933 | JAPAN | Male | tape（computer generated voice，cho） | 1969 |
2015-05-07 16:06:47 | ICHIYANAGI Toshi
一柳 慧 | "Theatre Music" for Takara Group Pavilion | シアター・ミュージック | 1933 | JAPAN | Male | tape | 1969 |
2015-08-31 14:35:10 | ICHIYANAGI Toshi / SATO Keijiro
一柳 慧 / 佐藤 慶次郎 | "Travel to the Universe", Expo 70 Mitsui Pavillion* | 日本万国博覧会 三井グループ館「宇宙への旅」の音響デザイン | -- | JAPAN | Male | sound design | 1970 |
2015-05-08 17:52:11 | IKENO Sei
池野 成 | Music for film "Butterfly in the night"* | 映画「夜の蝶」の音楽 | 1931-2004 | JAPAN | Male | oscillator | 1957 |
2022-04-06 12:36:55 | IKESHIRO Ryo
| White Square |
| 1980 | JAPAN | Male | AudioVisual | 0000 |
2015-06-28 17:44:04 | IMAHORI Takuya
今堀 拓也 | Alchimie for vibraphone, marimba and electronics op. 20 |
| 1978 | JAPAN | Male |
| 2011 |
2015-06-28 18:09:32 | IMAHORI Takuya
今堀 拓也 | Au Cœur for recorder, accodion, percussion and piano op. 10 |
| 1978 | JAPAN | Male |
| 2005 |
2015-06-28 17:41:59 | IMAHORI Takuya
今堀 拓也 | Ave Maria for soprano and electronics op. 22 |
| 1978 | JAPAN | Male |
| 2012 |
2015-06-28 17:33:51 | IMAHORI Takuya
今堀 拓也 | Battement de l’aire des canards dans la roselières for oboe and harp with electronics op. 31 |
| 1978 | JAPAN | Male |
| 2014 |
2015-06-28 17:57:47 | IMAHORI Takuya
今堀 拓也 | Brassage for flute, clarinet, piano and electronics op. 13 |
| 1978 | JAPAN | Male |
| 2007 |
2015-06-28 17:31:37 | IMAHORI Takuya
今堀 拓也 | Cristallisation - d’après «De l’Amour» de Stendhal for ensemble and electronics op. 32 |
| 1978 | JAPAN | Male |
| 2014 |
2015-06-28 17:39:59 | IMAHORI Takuya
今堀 拓也 | Glacier for ensemble of 9 players with electronics |
| 1978 | JAPAN | Male |
| 2012 |
2015-06-28 18:00:02 | IMAHORI Takuya
今堀 拓也 | La lune pâlie de l'aurore (d’après l'essai japonais du 12e siècle “Notes de chevet” de Sei Shonagon) for Ondes-Martenot and electronics op. 12 |
| 1978 | JAPAN | Male |
| 2006 |
2015-06-28 17:53:28 | IMAHORI Takuya
今堀 拓也 | Layer of Lights for piano and sho and electronics op. 16 |
| 1978 | JAPAN | Male |
| 2011 |
2015-06-28 17:47:58 | IMAHORI Takuya
今堀 拓也 | Les chaînes croisées for violin, violoncello and electronics op. 18 |
| 1978 | JAPAN | Male |
| 2011 |
2015-06-28 17:36:53 | IMAHORI Takuya
今堀 拓也 | Les oies sauvages en vol groupé for euphonium and electronics op. 26 |
| 1978 | JAPAN | Male |
| 2013 |
2015-06-28 18:05:21 | IMAHORI Takuya
今堀 拓也 | L’Oiseau dans l'Espace (Hommage à Constantin Brancusi) for piano and electronics op. 11 |
| 1978 | JAPAN | Male |
| 2006 |
2015-06-28 17:50:44 | IMAHORI Takuya
今堀 拓也 | Pater Noster for 4-channel tracks soundfile op. 17 |
| 1978 | JAPAN | Male |
| 2011 |
2015-06-28 17:28:29 | IMAHORI Takuya
今堀 拓也 | Paysage for acousmatic music with video |
| 1978 | JAPAN | Male |
| 2014 |
2015-06-28 17:55:52 | IMAHORI Takuya
今堀 拓也 | Reflet dans les images for flute and electronics op. 14 |
| 1978 | JAPAN | Male |
| 2009 |
2012-12-31 12:55:02 | IMAI Shintaro
今井 慎太郎 | Accumulation |
| 1974 | JAPAN | Male | Mixed music | 2003 |
2015-07-22 13:53:07 | IMAI Shintaro
今井 慎太郎 | Ah for sho and electronics |
| 1974 | JAPAN | Male | Mixed music | 2014 |
2012-12-31 12:43:50 | IMAI Shintaro
今井 慎太郎 | Die Zwitschermaschine.
SUB: für Flöte und Elektronik |
| 1974 | JAPAN | Male | Mixed music | 2003 |
2013-01-04 00:13:58 | IMAI Shintaro
今井 慎太郎 | Emergence of Boundary |
| 1974 | JAPAN | Male | Tape, stereo | 2005 |
2014-08-16 21:57:00 | IMAI Shintaro
今井 慎太郎 | Figure in Aperture |
| 1974 | JAPAN | Male | Audiovisual work | 2009 |
2015-07-22 13:47:14 | IMAI Shintaro
今井 慎太郎 | Figure in Movement |
| 1974 | JAPAN | Male | Tape | 2005 |
2013-01-04 00:27:46 | IMAI Shintaro
今井 慎太郎 | Figure in Movement II |
| 1974 | JAPAN | Male | Mixed Music | 2006 |
2013-01-04 00:26:20 | IMAI Shintaro
今井 慎太郎 | Figure in Movement III
SUB: for double-bass and electronics |
| 1974 | JAPAN | Male | Mixed music | 2007 |
2015-07-22 14:01:09 | IMAI Shintaro
今井 慎太郎 | Figure in Movement IV
SUB: for Nijugo-gen-so |
| 1974 | JAPAN | Male | Mixed music | 2010 |
2012-12-31 12:45:11 | IMAI Shintaro
今井 慎太郎 | Filtering
SUB: for piano and electronics |
| 1974 | JAPAN | Male | Mixed music | 2002 |
2013-01-04 00:37:03 | IMAI Shintaro
今井 慎太郎 | Fluid Grains
SUB: for marimba/ piano and electronics |
| 1974 | JAPAN | Male | Mixed music | 2008 |
2012-12-31 12:52:18 | IMAI Shintaro
今井 慎太郎 | Glitchdesign |
| 1974 | JAPAN | Male | Tape 4-channel | 2003 |
2013-01-04 00:32:27 | IMAI Shintaro
今井 慎太郎 | Immersive Motion Study
SUB: for Wave Field Synthesis System |
| 1974 | JAPAN | Male | Tape | 2007 |
2015-07-22 13:47:27 | IMAI Shintaro
今井 慎太郎 | La Lutte bleue |
| 1974 | JAPAN | Male | Mixed music | 2000 |
2012-12-31 12:49:28 | IMAI Shintaro
今井 慎太郎 | Lautsprechermusik
SUB: für 5 verschiedene Lautsprecher |
| 1974 | JAPAN | Male | Tape 5 channels | 2003 |
2013-01-04 15:02:39 | IMAI Shintaro
今井 慎太郎 | Metafragment |
| 1974 | JAPAN | Male | Mixed music | 2002 |
2013-01-04 15:12:05 | IMAI Shintaro
今井 慎太郎 | Metal Mosquito |
| 1974 | JAPAN | Male | Tape | 2000 |
2013-01-04 14:09:47 | IMAI Shintaro
今井 慎太郎 | Moment
SUB: for organ, choir, strings and electronics |
| 1974 | JAPAN | Male | Mixed music | 2009 |
2015-07-22 13:47:40 | IMAI Shintaro
今井 慎太郎 | Motion and Glitch Study
SUB: for dance, visual image processing and electronic sound |
| 1974 | JAPAN | Male | Mixed music | 2004 |
2015-07-22 13:58:04 | IMAI Shintaro
今井 慎太郎 | Nagare-to-Yodomi for 25 String koto and Electronics |
| 1974 | JAPAN | Male | Mixed music | 0000 |
2013-01-04 14:08:21 | IMAI Shintaro
今井 慎太郎 | Nature of Sand
SUB: for guitar, 13 strings koto and electronics |
| 1974 | JAPAN | Male | Mixed music | 2009 |
2012-12-31 13:24:47 | IMAI Shintaro
今井 慎太郎 | Quartz
SUB: for flute and electronics |
| 1974 | JAPAN | Male | Mixed music | 2004 |
2013-01-04 15:01:32 | IMAI Shintaro
今井 慎太郎 | Resonant Black
SUB: for baritone and computer |
| 1974 | JAPAN | Male | Mixed music | 1999 |
2015-07-22 13:46:58 | IMAI Shintaro
今井 慎太郎 | Resonant Quarks |
| 1974 | JAPAN | Male | Tape 4 channels | 1999 |
2012-12-31 12:26:26 | IMAI Shintaro
今井 慎太郎 | Resonant Quarks II |
| 1974 | JAPAN | Male | Tape | 1999 |
2012-12-31 12:23:52 | IMAI Shintaro
今井 慎太郎 | Resonant Waves |
| 1974 | JAPAN | Male | Mixed music | 1998 |
2013-01-04 15:05:00 | IMAI Shintaro
今井 慎太郎 | Rhythm and Texture
SUB: for marimba/ piano and electronics |
| 1974 | JAPAN | Male | Mixed music | 2008 |
2012-12-31 13:21:58 | IMAI Shintaro
今井 慎太郎 | Ubiquitous
SUB: for flute and electronics |
| 1974 | JAPAN | Male | Mixed music | 2004 |
2015-07-22 13:54:19 | IMAI Shintaro
今井 慎太郎 | Voices in Motion for Electroacoustics |
| 1974 | JAPAN | Male |
| 2013 |
2015-05-08 18:00:29 | IRINO Yoshiro
入野 義朗 | (unknown) |
| 1921-1980 | RUSSIA | Male | tape | 1954 |
2015-05-08 18:10:26 | IRINO Yoshiro
入野 義朗 | Antiphony for Harpthizer |
| 1921-1980 | RUSSIA | Male | hp, syn | 1971 |
2015-05-08 17:59:39 | IRINO Yoshiro
入野 義朗 | Musical poem theatre "A wave and a flute"* | 音楽詩劇「波と笛」 | 1921-1980 | RUSSIA | Male | narrator，mixed-cho，orch，electronic sound | 1960 |
2017-10-25 18:36:44 | ISAWA Takeya
| Flowers are born from buds and shine in the sky* | 花は蕾より生まれし、空に映える |
| JAPAN | Male | Tape | 0000 |
0000-00-00 00:00:00 | ISHIDA Sanae
石田早苗 | Des coquilles écrasées |
| 1979 | JAPAN | Female | Tape | 2005 |
2019-05-10 11:35:57 | ISHII Hiromi
石井紘美 | A Tale of Wind (Was der Wind erzählte) | 風の物語 | 1957 | JAPAN | Female | Visual music | 2010 |
2019-05-09 17:55:55 | ISHII Hiromi
石井紘美 | Aquatic | アクアティック | 1957 | JAPAN | Female | Visual music | 2015 |
2019-05-10 11:34:03 | ISHII Hiromi
石井紘美 | Avian | エイヴィアン | 1957 | JAPAN | Female | Visual music | 2015 |
2015-04-05 19:09:56 | ISHII Hiromi
石井紘美 | Dreaming Stones |
| 1957 | JAPAN | Female | Tape | 1999 |
2015-01-24 16:58:59 | ISHII Hiromi
石井紘美 | Ginn - Gesang |
| 1957 | JAPAN | Female | Tape | 2007 |
2015-04-05 19:10:42 | ISHII Hiromi
石井紘美 | Ginn – Klang |
| 1957 | JAPAN | Female | Tape | 2008 |
2019-05-15 12:30:45 | ISHII Hiromi
石井紘美 | Ginn-Tokio2006 | 吟-Tokio2006 | 1957 | JAPAN | Female | 8ch Tape | 2006 |
2015-04-05 19:12:50 | ISHII Hiromi
石井紘美 | Higashi-e! (Nach Osten!) | 東へ！ | 1957 | JAPAN | Female | Mixed music | 2005 |
2015-04-05 19:13:22 | ISHII Hiromi
石井紘美 | Himorogi I - for Satsuma-biwa and 8ch Eelectronics |
| 1957 | JAPAN | Female | Mixed music | 2003 |
2015-04-05 19:13:56 | ISHII Hiromi
石井紘美 | Himorogi II - for Shakuhachi and 6ch Electronics |
| 1957 | JAPAN | Female | Mixed music | 2003 |
2022-01-19 19:05:37 | ISHII Hiromi
石井紘美 | Ice | アイス | 1957 | JAPAN | Female | Visual music | 0000 |
2015-04-05 19:14:19 | ISHII Hiromi
石井紘美 | Kaze no Michi (Wind Way) - for Shakuhachi and Electronics | 風の道 - 尺八とエレクトロニクスのための | 1957 | JAPAN | Female | Mixed music | 2005 |
2019-05-10 12:00:48 | ISHII Hiromi
石井紘美 | Kiryu-sho | 季流抄 | 1957 | JAPAN | Female | visual music | 2018 |
2019-05-10 11:40:31 | ISHII Hiromi
石井紘美 | Mo's Song | Mo's Song | 1957 | JAPAN | Female | visual music | 2017 |
2015-04-05 19:14:51 | ISHII Hiromi
石井紘美 | Mudai (no title)- for interactive dance performance | 無題 - インタラクティヴ・ダンスパフォーマンスのための | 1957 | JAPAN | Female | Mixed music | 2004 |
2015-04-05 19:15:18 | ISHII Hiromi
石井紘美 | Polymorphia |
| 1957 | JAPAN | Female | Mixed music | 2000 |
2015-04-05 19:17:05 | ISHII Hiromi
石井紘美 | REFRACTION |
| 1957 | JAPAN | Female | Multimedia | 2010 |
2019-05-15 12:33:31 | ISHII Hiromi
石井紘美 | Ryojinfu | 梁塵譜 | 1957 | JAPAN | Female | 3D Acousmatic | 2013 |
2019-05-09 17:29:27 | ISHII Hiromi
石井紘美 | Ryum | 流夢 | 1957 | JAPAN | Female | Visual music | 2008 |
2019-05-15 12:34:06 | ISHII Hiromi
石井紘美 | SHINRA
| SHINRA | 1957 | JAPAN | Female | tape, 8channel | 2011 |
2015-04-05 19:18:51 | ISHII Hiromi
石井紘美 | Steine, Stimme und Sterne |
| 1957 | JAPAN | Female | Mixed music | 2002 |
2015-04-05 19:19:21 | ISHII Hiromi
石井紘美 | Study of… |
| 1957 | JAPAN | Female | Visual music | 2000 |
2015-01-24 17:00:14 | ISHII Hiromi
石井紘美 | Summer Grasses |
| 1957 | JAPAN | Female | Tape | 2004 |
2015-04-05 19:19:54 | ISHII Hiromi
石井紘美 | Ten-Ge
| 天界・下界 | 1957 | JAPAN | Female | tape | 2010 |
2019-05-10 12:04:17 | ISHII Hiromi
石井紘美 | When the bells are rebuilt...
|
| 1957 | JAPAN | Female | visual music | 2012 |
2015-05-08 18:55:25 | ISHII Kan
石井 歓 | Japan Pavilion, Expo 70 | 日本万国博覧会 日本館 １号館の音楽 | 1921-2009 | JAPAN | Male | tape | 1970 |
2015-05-09 10:22:34 | ISHII Maki
石井眞木 | Anime Amare für Harfe und Tonband, Schlagzeug ad lib op.25 | アニメアマーレ | 1936 | JAPAN | Male | Mixed music | 1974 |
2015-05-08 18:50:28 | ISHII Maki
石井 眞木 | Cho-Etsu | 僧侶によるほら貝群、ハープ、打楽器、尺八、電子音響のための「超越」 | 1936-2003 | JAPAN | Male | Hora-gai, Shakuhachi, hp, perc, electronic sound | 1973 |
2015-05-08 19:02:44 | ISHII Maki
石井 眞木 | Gen | テレビ「玄 墨の造化」の音楽 | 1936-2003 | JAPAN | Male | Hora-gai, Shakuhachi, hp, perc, electronic sound | 1973 |
2015-05-08 19:23:14 | ISHII Maki
石井 眞木 | Komolikation für vier Gruppen und Dirigent | 四群（打楽器、オンド・マルトノ、ヴィブラフォン、ヌード）と指揮者のための「交錯」 | 1936-2003 | JAPAN | Male | perc，ondes martenot，vib，dancer | 1962 |
0000-00-00 00:00:00 | ISHII Maki
石井眞木 | Lost Sounds II, op. 33b |
| 1936 | JAPAN | Male | Mixed music | 1978 |
2015-05-08 19:31:55 | ISHII Maki
石井 眞木 | Monodrama für Stimme, gemischten Chor, Orchester und elektronische Klänge | 朗唱、混声合唱、オーケストラ、電子音響のためのモノドラマ「恐山」 | 1936-2003 | JAPAN | Male | narrator，A，mixed-cho，orch，electronic sound | 1964 |
2015-05-08 19:53:38 | ISHII Maki
石井 眞木 | Musique Mobile | ミュージック・モビール | 1936-2003 | JAPAN | Male | tape | 1970 |
2015-05-08 19:57:10 | ISHII Maki
石井 眞木 | Returning Point '71, nude, light, percussion, electronic sound | ヌード、光、打楽器、電子音による「リターニング・ポイント '71」 | 1936-2003 | JAPAN | Male | performer, light, perc, tape | 1971 |
2015-05-09 10:38:18 | ISHII Maki
石井眞木 | Scene of Violet | ダンサーズ、TOKKアンサンブル、照明、電子音響のための「シーン・オブ・ヴァイオレット」 | 1936 | JAPAN | Male | Mixed music | 1975 |
2015-05-08 20:01:08 | ISHII Maki
石井 眞木 | Song of Gallows (TV music)* | テレビ映像のための音楽「絞首台の歌」 | 1936-2003 | JAPAN | Male | Br，m-cho，13players，electronic sound | 1969 |
2015-05-09 10:18:57 | ISHII Maki
石井 眞木 | Yuki Onna (Modern Dance Music)* | モダン・ダンス「ユキオンナ」の音楽 | 1936-2003 | JAPAN | Male |
| 1971 |
2015-05-08 18:37:14 | ISHII Maki
石井 眞木 | "Hamon", Musil für Violino, Kammer-ensemble und Tonbönder | 室内アンサンブルとテープのための音楽「波紋」 | 1936-2003 | JAPAN | Male | vn，chamb-ens，tape | 1965 |
2015-05-08 18:40:42 | ISHII Maki
石井 眞木 | "Kyo-o", Musik für Klavier (Multi-Piano), Orchster und elektronische Klänge | 「 響応」 マルチ・ピアノ、オーケストラ、電子音響のための音楽 | 1936-2003 | JAPAN | Male | Mixed music / pf，multi-pf，orch，tape | 1968 |
2015-05-08 18:43:29 | ISHII Maki
石井 眞木 | "La-sen", Musik für sieben spieler und elektronische Klänge | ７奏者と電子音響のための音楽「螺旋」 | 1936-2003 | JAPAN | Male | Mixed music / fl，ob，hp，pf，3perc，tape | 1969 |
2015-05-08 18:48:19 | ISHII Maki
石井 眞木 | "Sen-Ten" für einen Schlagzeugspieler und elektronische Klänge | 独奏打楽器と電子音響のための「旋轉」 | 1936-2003 | JAPAN | Male | Mixed music / perc, tape | 1970 |
2015-05-08 18:32:36 | ISHII Maki / EZAKI Kenjiro
石井 眞木 / 江崎 健次郎 | Ballet Music Zamuzara | 電子音と現実音のためのバレエ音楽「ザムザラ」 |
| JAPAN, TAIWAN | Male | tape | 1968 |
2015-05-08 18:58:23 | ISHII Maki / EZAKI Kenjiro
石井 眞木 / 江崎 健次郎 | Composition 5 | バレエ音楽「コンポジション５」 |
| JAPAN, TAIWAN | Male | fl，2g，vc，perc，S | 1968 |
2015-05-09 10:48:59 | ISHII Motohi
石井 基斐 | Q‥‥‥ | 電子音とピアノによる「Q‥‥‥。」 |
| JAPAN | Male | pf, tape | 1970 |
2022-08-28 09:03:07 | ISHIKAWA Yasuaki
| Glitter of Garnets |
|
|
| Female |
| 0000 |
2023-02-18 16:04:27 | ISHIKAWA Yasuaki
石川泰昭 | Stone
| Stone
|
|
| Male |
| 0000 |
2020-01-06 12:37:51 | ITO Aki
| Le songe du pendule |
| 1979 | JAPAN | Female | Acousmatic | 2017 |
2020-01-06 12:38:21 | ITO Aki
| Libration 1er, 2e, et 3e tours |
| 1979 | JAPAN | Female | Acousmatic binaural | 2018 |
2020-01-06 12:45:36 | ITO Aki
| me_slowness |
| 1979 | JAPAN | Female | Mixed music | 2005 |
2020-01-06 12:43:53 | ITO Aki
| Prinsessa leikkii The Princess Plays La princesse s'amuse |
| 1979 | JAPAN | Female | Mixed music | 2015 |
2020-01-06 12:35:15 | ITO Aki
| Still slow |
| 1979 | JAPAN | Female | Mixed music (or tape) | 2017 |
2012-12-29 00:24:58 | ITO Hidenao
伊東 英直 |
| 整域 | 1933 | JAPAN | Male | pf，ring modulator | 1969 |
2015-05-09 10:52:18 | ITO Koji
伊藤 幸治 | Tape Music | テープ音楽 |
|
| Male | tape | 1964 |
2015-05-09 10:53:53 | ITO Minoru
伊藤 実 | "Setsuna messei" for flute, cello and tape* | フルート、チェロとテープのための「刹那滅生」 |
|
| Male | fl, vc, tape | 1973 |
2015-07-01 00:35:47 | ITO Miyuki
伊藤 美由紀 | Ajuga for soprano and flute with live electronics |
|
| JAPAN | Female |
| 2009 |
2015-07-01 00:35:28 | ITO Miyuki
伊藤 美由紀 | burning in the void for soprano, cello and piano with electronics |
|
| JAPAN | Female |
| 2008 |
2015-07-01 00:38:18 | ITO Miyuki
伊藤 美由紀 | Cantos Nuevos for soprano with electronics |
|
| JAPAN | Female |
| 2013 |
2015-07-01 00:36:57 | ITO Miyuki
伊藤 美由紀 | Celestial Echo for violin, viola and cello with live electronics |
|
| JAPAN | Female |
| 2011 |
2015-07-01 00:32:47 | ITO Miyuki
伊藤 美由紀 | Eldorado for flute with electronics |
|
| JAPAN | Female |
| 2013 |
2015-06-28 18:36:22 | ITO Miyuki
伊藤 美由紀 | Energy Void for shakuhachi, flute, clarinet, violin, cello, harp and percussion with electronics |
|
| JAPAN | Female |
| 2005 |
2015-06-28 18:38:48 | ITO Miyuki
伊藤 美由紀 | Fragrant with a sound for timpani and marimba with electronics |
|
| JAPAN | Female |
| 2001 |
2015-07-01 00:30:54 | ITO Miyuki
伊藤 美由紀 | Into the Forest of Stars I for baritone saxophone and electronics (composed for Taimur Sullivan) |
|
| JAPAN | Female |
| 2005 |
2015-07-01 00:31:22 | ITO Miyuki
伊藤 美由紀 | Invisible Links for alto saxophone with electronics (with Japanese Wind Bells) |
|
| JAPAN | Female |
| 2006 |
2015-07-01 00:36:06 | ITO Miyuki
伊藤 美由紀 | La Otra Voz for flute, clarinet, violin, cello and piano with electronics |
|
| JAPAN | Female |
| 2009 |
2015-07-01 00:32:29 | ITO Miyuki
伊藤 美由紀 | La transparencia del espacio (I) for vibraphone, crotales and electronics | 空間透明度I |
| JAPAN | Female |
| 2010 |
2015-07-01 00:33:04 | ITO Miyuki
伊藤 美由紀 | Lux Aeterna for sho with electronics |
|
| JAPAN | Female |
| 2013 |
2015-07-01 00:31:36 | ITO Miyuki
伊藤 美由紀 | Non-color Color for piano with electronics |
|
| JAPAN | Female |
| 2007 |
2015-07-01 00:36:24 | ITO Miyuki
伊藤 美由紀 | Prometheus’ Light for ondes martenot, clarinet, guitar and electronics with dancers |
|
| JAPAN | Female |
| 2011 |
2015-07-01 00:27:20 | ITO Miyuki
伊藤 美由紀 | Réminicence d’un ancien esprit pour soprano/petite percussion et électronique |
|
| JAPAN | Female |
| 2002 |
2015-07-01 00:31:06 | ITO Miyuki
伊藤 美由紀 | The Incarnation of Thunder and Wind for cello with electronics |
|
| JAPAN | Female |
| 2006 |
2015-07-01 00:30:40 | ITO Miyuki
伊藤 美由紀 | The Labyrinth of Mind for ondes martenot w/ electronics |
|
| JAPAN | Female |
| 2003 |
2015-07-01 00:33:21 | ITO Miyuki
伊藤 美由紀 | The Other Side for electric guitar with electronics |
|
| JAPAN | Female |
| 2015 |
2015-07-01 00:29:54 | ITO Miyuki
伊藤 美由紀 | Tokyo Metro for electronics |
|
| JAPAN | Female |
| 2005 |
2015-07-01 00:27:44 | ITO Miyuki
伊藤 美由紀 | Ubiquity for 17-string koto with electronics |
|
| JAPAN | Female |
| 2007 |
2022-01-21 18:12:33 | JENTZSCH Wilfried
| Birth and Death | Birth and Death | 1941 | GERMANY | Male | Multimedia | 0000 |
2022-01-21 17:57:58 | JENTZSCH Wilfried
| Dream of B | Dream of B | 1941 | GERMANY | Male | Acousmatic | 0000 |
2022-01-21 18:13:58 | JENTZSCH Wilfried
| Fractal Evolution | Fractal Evolution | 1941 | GERMANY | Male | Multimedia | 0000 |
2022-01-21 15:45:08 | JENTZSCH Wilfried
| Imaginary Landscape | Imaginäre Landschaft | 1941 | GERMANY | Male | Multimedia | 0000 |
2022-01-21 15:47:01 | JENTZSCH Wilfried
| Kyotobells | Kyotobells | 1941 | GERMANY | Male | Acousmatic | 0000 |
2022-01-21 17:51:32 | JENTZSCH Wilfried
| Kyotobells - Audiovisual - | Kyotobells | 1941 | GERMANY | Male | multimedia | 0000 |
2022-01-21 18:00:48 | JENTZSCH Wilfried
| Mugenkei | Mugenkei | 1941 | GERMANY | Male | Multimedia | 0000 |
2014-08-09 23:35:55 | JEONG Sooran
| Etude |
| 1967 | KOREA (South) | Female | mixed music | 1998 |
2014-08-09 23:36:04 | JEONG Sooran
| Psalm 18 |
| 1967 | KOREA (South) | Female | mixed music | 2007 |
2020-05-30 06:33:28 | JI Dongyong
纪冬泳 | Heart Image | 心像 |
| CHINA | Male | Mixed music | 0000 |
2017-11-06 10:53:48 | JI Dongyong
| Limit? |
|
| CHINA | Male | Mixed | 2015 |
2020-05-30 06:27:09 | JI Dongyong
纪冬泳 | Rhythms | 律动 |
| CHINA | Male |
| 0000 |
2020-05-30 06:31:22 | JI Dongyong
纪冬泳 | Spot | 斑 |
| CHINA | Male | Live electronics | 0000 |
2016-07-13 00:43:47 | JIANG Chaoqian
姜超迁 | The She's desire | 畲人愿 | ? | CHINA | Male | Electroacoustic Music | 2015 |
2022-04-06 12:30:08 | JIANG Mengfan
江孟凡 | The Sound of Slience | 静默之声 |
| CHINA | Female | Acousmatic music | 0000 |
2020-01-06 12:15:20 | JIANG Shu-Ya
蔣舒雅 | A Hidden Kid's Memory: playmate, machine and a broken armor. |
| 12 Décembre 1990 | TAIWAN | Female | Electroacoustic Music | 2002 |
2015-05-04 23:48:48 | JIANG SHu-Ya
蔣舒雅 | A Hidden Kid's Memory_playmate, machine and a broken |
| 1990 | TAIWAN | Female | Electroacoustic Music | 2015 |
2017-11-06 16:56:03 | JIANG Siting
| Equal G |
| 1986 | CHINA | Male | Mixed music | 2013 |
2017-07-15 16:10:02 | JIANGZHE Guangyi
| Samsara |
|
| CHINA | Male | Mixed music | 2013 |
2016-06-16 11:33:58 | JIN Fan
金帆 | Mo yu | 墨语 | 1989 | CHINA | Female | Electroacoustic Music | 0000 |
2017-08-27 18:02:05 | JIN Ping
金平 | A Ferry Tale: An Interactive Musical Theatre for Folk Singers, Computer and 3D Projection |
| 1964 | CHINA | Male | Multimedia | 2016 |
2017-08-27 18:02:17 | JIN Ping
金平 | A reflection in the Brook - for female dancer, solo violin and computer | 小青 | 1966 | CHINA | Male | Multimedia | 2013 |
2017-08-27 18:02:29 | JIN Ping
金平 | Light and Shadow | 光影 | 1966 | CHINA | Male | Multimedia | 0000 |
2017-11-06 14:39:36 | JIN Ping
金平 | Xiaoqing |
| 1966 | CHINA | Male | Mixed | 0000 |
2013-11-03 13:13:45 | JIN Ping, SUN Xiaohua
金平, 孙晓华 | Color Progression |
|
| CHINA | Male | Multimedia installation | 2006 |
2015-03-13 21:17:16 | JIN Ping, SUN Xiaohua
金平, 孙效华 | Touching | 触动
|
| CHINA | Male | Multimedia | 2010 |
2016-08-20 16:48:20 | JIN Xiang
| Chao Xueqing |
| 1935 |
| Male | Mixed music | 1989 |
2016-08-20 16:50:00 | JIN Xiang
| Hong lou fuxiang |
| 1935 |
| Female | Mixed music | 1989 |
2016-08-20 16:50:13 | JIN Xiang
| Nuwa |
| 1935 |
| Female | Mixed music | 1990 |
2015-05-09 11:02:56 | KAI Sesshu
甲斐 説宗 |
| 花とダンスから | 1938-1978 | JAPAN | Male | tape | 1972 |
2015-05-09 11:03:50 | KAI Sesshu
甲斐 説宗 | Escaped fish* | 逃げた魚は | 1938-1978 | JAPAN | Male | tape | 1973 |
2015-05-09 11:06:53 | KAI Sesshu
甲斐 説宗 | Piece for Sight and Sound I* | 視覚と音のための作品 I | 1938-1978 | JAPAN | Male | tape | 1971 |
2015-05-09 11:08:31 | KAI Sessyu
甲斐 説宗 | Die Kleene | ディ・クレーネ | 1938-1978 | JAPAN | Male | tape | 1970 |
2017-10-25 19:53:56 | KAJII Satoshi
| De Lempicka |
|
| JAPAN | Male |
| 2000 |
2015-05-09 11:17:35 | KAMIMOTO Mari
神本 真理 | Comme un voyageur fantasque... | まるで気まぐれな旅人のように | 1975 | JAPAN | Female | Mixed music | 2004 |
2017-01-20 03:49:33 | KANEKO Hitomi
金子 仁美 | DECOMPOSITION I – Introduction, for Computer | 分解 I : 導入（コンピュータのための） | 1965 | JAPAN | Female | Computer | 1998 |
2017-01-20 03:49:46 | KANEKO Hitomi
金子 仁美 | DECOMPOSITION II – Beyond the gate, for Computer | 分解 II：ゲートの向こうで（コンピュータのための） | 1965 | JAPAN | Female | Tape, Computer music | 1999 |
2017-01-20 03:48:00 | KANEKO Hitomi
金子 仁美 | ETUDE I, for Tape | エチュード I | 1965 | JAPAN | Female | Tape | 1991 |
2017-01-20 03:48:19 | KANEKO Hitomi
金子 仁美 | ETUDE II, for Tape | エチュード II | 1965 | JAPAN | Female | Tape | 1992 |
0000-00-00 00:00:00 | KANEKO Hitomi
金子 仁美 | LE CHANT VERTICAL, for Shakuhachi and the Computer | 垂直の歌（尺八とコンピュータのための） | 1965 | JAPAN | Female | Tape, Computer music | 2001 |
2022-11-27 14:16:07 | KANG Ji Youn
강지윤 | A strange choir of new normal |
| 1977 | KOREA (South) | Female | Interactive music for online | 0000 |
2022-11-27 12:44:29 | KANG Ji Youn
강지윤 | BamBoo |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-12-01 15:56:55 | KANG Ji Youn
강지윤 | Between (2006) |
| 1977 | KOREA (South) | Female | Live Electronics and cello | 0000 |
2022-11-27 12:41:40 | KANG Ji Youn
강지윤 | BiNaRi |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:02:34 | KANG Ji Youn
강지윤 | Breathing Room (2010) |
| 1977 | KOREA (South) | Female | Installation | 0000 |
2022-11-27 12:38:08 | KANG Ji Youn
강지윤 | Connected |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:24:31 | KANG Ji Youn
강지윤 | Cross-Wired |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:26:30 | KANG Ji Youn
강지윤 | Decomposed Landscape |
| 1977 | KOREA (South) | Female | Live music for film projection | 0000 |
2022-11-27 12:31:57 | KANG Ji Youn
강지윤 | Deletion |
| 1977 | KOREA (South) | Female | Music for Film | 0000 |
2022-11-27 12:47:25 | KANG Ji Youn
강지윤 | Dong-Nae Gut |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 12:28:09 | KANG Ji Youn
강지윤 | Drinking Alone Under The Moon |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:03:44 | KANG Ji Youn
강지윤 | Enfolding Plane I (2009) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 14:04:33 | KANG Ji Youn
강지윤 | Enfolding Plane II (2009) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 12:33:26 | KANG Ji Youn
강지윤 | Enfolding-Plane III - Punky Pulse Pool |
| 1977 | KOREA (South) | Female | Tape, 32 channels | 0000 |
2022-11-27 12:14:11 | KANG Ji Youn
강지윤 | Future Voices |
| 1977 | KOREA (South) | Female | Performative multichannel sound installation | 0000 |
2022-11-27 14:07:04 | KANG Ji Youn
강지윤 | Hu-tn Gut (2007) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 13:06:41 | KANG Ji Youn
강지윤 | HuiMoRi (2012) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:07:45 | KANG Ji Youn
강지윤 | Jac-du-ta-gi (2007) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 14:01:33 | KANG Ji Youn
강지윤 | Jing (2010) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:50:01 | KANG Ji Youn
강지윤 | Kang-Shin |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:04:08 | KANG Ji Youn
강지윤 | Kang-Shin (2012) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:35:57 | KANG Ji Youn
강지윤 | Light Leak |
| 1977 | KOREA (South) | Female | Live Projection/Sound | 0000 |
2022-11-27 14:06:14 | KANG Ji Youn
강지윤 | Ma-Dang (2008) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 12:48:35 | KANG Ji Youn
강지윤 | machi-nory |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:10:02 | KANG Ji Youn
강지윤 | Nol-Eum (2006) |
| 1977 | KOREA (South) | Female | Tape 4 channels | 0000 |
2022-11-27 12:56:21 | KANG Ji Youn
강지윤 | Ohim ́e dov'`e il mio ben |
| 1977 | KOREA (South) | Female | Spatialization | 0000 |
2022-11-27 14:08:27 | KANG Ji Youn
강지윤 | Open your words (2007) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:00:44 | KANG Ji Youn
강지윤 | Piano SiNaWi (2010) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:36:56 | KANG Ji Youn
강지윤 | Prospect of Interception |
| 1977 | KOREA (South) | Female | Music for Film | 0000 |
2022-11-27 12:29:52 | KANG Ji Youn
강지윤 | PulSegMod |
| 1977 | KOREA (South) | Female | Tape | 0000 |
2022-11-27 13:10:28 | KANG Ji Youn
강지윤 | Racket Ruckus (2012) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:21:48 | KANG Ji Youn
강지윤 | Resonance I |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:59:29 | KANG Ji Youn
강지윤 | Seascape (2011) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:29:02 | KANG Ji Youn
강지윤 | Shuffle |
| 1977 | KOREA (South) | Female | Music for Film | 0000 |
2022-11-27 14:05:29 | KANG Ji Youn
강지윤 | SiNaWi (2009) |
| 1977 | KOREA (South) | Female | Tape and WFS System | 0000 |
2022-11-27 12:39:06 | KANG Ji Youn
강지윤 | Singing Bowl |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:57:31 | KANG Ji Youn
강지윤 | Sit-Kim-Gut (2011) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:23:14 | KANG Ji Youn
강지윤 | Space speaks, Are you listening? |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:09:57 | KANG Ji Youn
강지윤 | The Voices |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:13:43 | KANG Ji Youn
강지윤 | The Voices (2021) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:20:21 | KANG Ji Youn
강지윤 | Through Segments |
| 1977 | KOREA (South) | Female | Interactive music for online | 0000 |
2022-11-27 12:40:22 | KANG Ji Youn
강지윤 | Time-Folding V 3.2 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:43:29 | KANG Ji Youn
강지윤 | Time-Folding V 5 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:45:14 | KANG Ji Youn
강지윤 | Time-Folding V 6 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 12:46:15 | KANG Ji Youn
강지윤 | Time-Folding V 7 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:08:56 | KANG Ji Youn
강지윤 | Time-Folding V.1 (2012) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:00:25 | KANG Ji Youn
강지윤 | Time-Folding V2 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:01:18 | KANG Ji Youn
강지윤 | Time-Folding V3 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:02:11 | KANG Ji Youn
강지윤 | Time-Folding V4 |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:58:41 | KANG Ji Youn
강지윤 | Tremor (2011) |
| 1977 | KOREA (South) | Female | Mixed music | 0000 |
2022-11-27 12:34:36 | KANG Ji Youn
강지윤 | Two Bamboos |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 13:07:56 | KANG Ji Youn
강지윤 | Untitled (2012) |
| 1977 | KOREA (South) | Female | Live Electronics | 0000 |
2022-11-27 14:15:00 | KANG Ji Youn
강지윤 | Whistler (2021) |
| 1977 | KOREA (South) | Female | Tape | 0000 |
2022-11-27 13:05:23 | KANG Ji Youn
강지윤 | Yul (2012) |
| 1977 | KOREA (South) | Female | Live mixed music | 0000 |
2017-11-13 19:21:29 | KANG Sukhi
강석희* | Aniri II |
| 1934 | KOREA (South) | Male | Mixed music | 1983 |
2017-11-13 19:22:19 | KANG Sukhi
강석희* | Bronzezeit |
| 1934 | KOREA (South) | Male | Mixed music | 1980 |
2013-11-23 22:33:55 | KANG Sukhi
강석희* | Dalha |
| 1934 | KOREA (South) | Male | Mixed music | 1978 |
2017-11-13 17:12:06 | KANG Sukhi
강석희* | Dragon |
| 1934 | KOREA (South) | Male | Electroacoustic music for film | 1986 |
2013-11-23 22:34:07 | KANG Sukhi
강석희* | Feng-Hwang for Computer Music |
| 1934 | KOREA (South) | Male | Tape | 1988 |
2017-11-13 17:11:10 | KANG Sukhi
강석희* | Inventio — Musicae clavichordii et sonorum artificiosorum |
| 1934 | KOREA (South) | Male | Mixed music | 1984 |
2013-11-23 22:34:36 | KANG Sukhi
강석희* | Klangspuren for Electronic Music |
| 1934 | KOREA (South) | Male |
| 1981 |
2017-11-13 19:17:02 | KANG Sukhi
강석희* | Mosaico |
| 1934 | KOREA (South) | Male | Tape | 1981 |
2017-11-13 19:24:24 | KANG Sukhi
강석희* | Mutatio Perpetua |
| 1934 | KOREA (South) | Male | Mixed music | 1978 |
2017-11-13 19:12:31 | KANG Sukhi
강석희* | Odyssee |
| 1934 | KOREA (South) | Male | Tape | 1987 |
2017-11-13 19:18:22 | KANG Sukhi
강석희* | Penthesilea aubade |
| 1934 | KOREA (South) | Male | Tape | 1981 |
2017-11-13 19:19:20 | KANG Sukhi
강석희* | Penthesilea aubade '86 |
| 1934 | KOREA (South) | Male | Tape | 1986 |
2017-11-13 19:20:04 | KANG Sukhi
강석희* | Prometheus Kommt |
| 1934 | KOREA (South) | Male | Tape | 1988 |
2013-11-27 13:41:31 | KANG Sukhi
강석희* | Stone Lion for Computer Music |
| 1934 | KOREA (South) | Male | Tape | 1990 |
2017-11-13 17:00:49 | KANG Sukhi
강석희* | The Feast of Id |
| 1934 | KOREA (South) | Male |
| 1966 |
2013-11-23 22:38:46 | KANG Sukhi
강석희* | Vision for Voice, Guitar, and Electronic Sound |
| 1934 | KOREA (South) | Male | Mixed music | 1981 |
2017-11-13 19:32:41 | KANKI Shinji
菅木真治 | Brice II-IV |
| 1953 | JAPAN | Male |
| 1981 |
2017-11-13 19:44:35 | KANKI Shinji
菅木真治 | C-Z-K (Inaudible Music Composition)
|
| 1953 | JAPAN | Male |
| 2008 |
2017-11-13 19:33:40 | KANKI Shinji
菅木真治 | My July-Poem of the deaf |
| 1953 | JAPAN | Male |
| 1979 |
2017-11-13 19:42:28 | KANKI Shinji
菅木真治 | PCM 0355+53
|
| 1953 | JAPAN | Male |
| 2003 |
2017-11-13 19:51:01 | KANKI Shinji
菅木真治 | The World of Colors |
| 1953 | JAPAN | Male |
| 2010 |
2017-11-13 19:47:24 | KANKI Shinji
菅木真治 | Theory of Colors |
| 1953 | JAPAN | Male |
| 2009 |
2017-11-13 19:54:19 | KANKI Shinji
菅木真治 | Variations of White |
| 1953 | JAPAN | Male |
| 2015 |
2017-11-13 19:55:15 | KANKI Shinji
菅木真治 | Variations of White
|
| 1953 | JAPAN | Male |
| 2015 |
2015-07-06 11:38:48 | KATSUFUJI Tamako
かつふじたまこ | A cloudy sky, a daydream |
| 1973 | JAPAN | Female |
| 2005 |
2015-07-06 11:34:09 | KATSUFUJI Tamako
かつふじたまこ | Border |
| 1973 | JAPAN | Female |
| 2004 |
2017-10-25 18:55:00 | KATSUFUJI Tamako
かつふじたまこ | Le Rêve De L'arc De Triomphe |
| 1973 | JAPAN | Female |
| 2000 |
2017-10-25 12:50:34 | KATSUFUJI Tamako
かつふじたまこ | Remember Only The Feeling I’ve been Happy |
| 1973 | JAPAN | Female | Tape | 2016 |
2015-07-06 11:34:41 | KATSUFUJI Tamako
かつふじたまこ | Wrap |
| 1973 | JAPAN | Female |
| 2004 |
2015-04-05 19:35:28 | KAWAMOTO Hideko
| A Short Sketch for Summer Rain |
| 1969 | JAPAN | Female | Tape | 2000 |
2015-04-05 19:36:25 | KAWAMOTO Hideko
| After the Summer Rain |
| 1969 | JAPAN | Female | Mixed music | 2000 |
2015-04-05 19:37:01 | KAWAMOTO Hideko
| Burning |
| 1969 | JAPAN | Female | Mixed music and dance | 2002 |
2015-04-05 19:37:39 | KAWAMOTO Hideko
| Dream Palette II |
| 1969 | JAPAN | Female | Tape | 1993 |
2015-04-05 19:38:08 | KAWAMOTO Hideko
| Glass Vision |
| 1969 | JAPAN | Female | Tape | 1994 |
2015-04-05 19:38:40 | KAWAMOTO Hideko
| La difficulté d'être |
| 1969 | JAPAN | Female | Mixed music | 1998 |
2015-04-05 19:39:02 | KAWAMOTO Hideko
| Moment Crystal |
| 1969 | JAPAN | Female | Tape | 1994 |
2017-10-25 18:54:04 | KAWAMOTO Hideko
| Night Ascends from the Ear Like a Butterfly |
| 1969 | JAPAN | Female | Tape | 1999 |
2015-04-05 19:40:01 | KAWAMOTO Hideko
| Stroke of a Wing |
| 1969 | JAPAN | Female | Tape | 2001 |
2015-04-05 19:40:26 | KAWAMOTO Hideko
| Summer Rain – Dusk |
| 1969 | JAPAN | Female | Tape | 2001 |
2017-10-25 20:00:07 | KAWAMOTO Hideko
| Summer Rain-Dawn |
| 1969 | JAPAN | Female | Tape | 2000 |
2015-04-05 19:41:28 | KAWAMOTO Hideko
| Voice in the Distance |
| 1969 | JAPAN | Female | Tape | 1996 |
0000-00-00 00:00:00 | KEYES Christopher
| CompuIntroMusic |
| 1963 | UNITED STATES | Male | Tape | 1997 |
0000-00-00 00:00:00 | KEYES Christopher
| Improvisations No.2 |
| 1963 | UNITED STATES | Male | Mixed music | 1997 |
0000-00-00 00:00:00 | KEYES Christopher
| In Recent Memory |
| 1963 | UNITED STATES | Male | Mixed music | 2003 |
0000-00-00 00:00:00 | KEYES Christopher
| Meditation on the Sea |
| 1963 | UNITED STATES | Male | Mixed music | 2001 |
0000-00-00 00:00:00 | KEYES Christopher
| Of Wood, Spring and Bamboo |
| 1963 | UNITED STATES | Male | mixed music | 1997 |
0000-00-00 00:00:00 | KEYES Christopher
| Sinfonia Computant |
| 1963 | UNITED STATES | Male | Mixed music | 1997 |
0000-00-00 00:00:00 | KEYES Christopher
| An Inescapable Entanglement |
| 1963 | UNITED STATES | Male | Mixed music | 2010 |
0000-00-00 00:00:00 | KEYES Christopher
| Descant of a Sonic Pendulum |
| 1963 | UNITED STATES | Male | Mixed music | 1997 |
0000-00-00 00:00:00 | KEYES Christopher
| Improvisations No.3 |
| 1963 | UNITED STATES | Male | Mixed music | 1998 |
0000-00-00 00:00:00 | KEYES Christopher
| Li Jiang Etude No.1 |
| 1963 | UNITED STATES | Male | Tape | 1999 |
0000-00-00 00:00:00 | KEYES Christopher
| Li Jiang Etude No.2 |
| 1963 | UNITED STATES | Male | Mixed music | 2003 |
0000-00-00 00:00:00 | KEYES Christopher
| Li Jiang Etude No.3 |
| 1963 | UNITED STATES | Male | Mixed music | 2003 |
0000-00-00 00:00:00 | KEYES Christopher
| Oculus Dei (Eye of God) NGC7293 |
| 1963 | UNITED STATES | Male | Mixed Music | 2007 |
0000-00-00 00:00:00 | KEYES Christopher
| Sonification Interlude No.1: The Butterfly Nebula NGC2346 |
| 1963 | UNITED STATES | Male | Mixed Music | 2009 |
0000-00-00 00:00:00 | KEYES Christopher
| Sonification Interlude No.2: Dust Galaxy NGC4414 |
| 1963 | UNITED STATES | Male | Mixed Music | 2009 |
0000-00-00 00:00:00 | KEYES Christopher
| Sonification Interlude No.3: The Spindle Galaxy NGC5866 |
| 1963 | UNITED STATES | Male | Mixed Music | 2009 |
0000-00-00 00:00:00 | KEYES Christopher
| Spiral Galaxy NGC1300 |
| 1963 | UNITED STATES | Male | Mixed Music | 0000 |
0000-00-00 00:00:00 | KEYES Christopher
| Steel3 x Chrome |
| 1963 | UNITED STATES | Male | Mixed music | 1999 |
0000-00-00 00:00:00 | KEYES Christopher
| The Ghost Within |
| 1963 | UNITED STATES | Male | Mixed music | 1996 |
0000-00-00 00:00:00 | KEYES Christopher
| The Horse Head Nebula NGC2023 |
| 1963 | UNITED STATES | Male | Mixed Music | 2008 |
0000-00-00 00:00:00 | KEYES Christopher
| The Orion Nebula NGC1976 |
| 1963 | UNITED STATES | Male | Mixed Music | 2007 |
0000-00-00 00:00:00 | KEYES Christopher
| The Sombrero Galaxy NGC4594 |
| 1963 | UNITED STATES | Male | Mixed Music | 2007 |
2015-05-09 11:23:33 | KIKUCHI Tadao
菊地 忠男 | Mouth Echo |
|
|
| Male |
| 1969 |
2014-08-10 23:27:59 | KIM Cecilia Heejeong
김희정 | Gongmoo-Daha-Ga |
| 1968 | KOREA (South) | Female |
| 2007 |
2014-08-10 23:27:19 | KIM Cecilia Heejeong
김희정 | Madame Su-Ro |
| 1968 | KOREA (South) | Female |
| 2005 |
2014-08-10 23:26:42 | KIM Cecilia Heejeong
김희정 | Postcard from the Camp: Songs for the Wartime Comfort Women |
| 1968 | KOREA (South) | Female |
| 2003 |
2014-08-10 23:26:03 | KIM Cecilia Heejeong
김희정 | Singing Boxes |
| 1968 | KOREA (South) | Female |
| 2002 |
2014-08-10 23:19:57 | KIM Cecilia Heejeong
김희정 | The Day After |
| 1968 | KOREA (South) | Female |
| 2001 |
2013-08-18 23:55:08 | KIM Chan ji
| Tal Raindrops! |
|
| KOREA (South) | Female |
| 2009 |
2014-08-09 23:39:08 | KIM Cheon-Wook
| Etude |
| 1968 | KOREA (South) | Female | Mixed music | 1996 |
2014-08-09 23:38:31 | KIM Cheon-Wook
| Microstructure |
| 1968 | KOREA (South) | Female | Mixed music | 1996 |
2014-08-09 23:36:16 | KIM Cheon-Wook
| Muse for clarinet and tape |
| 1968 | KOREA (South) | Female | Mixed music | 1995 |
2014-08-09 23:39:40 | KIM Cheon-Wook
| Space |
| 1968 | KOREA (South) | Female | Mixed music | 1997 |
2014-08-09 22:08:56 | KIM Hee-Yun
| After-tone |
|
| KOREA (South) | Female | Tape (stereo) | 2004 |
2014-08-09 22:13:49 | KIM Hee-Yun
| After-tone |
|
| KOREA (South) | Female | Tape (stereo) | 2004 |
2014-08-09 22:06:30 | KIM Hee-Yun
| Computer Music Piece No. 1 |
|
| KOREA (South) | Female | Tape (stereo) | 2001 |
2014-08-09 22:09:14 | KIM Hee-Yun
| Computer Music Piece No. 1 |
|
| KOREA (South) | Female | Tape (stereo) | 2001 |
2014-08-09 22:08:05 | KIM Hee-Yun
| Fluctuation |
|
| KOREA (South) | Female | Tape (stereo) | 2007 |
2014-08-09 22:13:40 | KIM Hee-Yun
| Fluctuation |
|
| KOREA (South) | Female | Tape (stereo) | 2007 |
2016-04-20 00:32:02 | KIM Heera
김희라 | Der Unfall | 사고 | 1976 | KOREA (South) | Female | Théâtre musical en un acte | 2009 |
2016-04-20 00:34:43 | KIM Heera
김희라 | Fahrenheit Plus/Minus | 화씨 플러서/마이너스 | 1976 | KOREA (South) | Female | Sons fixés sur support | 2010 |
2016-04-20 00:35:09 | KIM Heera
김희라 | Fragement |
| 1976 | KOREA (South) | Female |
| 2012 |
2016-04-29 22:55:09 | KIM Heera
김희라 | MEUN Ⅱ |
| 1976 | KOREA (South) | Female | Sons fixés sur support | 2014 |
2016-04-29 23:02:31 | KIM Heera
김희라 | Musica per duello |
| 1976 | KOREA (South) | Female | Temps réel | 2012 |
2016-04-29 23:02:55 | KIM Heera
김희라 | Muster |
| 1976 | KOREA (South) | Female | Sons fixés sur support | 2010 |
2016-04-29 23:05:34 | KIM Heera
김희라 | Things We Said Today | 오늘날 우리가 말하는 것들 | 1976 | KOREA (South) | Female | Temps réel, sons fixés sur support | 2013 |
2016-04-29 23:06:00 | KIM Heera
김희라 | Zapping |
| 1976 | KOREA (South) | Female | Sons fixés sur support | 2011 |
2014-08-09 22:17:31 | KIM Hi Kyung
김희경 | Step |
| 1954 | KOREA (South) | Female | Tape | 1988 |
2014-07-24 22:37:18 | KIM Hi Kyung
| Step |
| 1954 | KOREA (South) | Female | Tape | 1988 |
2013-12-24 14:41:20 | KIM Jihyun
| Osmosis |
|
| KOREA (South) | Female | Electroacoustic music | 0000 |
2014-08-09 23:00:10 | KIM Jin Hi
김진희 | Digital Buddha for geomungo/electric geomungo, video mandalas, and video mix 2007 |
| 1957 | KOREA (South) | Female | Mixed music | 2007 |
2014-08-09 22:51:46 | KIM Jin Hi
김진희 | Dong Dong Dari |
| 1957 | KOREA (South) | Female | Mixed music | 2000 |
2014-08-09 23:03:56 | KIM Jin Hi
김진희 | Dong Dong Touching the Moons |
| 1957 | KOREA (South) | Female | Mixed music | 2000 |
2014-08-09 22:51:10 | KIM Jin Hi
김진희 | Electric Janggo Permutations |
| 1957 | KOREA (South) | Female | Mixed music | 1994 |
2014-08-09 22:51:01 | KIM Jin Hi
김진희 | Jupiter’s Moons |
| 1957 | KOREA (South) | Female | Mixed music | 2000 |
2014-08-09 22:51:34 | KIM Jin Hi
김진희 | Nori |
| 1957 | KOREA (South) | Female | Mixed music | 2002 |
2014-08-09 22:50:51 | KIM Jin Hi
김진희 | Refracted Confluence |
| 1957 | KOREA (South) | Female | Mixed music | 1991 |
2014-08-09 23:01:13 | KIM Jin Hi
김진희 | Sanjo Ecstaty |
| 1957 | KOREA (South) | Female | Mixed music | 2003 |
2014-08-09 22:51:23 | KIM Jin Hi
김진희 | Video Passage |
| 1957 | KOREA (South) | Female | Mixed music | 1992 |
2014-08-09 22:50:39 | KIM Jin Hi
김진희 | X4 for Solo Violin |
| 1957 | KOREA (South) | Female | Mixed music | 1985 |
2014-08-09 22:50:29 | KIM Jin Hi
김진희 | X5 for Solo Flute |
| 1957 | KOREA (South) | Female | Mixed music | 1985 |
2020-01-08 06:40:47 | KIM Seongmi
김성미 | Aven |
| 1984 | KOREA (South) | Female |
| 2015 |
0000-00-00 00:00:00 | KIM Seongmi
김성미 | Fractale |
| 1984 | KOREA (South) | Female | Tape | 2010 |
2015-08-20 13:45:05 | KIM Seongmi
김성미 | Impression de la France |
| 1984 | KOREA (South) | Female | Tape | 2009 |
2020-01-08 06:49:25 | KIM Seongmi
김성미 | miːro | 미로 | 1984 | KOREA (South) | Female | Mixed music | 2014 |
2017-06-30 15:27:58 | KIM Seongmi
김성미 | [mi:ro] | 미로 | 1984 | KOREA (South) | Female | Mixte | 2014 |
2013-11-27 13:24:15 | KIM Suk Jun
김석준 | A gate of flowers* | 꽃문* | 1970 | KOREA (South) | Male | Tape | 2005 |
0000-00-00 00:00:00 | KIM Suk Jun
김석준 | Corresponding |
| 1970 | KOREA (South) | Male | Tape | 2006 |
0000-00-00 00:00:00 | KIM Suk Jun
김석준 | Gaesim |
| 1970 | KOREA (South) | Male | Tape | 2002 |
2013-12-04 15:11:41 | KIM Suk Jun
김석준 | Midong |
| 1970 | KOREA (South) | Male | Tape | 1999 |
0000-00-00 00:00:00 | KIM Suk Jun
김석준 | On the Way to Fwarrheu |
| 1970 | KOREA (South) | Male | Tape | 2009 |
2014-08-16 22:02:33 | KIM Suk Jun
김석준 | Painting Nahhamu |
| 1970 | KOREA (South) | Male | Tape | 2010 |
0000-00-00 00:00:00 | KIM Suk Jun
김석준 | Samul-Jing |
| 1970 | KOREA (South) | Male | Tape | 2003 |
0000-00-00 00:00:00 | KIM Suk Jun
김석준 | Welcome to Hasla |
| 1970 | KOREA (South) | Male | Tape | 2007 |
2013-12-04 15:11:52 | KIM Suk Jun
김석준 | What the bird saw |
| 1970 | KOREA (South) | Male |
| 2004 |
2015-05-09 11:33:07 | KIMURA Mari
木村まり | 6 Caprices for subharmonics |
| 1960 | JAPAN | Female | Mixed music | 1997 |
2015-05-09 11:33:56 | KIMURA Mari
木村まり | Arboleda (woods) |
| 1960 | JAPAN | Female | Mixed music | 2001 |
2015-05-09 11:35:04 | KIMURA Mari
木村まり | Atmos |
| 1960 | JAPAN | Female | Mixed music | 1996 |
2014-05-24 18:30:45 | KIMURA Mari
木村まり | Bucknerian |
| 1960 | JAPAN | Female | Mixed music | 2001 |
2015-05-09 11:35:44 | KIMURA Mari
木村まり | Canon Elastique |
| 1960 | JAPAN | Female | Mixed music | 2010 |
2014-05-24 17:57:57 | KIMURA Mari
木村まり | Carrefour |
| 1960 | JAPAN | Female | Mixed music | 1997 |
2014-05-24 17:51:50 | KIMURA Mari
木村まり | Clone Barcarolle |
| 1960 | JAPAN | Female | Mixed music | 2009 |
2014-05-24 17:56:32 | KIMURA Mari
木村まり | Descarga Interactive |
| 1960 | JAPAN | Female | Mixed music | 2002 |
2014-05-24 18:00:35 | KIMURA Mari
木村まり | ECO |
| 1960 | JAPAN | Female | Mixed music | 1992 |
2014-05-24 18:00:05 | KIMURA Mari
木村まり | ECO III |
| 1960 | JAPAN | Female | Mixed music | 1993 |
2014-05-24 18:03:18 | KIMURA Mari
木村まり | Eigenspace |
| 1960 | JAPAN | Female | Mixed music | 2011 |
2014-05-24 18:01:02 | KIMURA Mari
木村まり | ETUDE |
| 1960 | JAPAN | Female | Mixed music | 1992 |
2014-05-24 17:59:33 | KIMURA Mari
木村まり | Gemini (interactive version) |
| 1960 | JAPAN | Female | Mixed music | 1995 |
2014-05-24 18:06:19 | KIMURA Mari
木村まり | GuitarBotana |
| 1960 | JAPAN | Female | Mixed music | 2004 |
2014-05-24 18:22:11 | KIMURA Mari
木村まり | I-Quadrifoglio |
| 1960 | JAPAN | Female | Mixed music | 2011 |
2014-05-24 18:11:55 | KIMURA Mari
木村まり | InterAct Sweet |
| 1960 | JAPAN | Female | Mixed music | 2007 |
2014-05-24 17:57:03 | KIMURA Mari
木村まり | Izquierda y Derecha |
| 1960 | JAPAN | Female | Mixed music | 1998 |
2014-05-24 18:17:11 | KIMURA Mari
木村まり | Kivika (sensitive flesh) |
| 1960 | JAPAN | Female | Tape | 2000 |
2014-05-24 18:26:35 | KIMURA Mari
木村まり | Metapoema del Caribe |
| 1960 | JAPAN | Female | Mixed music | 2003 |
2014-05-24 17:47:50 | KIMURA Mari
木村まり | Pédalez, Pédalez! |
| 1960 | JAPAN | Female | Mixed music | 2010 |
2014-05-24 17:52:56 | KIMURA Mari
木村まり | Phantom |
| 1960 | JAPAN | Female | Mixed music | 2009 |
2014-05-24 18:25:36 | KIMURA Mari
木村まり | PluckLand |
| 1960 | JAPAN | Female | Mixed music | 2009 |
2014-05-24 17:55:44 | KIMURA Mari
木村まり | Polytopia |
| 1960 | JAPAN | Female | Mixed music | 2004 |
2014-05-24 17:54:54 | KIMURA Mari
木村まり | Tricot |
| 1960 | JAPAN | Female | Mixed music | 2006 |
2014-05-24 18:01:45 | KIMURA Mari
木村まり | U (the Cormorant) |
| 1960 | JAPAN | Female | Mixed music | 1991 |
2014-05-24 18:13:49 | KIMURA Mari
木村まり | Violin Concerto |
| 1960 | JAPAN | Female | Mixed music | 1999 |
2014-05-24 17:53:49 | KIMURA Mari
木村まり | Vitessimo |
| 1960 | JAPAN | Female | Mixed music | 2007 |
2014-05-24 18:04:39 | KIMURA Mari
木村まり | Voyage Apollonian |
| 1960 | JAPAN | Female | Mixed music | 2011 |
2015-03-14 16:56:13 | KIMURA Mari
木村まり | Voyage Apollonian - for violon and interactive computer | 阿波罗旅程 | 1960 | JAPAN | Female | Mixed music | 2011 |
2015-05-09 11:40:28 | KINEYA Hirosaburo
杵屋 広三郎 | Based on Strangeness* | 怪奇を主題として |
| JAPAN | Male | amplified shamisen | 1949 |
2015-05-09 11:46:17 | KINEYA Sakichi IV
杵屋 佐吉 （四世） |
| 咸絃曲 | 1884-1945 | JAPAN | Male | amplified sangen | 1931 |
2015-05-09 11:54:14 | KINEYA Sakichi IV
杵屋 佐吉 （四世） | Music for Kabuki theater "Gedatsu Tengu"* | 歌舞伎「解脱天狗」の音楽 | 1884-1945 | JAPAN | Male | amplified sangen | 1935 |
2015-05-09 11:49:18 | KINEYA Sakichi IV
杵屋 佐吉 （四世） | Music for the theater "Maboroshi Urachima"* | 舞踊劇「幻浦島」の音楽 | 1884-1945 | JAPAN | Male | amplified sangen | 1933 |
2015-05-09 12:15:26 | KINEYA Seihou
杵屋 正邦 | Shamisen Story* | 三味線物語 | 1914-1996 | JAPAN | Male | Japanese instruments, electronic sound | 1960 |
2017-11-11 18:58:53 | KISHINO Malika
岸野 末利加 | Abstentia |
| 1971 | JAPAN | Female | Mixed music | 2007 |
2017-11-11 18:53:41 | KISHINO Malika
岸野 末利加 | Aqua Vitae |
| 1971 | JAPAN | Female | Mixed music | 2008 |
2017-11-11 18:51:44 | KISHINO Malika
岸野 末利加 | Eclosion |
| 1971 | JAPAN | Female | Mixed music | 2005 |
2014-08-18 11:40:56 | KISHINO Malika
岸野 末利加 | Irisation Aquatique |
| 1971 | JAPAN | Female | Mixed music | 2002 |
2017-11-11 18:52:31 | KISHINO Malika
岸野 末利加 | Lebensfunke |
| 1971 | JAPAN | Female | Mixed music | 2007 |
2017-11-11 18:52:51 | KISHINO Malika
岸野 末利加 | Lebensfunke II |
| 1971 | JAPAN | Female | Mixed music | 2010 |
2017-11-11 18:56:32 | KISHINO Malika
岸野 末利加 | Los Mes d'Abrièu s'en en Anat |
| 1971 | JAPAN | Female | Mixed music | 2005 |
2017-11-11 18:54:06 | KISHINO Malika
岸野 末利加 | Qualia | クオリア | 1971 | JAPAN | Female | Mixed music | 2009 |
2017-11-11 18:54:19 | KISHINO Malika
岸野 末利加 | Rayons Crépusculaires | 薄明光線 | 1971 | JAPAN | Female | Mixed music | 2008 |
2013-11-12 22:24:32 | KISSELEV Anatoly
| The world against the Gregorian Chorale |
| 1948 | RUSSIA | Male |
| 2006 |
2014-07-29 14:32:01 | KITARO
喜多郎 | Silkroad | 丝绸之路 | 1953 | JAPAN | Male |
| 0000 |
2015-06-30 15:45:13 | KOBAYASHI Yota
| Adagio for Asian Percussion |
| 1980 | JAPAN | Male |
| 2007 |
2015-06-30 15:42:15 | KOBAYASHI Yota
小林 | After the Resolution |
| 1980 | JAPAN | Male |
| 2008 |
2015-06-30 15:46:36 | KOBAYASHI Yota
| Fragments of Blue |
| 1980 | JAPAN | Male |
| 2006 |
2013-08-20 19:12:41 | KOBAYASHI Yota
| Kakusei |
| 1980 | JAPAN | Male | Tape | 2009 |
2013-08-20 19:27:19 | KOBAYASHI Yota
| Reminiscence |
| 1980 | JAPAN | Male | Tape | 2006 |
2013-08-20 19:29:29 | KOBAYASHI Yota
| Shikisou |
| 1980 | JAPAN | Male | Tape | 2010 |
2013-08-20 19:10:08 | KOBAYASHI Yota
| Tensho |
| 1980 | JAPAN | Male | Mixed music | 2008 |
2015-06-30 15:43:17 | KOBAYASHI Yota
| To the invisible ones |
| 1980 | JAPAN | Male |
| 2007 |
2016-07-29 18:15:00 | KOH Joyce Beetuan
| Au bord de l'ombre |
| 1968 | SINGAPORE | Female | Mixed music | 1998 |
2016-07-29 17:42:56 | KOH Joyce Beetuan
| Graffiti of the Celeste |
| 1968 | SINGAPORE | Female | Electronic music for dancers | 2010 |
2016-07-29 17:37:15 | KOH Joyce Beetuan
| Grafitti II |
| 1968 | SINGAPORE | Female | Electronic music with dancers | 0000 |
2016-07-29 18:05:40 | KOH Joyce Beetuan
| Locusts’ Wrath |
| 1968 | SINGAPORE | Female | Mixed music | 1998 |
2016-07-29 17:48:51 | KOH Joyce Beetuan
| MetalBlown |
| 1968 | SINGAPORE | Female | Mixed music | 2008 |
2016-07-29 18:17:06 | KOH Joyce Beetuan
| Nona Sensilia |
| 1968 | SINGAPORE | Female | Mixed music | 2001 |
2016-07-29 17:42:40 | KOH Joyce Beetuan
| On the String |
| 1968 | SINGAPORE | Female | Electronic music for dancers | 2010 |
2016-07-29 17:59:22 | KOH Joyce Beetuan
| Piano Peals |
| 1968 | SINGAPORE | Female | Mixed music | 2003 |
2016-07-29 18:11:45 | KOH Joyce Beetuan
| Sechzehn Wege das Nein zu vermiden |
| 1968 | SINGAPORE | Female | Performance-hörspiel | 2004 |
2016-07-29 18:14:48 | KOH Joyce Beetuan
| Six Hermits |
| 1968 | SINGAPORE | Female | Mixed music | 2002 |
2016-07-29 17:57:26 | KOH Joyce Beetuan
| Sonography IV il me plaît à moi des mots |
| 1968 | SINGAPORE | Female | Mixed music | 2005 |
2016-07-29 17:41:15 | KOH Joyce Beetuan
| The Last Lumière |
| 1968 | SINGAPORE | Female | Electronic music for dancers and vocalists | 2011 |
2016-07-29 17:51:20 | KOH Joyce Beetuan
| The Weather Stations |
| 1968 | SINGAPORE | Female | fixed audio support, music direction for acoustic instruments | 2009 |
2016-07-29 17:53:54 | KOH Joyce Beetuan
| Tregraphie |
| 1968 | SINGAPORE | Female | Mixed music | 2006 |
2016-07-29 17:51:33 | KOH Joyce Beetuan
| Xiao Wu Says |
| 1968 | SINGAPORE | Female | Sound Installation with props | 0000 |
2013-07-18 21:49:25 | KOJIMA Yurijo
小島有利子 | Chronosphere |
| 1962 | JAPAN | Female | Mixed music | 2000 |
0000-00-00 00:00:00 | KOJIMA Yurijo
小島有利子 | Impulse |
| 1962 | JAPAN | Female | Tape | 1995 |
0000-00-00 00:00:00 | KOJIMA Yurijo
小島有利子 | ImpulsePPF |
| 1962 | JAPAN | Female | Tape | 1995 |
0000-00-00 00:00:00 | KOJIMA Yurijo
小島有利子 | Interior/Exterior I |
| 1962 | JAPAN | Female | Mixed music | 2001 |
0000-00-00 00:00:00 | KOJIMA Yurijo
小島有利子 | Path to the Serene |
| 1962 | JAPAN | Female | Mixed music | 2002 |
0000-00-00 00:00:00 | KOJIMA Yurijo
小島有利子 | Reminiscence |
| 1962 | JAPAN | Female | Tape | 1996 |
2017-10-21 13:40:10 | KOJIMA Yuriko Hase
小島 有利子 | String of Sound |
| 1962 | JAPAN | Female | Tape | 2017 |
2017-10-21 13:49:49 | KOJIMA Yuriko Hase
小島 有利子 | String of Sound |
| 1962 | JAPAN | Female | Tape | 2017 |
2015-06-02 15:12:21 | KON Shiro
今 史郎 | Music for 12 players and electronic sounds | 十二人の奏者と電子音のための音楽 | 1904-1977 | JAPAN | Male |
| 1964 |
2015-05-09 12:35:18 | KONDO Jo
近藤 譲 | Air I for amplified piano with trumpet | 「 エア I」トランペットを伴う増幅されたピアノのための | 1947 | JAPAN | Male | amplified pf, tp | 1972 |
2015-05-09 12:38:08 | KONDO Jo
近藤 譲 | Modulations | モデュレーション | 1947 | JAPAN | Male | cb, pf, Koto, cow bell, tape | 1970 |
2015-05-09 12:40:18 | KONDO Jo
近藤 譲 | Never Return for tape | ネヴァー・リターン | 1947 | JAPAN | Male | tape | 1971 |
2015-05-09 12:42:06 | KONDO Jo
近藤 譲 | Riverrun | リヴァラン | 1947 | JAPAN | Male | Tape | 1977 |
2015-05-09 12:45:07 | KONDO Jo
近藤 譲 | Summer Days | クラリネットとテープのための「夏の日々」 | 1947 | JAPAN | Male | cl, tape | 1970 |
2013-03-23 21:13:51 | KONDO Jo
近藤 譲 | Tokyo Bay |
| 1947 | JAPAN | Male | Tape | 1984 |
2015-05-24 16:11:58 | KOSUGI Takehisa
小杉 武久 | Anthology 8 |
| 1938 | JAPAN | Male | tape | 1964 |
2015-05-09 12:51:18 | KOSUGI Takehisa
小杉 武久 | Catch Wave '71 |
| 1938 | JAPAN | Male | tape | 1971 |
2015-05-09 12:54:42 | KOSUGI Takehisa
小杉 武久 | Constellation Music* | 星座の音楽 | 1938 | JAPAN | Male | tape | 1970 |
0000-00-00 00:00:00 | KOSUGI Takehisa
小杉 武久 | Cycles II |
| 1938 | JAPAN | Male | Live electronics | 1981 |
2015-05-10 12:05:10 | KOSUGI Takehisa
小杉 武久 | Eclipse |
| 1938 | JAPAN | Male | mixed-media performance | 1967 |
2015-05-10 12:07:12 | KOSUGI Takehisa
小杉 武久 | Expo 70, Music for the Opening Ceremony "Event of Robot" (Sound effect)* | 日本万国博覧会開会式「ロボットのイヴェント」の音楽（機械の効果音） | 1938 | JAPAN | Male | tape | 1970 |
2015-05-10 12:10:19 | KOSUGI Takehisa
小杉 武久 | Heterodyne |
| 1938 | JAPAN | Male | live electronic music | 1973 |
2015-05-10 12:13:44 | KOSUGI Takehisa
小杉 武久 | Junk | 映画「くず」の音楽 | 1938 | JAPAN | Male | tape | 1962 |
2015-05-10 12:44:09 | KOSUGI Takehisa
小杉 武久 | Mālikā for Object |
| 1938 | JAPAN | Male | sound installation | 1964 |
2015-05-25 11:08:30 | KOSUGI Takehisa
小杉 武久 | Mano-Dharma, electronic | Catch Wave (Mano-Dharma, electronic) | 1938 | JAPAN | Male | live electronic music | 1967 |
2015-05-24 16:08:14 | KOSUGI Takehisa
小杉 武久 | Micro 1 |
| 1938 | JAPAN | Male | Live electronics / sound event for microphone | 1961 |
2015-05-10 12:23:34 | KOSUGI Takehisa
小杉 武久 | Micro 4 / Instrument |
| 1938 | JAPAN | Male | sound installation | 1963 |
2015-05-10 12:42:29 | KOSUGI Takehisa
小杉 武久 | Music G |
| 1938 | JAPAN | Male |
| 1966 |
2015-05-10 12:47:53 | KOSUGI Takehisa
小杉 武久 | O-S-3 |
| 1938 | JAPAN | Male | tape | 1961 |
2015-05-10 12:51:41 | KOSUGI Takehisa
小杉 武久 | Objet Sonore | ミュージック・コンクレートと器楽のためのオブジェ・ソノール | 1938 | JAPAN | Male | Mixed music | 1959 |
0000-00-00 00:00:00 | KOSUGI Takehisa
小杉 武久 | Op. Music |
| 1938 | JAPAN | Male |
| 2003 |
2015-05-10 12:58:26 | KOSUGI Takehisa
小杉 武久 | Rainbow Music* | 虹の音楽 | 1938 | JAPAN | Male | tape | 1970 |
2015-05-10 12:57:05 | KOSUGI Takehisa
小杉 武久 | South No. 5 |
| 1938 | JAPAN | Male | music for chorus and electronics | 1971 |
2015-05-10 12:58:06 | KOSUGI Takehisa
小杉 武久 | Square Fantasy* | 広場の幻想 | 1938 | JAPAN | Male | tape | 1970 |
2015-05-10 12:59:46 | KOZAKURA Tsuyoshi
小桜剛 | Roar - for tenor, piano and electroacoustic music |
|
| JAPAN | Male | Mixed music | 0000 |
2020-01-08 07:32:27 | KUO Yng-Torng
郭盈彤 | Horology | 芯 |
|
| Female | Acousmatic | 0000 |
2017-10-25 19:50:24 | KUREMATSU Yumika
| Prescience |
|
|
| Female |
| 2000 |
2015-05-10 13:00:44 | KUSANO Shinpei
草野 心平 | Anthology for Microphone* | マイクロフォンのための詩集 | 1903-1988 | JAPAN | Male | tape | 1955 |
2017-11-13 17:07:45 | LA Inyong
| Fantasy of Cross |
|
| KOREA (South) |
| Mixed music and projection | 1972 |
2017-04-09 15:55:42 | LAM Bun-Ching
林品晶 | Three Easy Pieces | Three Easy Pieces | 1954 | MACAU | Female | Mixed Music | 1985 |
2013-12-24 14:29:58 | LAN Weiwei
兰薇薇 | gebrochene Klanggestalten | 蜕变 |
| CHINA | Female |
| 0000 |
2014-09-28 21:12:27 | LANDY Leigh
| Sonic Highways Exits Neglect Grammar (Sheng) |
| 1951 | UNITED STATES | Male | Mixed music | 2006 |
2016-07-13 00:24:46 | LANDY Leigh
李 - 兰迪 | Xun (old/new) | 埙 (新/旧) | 1951 | CHINA | Male | Mixed Music | 2015 |
2022-04-13 11:36:10 | Larry Matthew Gaab
| To Know Anything For Sure |
|
| UNITED STATES | Male | Acousmatic music | 0000 |
2022-04-13 11:36:10 | Larry Matthew Gaab
| To Know Anything For Sure |
|
| UNITED STATES | Male | Acousmatic music | 0000 |
2017-11-13 09:56:29 | LEE Byung-moo
이병무 |
| anticausal, ... Stained Air | 1972 | KOREA (South) | Male | mixed music | 2011 |
2016-05-24 17:49:27 | LEE Do Noung
이돈응 | Sori 2000 | 소리 2000 | 1954 | KOREA (South) | Male | Mixed music | 2000 |
2017-08-13 15:48:25 | LEE Donung
이돈응 | Prelude for "Earth, Wind and Data" |
| 1954 | KOREA (South) | Male | Installation sonore | 2013 |
2017-08-13 15:34:02 | LEE Donung Lee
이돈웅 | “Butterfly effect” |
| 1954 | KOREA (South) | Male | Électronique | 2016 |
2016-05-24 23:09:32 | LEE Eun Hwa
이은화 | Polychromatic |
| 1969 | KOREA (South) | Female | Tape | 2000 |
2016-05-24 23:27:08 | LEE Eun Hwa
이은화 | Road Sound | 길 위에서의 생각 | 1969 | KOREA (South) | Female | Mixed Music | 2014 |
2020-01-08 07:43:30 | LEE Eunwha
이은화 | (sound) over the sound - mixed music |
| 1969 | KOREA (South) | Female | 8-ch. Tape | 2011 |
2014-08-11 00:01:14 | LEE Kyung-Hwa
| Ascending (Ballet Music) |
| 1955 | KOREA (South) | Female | Tape | 1986 |
2014-08-10 23:59:34 | LEE Kyung-Hwa
| Mama |
| 1955 | KOREA (South) | Female | Tape | 1985 |
2020-01-08 15:36:34 | LEE Mei-ling
| Engram |
|
| TAIWAN | Female | Tape | 2005 |
2020-01-08 15:29:33 | LEE Mei-ling
| Giant Dipper |
|
| TAIWAN | Female | interactive | 0000 |
2020-01-08 15:38:11 | LEE Mei-ling
| Gui Ge | 九歌 |
| TAIWAN | Female | interactive | 0000 |
2020-01-08 15:37:24 | LEE Mei-ling
| Niloiv |
|
| TAIWAN | Female | Tape | 2004 |
2020-01-08 15:38:24 | LEE Mei-ling
| The Thief |
|
| TAIWAN | Female | interactive | 2016 |
2021-02-05 07:26:54 | LEE Okkyung
| Teum (the Silvery Slit) |
| 1975 | KOREA (South) | Female |
| 0000 |
2014-08-13 14:32:30 | LEE Yun-Kyung
이윤경 | at3 – at, atom, attimo |
| 1965 | KOREA (South) | Female | Mixed music | 1993 |
2014-08-13 15:26:59 | LEE Yun-Kyung
이윤경 | Die Exzentrische Rotation I |
| 1965 | KOREA (South) | Female |
| 1995 |
2014-08-13 15:13:54 | LEE Yun-Kyung
이윤경 | Die Weisheit des Durchbruchs |
| 1965 | KOREA (South) | Female |
| 1995 |
2014-08-13 15:13:30 | LEE Yun-Kyung
이윤경 | Gori |
| 1965 | KOREA (South) | Female |
| 1994 |
2014-08-13 15:29:07 | LEE Yun-Kyung
이윤경 | Piano Ping-Pong |
| 1965 | KOREA (South) | Female |
| 2002 |
2014-08-13 15:28:46 | LEE Yun-Kyung
이윤경 | Piano Whispers |
| 1965 | KOREA (South) | Female |
| 2002 |
2014-08-13 14:31:51 | LEE Yun-Kyung
이윤경 | Samsara |
| 1965 | KOREA (South) | Female | Mixed music | 1992 |
2014-08-13 15:25:56 | LEE Yun-Kyung
이윤경 | Space Tuning |
| 1965 | KOREA (South) | Female |
| 2001 |
2014-08-13 15:27:32 | LEE Yun-Kyung
이윤경 | String Reaction |
| 1965 | KOREA (South) | Female |
| 2007 |
2014-08-13 14:32:39 | LEE Yun-Kyung
이윤경 | Tae |
| 1965 | KOREA (South) | Female | Mixed music, visuals | 1993 |
2014-08-13 15:13:43 | LEE Yun-Kyung
이윤경 | Urban Spiral |
| 1965 | KOREA (South) | Female |
| 1995 |
2017-07-15 15:57:14 | LENG Censong
| Qin |
|
| CHINA | Male | Mixed music | 2016 |
2013-05-31 12:14:51 | LEUNG Kei-chuek, Keith (Gaybird@PMPS)
梁基爵 | Summer (When the Bird Feels Hot…) |
| 1971 | HONG KONG | Male |
| 2004 |
2014-05-22 00:34:33 | LEUNG Tai-Wai
| Chilly Reminiscence II |
| 1960 | HONG KONG | Male | Mixed music | 2002 |
2014-05-22 00:30:34 | LEUNG Tai-Wai
| Illusion of Moonlight |
| 1960 | HONG KONG | Male | Tape | 2004 |
2014-05-22 00:33:44 | LEUNG Tai-Wai
| Lonely Bell Journey |
| 1960 | HONG KONG | Male | Tape | 2002 |
2014-05-22 00:32:15 | LEUNG Tai-Wai
| Remembrance |
| 1960 | HONG KONG | Male | Mixed music | 2004 |
2014-05-22 00:33:15 | LEUNG Tai-Wai
| Trials and Tribulations |
| 1960 | HONG KONG | Male | Mixed music | 2003 |
2017-11-06 17:18:48 | LI Chao
| Tao Wu |
|
| CHINA | Male | Mixed music | 2013 |
2014-05-21 12:59:44 | LI Cheong
| Impromptu II |
|
| HONG KONG | Male | Mixed music | 2011 |
2014-05-21 12:58:02 | LI Cheong
| NSCD John Cage Song Books Project – “a Game” |
|
| HONG KONG | Male | Dance and electronic music | 2011 |
2014-05-21 13:26:13 | LI Cheong
| Playground 1.1 |
|
| HONG KONG | Male |
| 2011 |
2014-05-21 13:03:07 | LI Cheong
| Senza Misura |
|
| HONG KONG | Male |
| 2010 |
2014-05-21 13:01:33 | LI Cheong
| Terra |
|
| HONG KONG | Male |
| 0000 |
2017-11-04 11:07:48 | LI Huizi
李惠子 | Decoda |
| 1990 | CHINA | Female | Tape | 2017 |
2016-07-15 01:19:10 | LI Huizi
李惠子 | Ripple | 漪 | 1990 | CHINA | Female | Mixed Music | 2014 |
2016-07-15 02:29:11 | LI Jia
李嘉 | Dancing with shadow | 舞影 | ? | CHINA | Female | Mixed Music | 2014 |
2020-05-30 07:38:40 | LI Jia
李嘉 | Fantasy Dance | 幻舞 | ? | CHINA | Female | Mixed Music | 0000 |
2020-05-30 07:36:43 | LI Jia
李嘉 | Sparkle | 粼动 | ? | CHINA | Female | Mixed Music | 0000 |
2015-03-15 12:33:25 | LI Jia
李嘉 | Twinkling light over water - for Gu Zheng and four channel sound devices | 粼动 |
| CHINA | Female | Mixed music | 0000 |
2016-06-16 13:01:56 | LI Jia
李嘉 | Yu---i---Ya | Yu---i---Ya | ? | CHINA | Female | Electroacoustic Music | 0000 |
2016-06-16 15:42:10 | LI Jian
李健 | Yuan Qi | 緣起 | 1985 | CHINA | Male | Electroacoustic Music | 0000 |
2022-11-16 11:26:42 | LI Junzuo
李军作 | Fragrancy | 芬芳 |
| CHINA | Male | Mixed music | 0000 |
2016-06-16 14:42:35 | LI Kai
李凱 | ATTACK | ATTACK | ? | CHINA | Male | Electroacoustic Music | 0000 |
2016-06-16 14:46:32 | LI Kun
李琨 | Gu Huang Ru She | 鼓簧如舌 | ? | CHINA | Male | Electroacoustic Music | 0000 |
2020-05-30 05:32:59 | LI Lei
李磊 | Things - Language-Live Soundscape and Electronic Music | 物·语——现场声景与电子音乐 |
| CHINA | Male |
| 0000 |
2016-06-16 12:02:06 | LI Lianghua
李亮华 | Su Shuo | 诉说 | ？ | CHINA | Male | Electroacoustic Music | 0000 |
2016-06-16 15:32:31 | LI Lin
李林 | Now | Now | 1983 | CHINA | Male | Electroacoustic Music | 2005 |
2013-04-04 09:23:09 | LI MengYao
刘梦遥 | Windy Valley | 风谷
|
| CHINA | Female | Mixed music | 2011 |
2016-06-16 12:26:59 | LI Muqing
黎牧青 | Bei Jing Jie Zou | 北京节奏 | 1991 | CHINA | Male | Electroacoustic Music | 0000 |
2014-08-26 20:39:30 | LI Muqing
黎牧青 | Bullfight | 斗牛 |
|
| Male | Electroacoustic | 2011 |
2014-08-26 20:40:34 | LI Muqing
黎牧青 | Fallen Art | 堕落的艺术 |
| CHINA | Male | Multimedia | 2011 |
2013-03-27 12:32:55 | LI Muqing
黎牧青 | Piano Attack |
|
| CHINA | Male | Multimedia | 2011 |
2017-11-06 14:27:36 | LI Pengyun
李鹏云 | Breath like Lily - for bass bamboo flute and max/msp | 气如兰 | 1974 | CHINA | Male | Mixed music | 0000 |
2016-06-15 22:09:40 | LI Pengyun
李鹏云 | Ouduan silian | 藕断丝连 | 1974 | CHINA | Male | Electroacoustic Music | 0000 |
2017-07-15 15:58:40 | LI Pengyun
| Shen Nong Jia in Ink Painting |
| 1974 | CHINA | Male | Mixed music | 2016 |
2017-07-15 15:57:53 | LI Pengyun
李鹏云 | Song Ge Ge | 送哥哥 | 1974 | CHINA | Male | Electroacoustic Music | 0000 |
2017-11-06 14:28:22 | LI Pengyun
李鹏云 | Under the cover - for one percussionist and max/msp | 暗度陈仓
| 1974 | CHINA | Male | Mixed music | 2013 |
2020-01-04 06:07:57 | LI Qiuxiao
李秋筱 | Bristle with anger | 击鼓骂曹
| 1985 | CHINA | Female | Mixed music | 2009 |
2022-11-16 11:11:13 | LI Qiuxiao
李秋筱 | Cloud | 云 |
| CHINA | Female | interactive electronic music | 0000 |
2017-07-15 14:34:26 | LI Qiuxiao
李秋筱 | Havoc in heaven |
| 1985 | CHINA | Female | Mixed music | 2016 |
2016-06-16 11:29:55 | LI Qiuxiao
李秋筱 | Mulanhua | 木兰花 | 1985 | CHINA | Female | Electroacoustic Music | 0000 |
2017-07-15 14:32:01 | LI QiuXiao
李秋筱 | Speak softly water | 细语诉水
| 1985 | CHINA | Female | Electroacoustic | 2011 |
2020-01-05 02:46:57 | LI Qiuxiao
李秋筱 | The Dancing Shadow |
| 1985 | CHINA | Female | Mixed music | 2013 |
2017-11-04 10:39:59 | LI QiuXiao
李秋筱 | The stratagem of the empty city |
| 1985 | CHINA | Female | Mixed music | 2011 |
2017-07-15 14:32:25 | LI Qiuxiao
李秋筱 | Wu song fights the tiger | 武松打虎 | 1985 | CHINA | Female | Mixed Music | 2014 |
2022-04-06 12:26:28 | LI Sijie
李思洁 | The Phonograph | 留声机 |
| CHINA | Female | Acousmatic music | 0000 |
2017-11-04 11:14:47 | LI Tao
| Wu Ren Kan Ji |
|
| CHINA | Female | Mixed music | 2017 |
2017-11-04 12:44:08 | LI Wan-Ching (Sandra Tavali)
李婉菁 | Ban Shan |
|
| TAIWAN | Female | Tape stereo | 2014 |
2017-11-04 12:27:50 | LI Wan-Ching (Sandra Tavali)
李婉菁 | Ban Shan (for 5.1 surround sound) |
|
| TAIWAN | Female | Tape, surround sound (fixed media) | 2016 |
2017-11-04 12:31:32 | LI Wan-Ching (Sandra Tavali)
李婉菁 | Dirge |
|
| TAIWAN | Female | Mixed music | 2015 |
2017-11-04 12:26:16 | LI Wan-Ching (Sandra Tavali)
李婉菁 | River |
|
| TAIWAN | Female | Mixed music | 2016 |
2017-11-04 12:41:51 | LI Wan-Ching (Sandra Tavali)
李婉菁 | Weave |
|
| TAIWAN | Female | Mixed music | 2015 |
2017-11-04 12:21:57 | LI Wan-Ching (Sandra Tavali)
李婉菁 | Wind and The Dancing Bamboo |
|
| TAIWAN | Female | Mixed music | 2017 |
2013-12-24 11:42:12 | LI Xiaobing
李小兵 | Formation | 阵 |
| CHINA | Male | Mixed music | 2009 |
2015-03-16 17:49:04 | LI Xiaobing
李小兵 | Time - multimedia electronic music | 时间
|
| CHINA | Male | Multimedia | 2011 |
2015-03-16 19:45:08 | LI Xiaobing, KOU Dawei
李小兵, 寇大伟 | Jie - for chinese traditional vocal, image, and electroacoustic | 界 |
| CHINA | Male | Mixed music | 2012 |
2015-03-14 09:50:21 | LI Xiaobing, KOU Dawei
李小兵, 寇大伟 | Li Sao | 离骚 |
| CHINA | Male | Multimedia | 2010 |
2020-01-02 03:46:27 | LI Yanwei
李妍蔚 | The mirage of starry sky | 星夜的幻象 |
|
| Female | Multimedia | 2019 |
2017-11-06 14:02:30 | LI Yu
李屿 | Far Lick | 远舐 |
| CHINA |
| Mixed music | 2015 |
2016-06-16 15:45:22 | LI Yulin
李昱霖 | Bai Jia Zheng Ming | 百家争鸣 | 1989 | CHINA | Male | Electroacoustic Music | 0000 |
2014-08-26 20:34:36 | LI Yulin
李昱霖 | contention of a hundred schools of thought | 百家争鸣 | 1989 | CHINA | Male | Applied | 2010 |
2016-06-16 12:24:22 | LI Yulin
李昱霖 | Duo Bian De Ren Sheng | 多变的人生 | 1989 | CHINA | Male | Electroacoustic Music | 0000 |
2016-06-16 15:55:13 | LI Yulin
李昱霖 | Jiao Hu | 交互 | 1989 | CHINA | Male | Electroacoustic Music | 0000 |
2016-07-15 01:50:07 | LI Yulin
李昱霖 | View inside a Kaleidoscope | 万花筒中的风景 | ? | CHINA | Male | Mixed Music | 2014 |
2017-07-15 15:56:06 | LI Yunpeng
| Listening to the wind in the dead of nigh |
|
| CHINA | Male | Mixed music | 2016 |
2014-08-26 20:54:12 | LIANG Lei
梁雷 | Jong-Jin’s Rain |
| 1972 | CHINA | Male | Tape | 2002 |
2014-08-26 20:53:55 | LIANG Lei
梁雷 | Memories of Xiaoxiang |
| 1972 | CHINA | Male | Mixed music | 2003 |
2014-08-26 20:53:39 | LIANG Lei
梁雷 | Project 121899 |
| 1972 | CHINA | Male | Sound installation | 1999 |
2015-05-05 00:21:00 | LIAO Lin-Ni
廖琳妮 | Le train de la vie I - LR |
| 1977 | TAIWAN | Female | Acousmatic Music | 2010 |
2022-11-28 06:58:09 | LIAO Lin-Ni
廖琳妮 | Le train de la vie I - LR |
| 1977 | TAIWAN | Female | Electroacoustic | 0000 |
2022-11-28 06:58:32 | LIAO Lin-Ni
廖琳妮 | Le train de la vie III - WE |
| 1977 | TAIWAN | Female | Mixed Music | 0000 |
0000-00-00 00:00:00 | LIAO Lin-Ni
廖琳妮 | Le train de la vie IV - LR |
| 1977 | TAIWAN | Female | Electroacoustique | 2010 |
2022-11-28 06:58:49 | LIAO Lin-Ni
廖琳妮 | Le train de la vie IV - TT |
| 1977 | TAIWAN | Female | Electroacoustic & Contemporary Dance | 0000 |
2022-11-28 06:59:02 | LIAO Lin-Ni
廖琳妮 | Le train de la vie V - Alison |
| 1977 | TAIWAN | Female | Mixed Music | 0000 |
2022-11-28 06:57:45 | LIAO Lin-Ni
| Le train de la vie V - Alison |
| 1977 |
| Female | Mixed Music | 0000 |
2019-04-25 23:23:09 | Liao Lin-Ni
廖琳妮 | Le train de la vie V - Alison for electric guitar and electronics |
| 1977 | TAIWAN | Female | Mixed Music | 2010 |
2017-11-03 20:40:47 | LIM Young-mee
임영미 | “Rhythm dance”
|
| 1960 | KOREA (South) | Female | Électroacoustique | 0000 |
2017-11-03 20:41:06 | LIM Young-mee
임영미 | Shadow Play |
| 1960 | KOREA (South) | Female | Musique Mixte | 2015 |
2016-11-22 10:48:08 | LIM Young-Mee
임영미 | Vpiano |
| 1960 | KOREA (South) | Female | 4-ch. Live Audiovisual Media | 2011 |
2015-03-11 16:09:12 | LIN Chia-Yi
林佳儀 | Gravity |
| 1992 | TAIWAN | Female | Electroacoustic Music | 2015 |
0000-00-00 00:00:00 | LIN Erh
林二 | Basic Principles of Sound Synthesis |
| 1934 | TAIWAN | Male |
| 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Computer Sonata |
| 1934 | TAIWAN | Male |
| 1968 |
0000-00-00 00:00:00 | LIN Erh
林二 | Concerto Grosso for Computer |
| 1934 | TAIWAN | Male |
| 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Danse de la jeunesse | 青春舞曲 | 1934 | TAIWAN | Male |
| 1969 |
0000-00-00 00:00:00 | LIN Erh
林二 | Operation of 3M |
| 1934 | TAIWAN | Male |
| 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Problem in Music Preparation |
| 1934 | TAIWAN | Male | Illiac II | 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Sextuor n°1-Brahms |
| 1934 | TAIWAN | Male | Illiac II | 1965 |
2012-12-14 20:49:57 | LIN Erh
林二 | Shomyo |
| 1934 | TAIWAN | Male | Mixed Music | 1964 |
0000-00-00 00:00:00 | LIN Erh
林二 | Suite Illiac II - Lejaren Hiller |
| 1934 | TAIWAN | Male | Illiac II | 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Toccata et fugue de Bach en ré mineur |
| 1934 | TAIWAN | Male | Illiac II | 1965 |
0000-00-00 00:00:00 | LIN Erh
林二 | Violon concerto in D minor of Bach |
| 1934 | TAIWAN | Male | Musique mixte | 1964 |
2017-11-04 10:48:43 | LIN Lu
| Handgai |
|
| CHINA | Female | Mixed music | 2017 |
0000-00-00 00:00:00 | LIN Mei-Fang
林梅芳 | Ascension |
| 1973 | TAIWAN | Female |
| 1999 |
2017-04-13 14:44:23 | LIN Mei-Fang
林梅芳 | Figurations |
| 1973 | TAIWAN | Female | Tape | 2008 |
2020-01-08 06:34:51 | LIN Mei-Fang
林梅芳 | Interaction |
| 1973 | TAIWAN | Female | Mixed music | 2001 |
0000-00-00 00:00:00 | LIN Mei-Fang
林梅芳 | Internal Landscape |
| 1973 | TAIWAN | Female |
| 2000 |
2020-01-08 06:32:32 | LIN Mei-Fang
林梅芳 | Multiplication Virtuelle |
| 1973 | TAIWAN | Female | Max/MSP | 2004 |
2022-04-13 10:18:24 | LIN Minghui
| Microcosm of Morning dew |
|
| CHINA |
|
| 0000 |
2018-10-26 18:13:51 | LIN Shen
申林 | Return to homeland |
|
| CHINA | Male |
| 0000 |
2020-01-08 08:12:08 | LIN Zoe
林宜徵 | The Breath of the Forest |
|
|
| Female | Acousmatic | 0000 |
2017-11-06 12:50:43 | LIU Bo-Yuan
刘博元 | Sound of Thinking | 思考之声 |
| CHINA | Male | Live electronics | 0000 |
2022-04-06 12:29:41 | LIU Chen
刘琛 | Desolation | 萧索 | 1996 | CHINA | Female | Acousmatic music | 0000 |
2022-04-13 11:02:21 | LIU Chenye
| The Nebula of Cotard |
|
| CHINA |
| Acousmatic music | 0000 |
2016-07-15 01:09:15 | LIU Erdong
刘尔东 | Harmony | 和谐 | ? | CHINA | Male | Mixed Music | 2014 |
2015-03-14 10:01:45 | LIU Hao
刘昊 | e-Live for 5 MINI controllers | e-Live for 5 MINI controllers |
| CHINA | Male | live electronic music | 2010 |
2015-03-16 19:42:56 | LIU Hao
刘昊 | Light objet | 光体 |
| CHINA | Male | real-time electroacoustic music | 2012 |
2015-03-16 17:41:11 | LIU Hao
刘昊 | Orchestra impression - for 'classroom 513' e-Live orchestra | 管弦乐团印象 |
| CHINA | Male | live electronic music | 2011 |
2017-11-06 11:07:12 | LIU Hao
| Spiritual Dance |
|
| CHINA | TBA | Mixed | 2015 |
2023-06-03 08:22:23 | LIU Jialin
刘家麟 | Bifurcation. After the novel of Jorge Luis Borgès “El Jardin de los Senderos que se Bifurcan” |
| 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:31:09 | LIU Jialin
刘家麟 | chain/escape. Étude Algorithmique |
| 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:20:02 | LIU Jialin
刘家麟 | Der Tunnel |
| 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:39:12 | LIU Jialin
刘家麟 | Isolation |
| 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:35:38 | LIU Jialin
刘家麟 | Los funerales dichosos en el sueno | 梦中的欢快葬礼 | 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:07:44 | LIU Jialin
刘家麟 | Spheric network |
| 1995 | CHINA | Male |
| 0000 |
2023-06-03 08:07:56 | LIU Jialin
刘家麟 | Spiral Tunnel |
| 1995 | CHINA | Male |
| 0000 |
2023-06-03 08:33:23 | LIU Jialin
刘家麟 | Taumelnd...Baumelnd... … Chongzhen and his Kingdom in 1644 一六四四年-崇祯与他的王朝 |
| 1995 | CHINA | Male | Mixed Music | 0000 |
2023-06-03 08:25:18 | LIU Jialin
刘家麟 | Video Recording from VR MetaVerse "Parc Instrumental Spatial" |
| 1995 | CHINA | Male | Video and music | 0000 |
2023-06-03 08:08:10 | LIU Jialin
刘家麟 | Waterphone Island |
| 1995 | CHINA | Male |
| 0000 |
2017-04-09 15:56:50 | LIU Jian
刘健 | Devotion | 奉献 | 1954 | CHINA | Male | Mixed Music | 0000 |
2017-04-09 16:03:13 | LIU Jian
刘健 | Ornamentation |
| 1954--2012 | CHINA | Male |
| 1985 |
2017-11-11 16:25:58 | LIU Jian
刘健 | Touch |
| 1954 | CHINA | Male | Mixed music | 2006 |
2017-11-04 11:12:01 | LIU Peixin
| Five Stanzas of Plum-blossoms |
|
| CHINA | Female | Tape. Acousmatic music | 2017 |
2015-03-14 00:35:35 | LIU Sijun
刘思军 | Caprice - for violin and electroacoustic | 随想曲 - 为小提琴和电子音乐
|
| CHINA | Male | Mixed music | 2010 |
2016-06-21 14:50:57 | LIU Sijun
刘思军 | Shao Si Ming | 少司命 | 1970 | CHINA | Male | Mixed Music | 2002 |
2016-06-16 13:13:48 | LIU Sijun
刘思军 | Shen Hu Xi | 深呼吸 | 1970 | CHINA | Male | Electroacoustic Music | 0000 |
2014-08-26 20:36:30 | LIU Sijun
刘思军 | The Dance of Flute |
| 1970 | CHINA | Male | Tape, 4 stereo tapes | |
