MUSICAL WORKS

CAI Jiaxun / 蔡佳迅

Particle system / 粒⼦系统
[Li Zi Xi Tong]

Birth C: CHINA Gender: Female

Setup: Zhejiang Conservatory of music

Prog. notes: 粒⼦系统是由许多粒⼦组成的⽤来表达抽象事物的⼏何。粒⼦可以在⼀段
时间内⽣成（create）、移动（move）、转化（change），最后消亡
（die）。就如同⽩⾊污染问题的发展过程⼀样，先是问题的形成，再到
问题的堆积和变化以⾄于难以消散，最后问题消亡但不⾄于完全消亡。在
这种可以完美体现作品运动过程的系统的⽀持下，在⾳乐情绪的推动下，
我将⽩⾊污染作为粒⼦进⾏抽象化，得以将这个作品实现。同时，作品名
中“curb”⼀词有控制、抑制，约束等含义，所以我才将这个动词作为这个
作品的主题:把⽩⾊污染囚禁在我的影像⾥。在⾳乐部分，我也将其中⼏
段的推动都限制住了，没有及其持续的推动。但由于⽩⾊污染问题的发
展，在最后⼀段的推动时，我让其发展变得更为猛烈。最后的⼀声轻微的
余⾳，也代表了问题的延续。


Particle system is composed of many particles, which is used to
express the geometry of abstract things. Particles can create, move,
change, and die within a period of time. Just like the development
process of the white pollution problem, first the formation of the
problem, then the accumulation and change of the problem, so that it is
difficult to dissipate, and finally the problem dies, but not completely.
With the support of this system that can perfectly reflect the movement
process of the work, and driven by the music emotion, I abstracted the
white pollution as particles to realize this work. At the same time, the
word "curb" in the title of the work has the meanings of control,
inhibition and restraint, so I take this verb as the theme of the work:
imprison white pollution in my image. In the music part, I also limited the
promotion of several paragraphs, without continuous promotion.
However, due to the development of the problem of white pollution, I let
it develop more violently in the last paragraph. The last slight aftersound
also represents the continuation of the problem.

Editor: XM