WRITINGS

Sur le front de toutes les musiques

CNAC Magazine, "Japon des avant-gardes", Centre Georges Pompidou, n. 36, 15 novembre 1986 - 15 janvier 1987, p. 14-15.

Databases devoted to electroacoustic music studies in East Asia: the EMSAN databases

Journal of the Japanese Society for Sonic Arts,n. 12. On line: http://www.jssa.info/doku.php/meeting012

The Development of Electronic and Computer Music in Taiwan

Conference WOCMAT, National Taiwan University, Taipei, Taiwan

Intercultural Synthesis in Postwar Western Art Music: Historical Contexts, Perspectives, and Taxononomy

Locating East Asian in Western Art Music, Yayoi Uno Everett and Frederick Lau, eds., Middletown (CT), Wesleyan University Press, 1-21

History and Development of Electroacoustic Music in Taiwan, in : Prospect of the coming Network of the Study on Electroacoustic Music and Eastern-Asian Tradition

Conference EMS, De Montfort University, Leicester, GB

John Zorn and the Postmodern Condition

Locating East Asian in Western Art Music, Yayoi Uno Everett and Frederick Lau, eds., Middletown (CT), Wesleyan University Press, 72-84.

The tape music of Jikken Kôbô 実験工房 (Experimental Workshop): Characteristics and specificities in the 1950s

Proceedings of the Electroacoustic Music Studies Network Conference, Nagoya, September 2017

The Electroacoustic Music in the Higher Education in Taiwan – Its Evolution and its Reception

Conference EMS, 3-7 Juin, Maison de la recherche (Université Paris-Sorbonne), Paris

Taiwanese women composers and Mixed-Music. Multiplication virtuelle by Lin Mei-Fang, Tien Nee by Chao Ching-Wen

Conference EMSAN-CEMC, Bejing Central Conservatory, Bejing

From an "Off" Site - OFF SITE and the Sounds Produced There

Improvised Music from Japan 2002-2003, translated by Christopher Stephens, Suzuki Yoshiyuki, ed., Tokyo, p. E-8-E-11. With CD.

Conception, Sound Processing and Structuring of Electroacoustic Music: Two Compositions with the Satsuma-biwa

ISBN 978-83-88392-65-8, De Musica Commentary Vol.4 pp85-96

Meeting at Off Site Vol. 1 / Off Site Composed Music Series in 2001

『Meeting at Off Site Vol. 1』 / 『Off Site Composed Music Series in 2001』

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-9. With CD.

Narrative to Action in the Creation and Performance of Music with Data-driven Instruments

DMA dissertation, University of Oregon, 2018

Electro-acoustic music in Taiwan : is it still at the stage of prehistory?

Conference EMSAN-CEMC, Bejing Central Conservatory, Bejing, China

Meeting at Off Site Vol. 1 / Off Site Composed Music Series in 2001

Improvised Music from Japan 2002-2003, translated by Cathy Fishman, Suzuki Yoshiyuki, ed., Tokyo, p. E-10-E-11. With CD.

Nourishing the Soul - Ten Years of Musical Activies in China

in Musicking the Soul, Beijing, Central Conservatory of Music, pp. 86-97.

Electronic Music in East Asia

in The Routledge Research Companion to Electronic Music: Reaching out with Technology, Edited By Simon Emmerson, London, Routledge

An Interview with Sachiko M: The Queen of the Sine Wave Kingdom Explains Herself

Improvised Music from Japan 2002-2003, translated by Cathy Fishman, Suzuki Yoshiyuki, ed., Tokyo, p. E-12-E-14. With CD.

Emprise

エンプリズ

StyleNote publishing, Tokyo

Composing Noise

Institute of Sonology, Royal Conservatory, The Hague, 57 p., + Web site with MP3 sound examples.

Dangerous Tunes. The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China since 1949

Opera sinilogica 3, Wiesbaden, Harrassowitz Verlag

The third EMSAN Forum: goals and tasks in 2011

Proceedings of the Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 2p. http://www.omf.paris-sorbonne.fr/EMSAN www.omf.paris-sorbonne.fr/EMSAN

Kaffe Mathews / Andrea Neumann / Sachiko M "In Case of Fire Take the Stairs"

カフィ・マシュウズ、アンドレア・ノイマン、Sachiko M『In Case of Fire Take the Stairs』

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-13. With CD.

Electroacoustic Music in East Asia

London, Routledge

The Electroacoustic Music Studies Asia Network (EMSAN)

Proceedings of the Second Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2009, 41p. http://www.omf.paris-sorbonne.fr/EMSAN

Kaffe Mathews / Andrea Neumann / Sachiko M "In Case of Fire Take the Stairs"

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., Tokyo, p. E-15. With CD.

International Exchange in Music: Effective Means Toward Defining Ourselves

in Musicking the Soul, Beijing, Central Conservatory of Music, pp. 174-190

Le développement de la musique électroacoustique en Chine continentale

Proceedings of the Electroacoustic Music Studies Conference, Paris, 3 p.

Anode Note

ANODE Note

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-14-J-15. With CD.

L'influence du Japon sur la création musicale à l'époque de l'occupation à Taiwan et en Corée : le parcours de quelques compositeurs

in Japon Pluriel 7, Actes du septième colloque de la Société française des études japonaises, A. Brotons and C. Galan, ed, Arles, Editions Philippe Picquier, p. 203-211.

Anode Note

Improvised Music from Japan 2002-2003, translated by Toshimaru Nakamura, Suzuki Yoshiyuki, ed., Tokyo, p. E-16-E-17. With CD.

The Electro-acoustic Music in the Higher Education in Taiwan – Its Evolution and Its Reception

Proceedings of the Electroacoustic Music Studies Conference, Paris, 5 p.

The Beginnings of Japanese Electronic Music. Comments by Hugh Davies

DecimE Mitteilungen 11:11-14. Berlin

Ear-Openers: On Otomo Yoshihide's "Ensemble Cathode" and "Live"

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-18-E-20. With CD.

Répertoire international des musiques électroacoustiques. International Electronic Music Catalog

A cooperative publication of Le Groupe de Recherches Musicales de l'ORTF, Paris, and The Independant Electronic Music Center, Inc., Trumansburg (NY), distributed by The MIT Press, Cambridge (MA), 329 p.

Toshimaru Nakamura Interview: On His New Solo CD "Vehicle"

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-21. With CD.

Between concrete and abstract (about 'Gaku-no-michi'). First interview of Jean-Claude Eloy with Avaera

Hors-Territoires, text n. 68. Link: http://www.hors-territoires.com/EloyGakuShantiPDF/EloyGakuHT-Engl.pdf

Uni-modernité contre pluri-modernités. Un entretien de Jean-Claude Eloy présenté et commenté par Avaera et Makiko

site Web http://www.eloyjeanclaude.net/; link: http://www.eloyjeanclaude.net/BooksAvaeraFrench3.html

Organization of an EMSAN Committee for Networked EA Music Performance

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials are Available?

Handout, Electroacoustic Music Conference 2003, 15/10/2003, unpublished

m-7

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., Tokyo, p. E-26. With CD.

Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials are Available?

Organised Sound 9(1), p. 63-77

The Concert Review

Evening News, Yomiuri Shinbun, 23 November, Tokyo,

Analysis of Early Electroacoustic Music of Japan: In search for systematic analytical methodology [abstract]

Proceedings of the Electroacoustic Music Studies Conference, Montreal, 1 p.

An Interview with Uchihashi Kazuhisa: Revived! FBI

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-28-E-30. With CD.

Yôgaku. Japanese Music in the Twentieth Century

Landham (MD), The Scarecrow Press, translated by Martin Mayes

An Interview with Skist

SKISTインタヴュー

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-30-J-32. With CD.

The aesthetics of notation in Japanese Electroacoustic Music

Musica/Tecnologia, 13(1), 103-118. https://doi.org/10.13128/music_tec-11165

Yôgaku. Percorsi della musica giapponese nel Novecento

Venezia, Liberia Editrice Cafoscarina

An Interview with Skist

Improvised Music from Japan 2002-2003, translated by Christopher Stephens, Suzuki Yoshiyuki, ed., Tokyo, p. E-32-E-34. With CD.

Timbre Space Supported by Strings, in case of Fogged River, for string quartet and electronics

伝統器楽アンサンブルに支援される音色表現 弦楽四重奏とエレクトロニクスのための《Fogged River》

JSSA, Japanese Society for Sonic Arts

Toru Takemitsu

Editions TUM/Michel de Maule

Archiving on text documentation and/or events information ; multiple sources of Japanese electroacoustic pieces

Adaptive Timbre Control System Using Gesture

Proceedings of the International Computer Music Conference (ICMC), DIEM, Danish Institute of Electroacoustic Music, Denmark, San Francisco, ICMA, p.151-158.

Les compositeurs chinois à l'heure de la mondialisation

Composer au XXIe siècle. Pratiques, philosophies, langages et analyses, sous la direction de Sophie Stévance, Paris, Vrin, p.41-67

The Development of a Piano Player

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.426-427.

Japanese Analog Electroacoustic Music 1950-1970

Interface vol. 9, p. 71-82

International Documentation of Electroacoustic Music

Technische Universität Berlin, , Deutsche Gesellschaft für Elektroakustische Musik, Saarbrücken, PFAU-Verlag, 1996, 421 p.

Change and Continuity in Contemporary Japanese Music: A Search for a National Identity

Ph.D., Dept. of music, Brown University, 394 p.

Hashirigaki: Heiner Goebbel's Musical Spectacle

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-36-E-39. With CD.

A Computational Model of Music Cognition Based on Interacting Primitive Agents

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.292-295.

An Interview with Phew

Phewインタヴュー

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-38-J-41. With CD.

A Computer Accompaniment System with Independence

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.418-420.

An Interview with Phew

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-40-E-43. With CD.

The Reception of Electroacoustic Music in Japan

in Yuji NUMANO , Cathy COX and Fuyuko FUKUNAKA, "Electroacoustic Music in Musicology", Proceedings of Asia Computer Music Project 2011, JSSA 11th meeting/ACMP 2011, Tokyo, Asia Computer Music Project, p.31-32.

Experiments on Computerized Piano Accompaniment

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.415-417.

Electroacoustic Music in Musicology

in Yuji NUMANO , Cathy COX and Fuyuko FUKUNAKA, "Electroacoustic Music in Musicology", Proceedings of Asia Computer Music Project 2011, JSSA 11th meeting/ACMP 2011, Tokyo, Asia Computer Music Project, p.31-32.

A Computer Music System for Human Singing

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.150-153.

Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.432-434.

About the Music on "Spring Road 01"

Improvised Music from Japan 2002-2003, translated by Cathy Fishman, Suzuki Yoshiyuki, ed., Tokyo, p. E-46. With CD.

Japanese electronic music denshi-ongaku (電子音楽): Its music and terminology, definition and confusion

Proceedings of the Electroacoustic Music Studies Conference, Paris, 5 p., www.ems-network.org

Cultural ‘Content’ in Korean Music Made with Computers

On line publication available at: http://music.arts.uci.edu/dobrian/ComputerMusicInKorea.pdf

Finding rules in shakuhachi timbre and applying them to structure music: Composition for shakuhachi and live electronics Kaze no Michi (Wind Way)

Proceedings of the Electroacoustic Music Studies Conference, Leicester, 8 p., www.ems-network.org

Asian Music in America: a Confluence of Two Worlds

Hamilton College, Clinton, New York, USA; April 10-11, 1999

Check It Out, It's the Amorphone

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-47. With CD.

Composing Electroacoustic Music Relating to Traditional Japanese Music

Ph.D., Music Department, City University of London, 124 p.

Orchestra of loudspeakers. Acousmatic works played on Acousmonium to create a sound space

スピーカーのオーケストラ「アクースモニウム - ACOUSMONIUM」でアクースマティック作品を演奏、音響空間を演出する

Doshisa Women's College, faculty page, on line at: http://www.dwc.doshisha.ac.jp/research/parts/pdf/faculty/music/narita.pdf

Dear EMSAN colleague composers

Proceedings of the The Second Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2009, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

The Sounds of Music: Japan’s Modern Composers and Performers

Japan Society Newsletter, March, 2–6.

Electroacoustic Music in Japan

Computer Music Journal 23(1), p. 4

Multimedia “Visual Music1”: Analogical processes between images and sounds

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 7p. http://www.omf.paris-sorbonne.fr/EMSAN

An Interview with Yasuhiro Yoshigaki: The Logic of Emergency! and Vincent Atmicus

芳垣安洋インタヴュー：The Logic of Emergency! and Vincent Atmicus

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., IMJ 301 Launch issue, Tokyo, p. J-46-J-49. With CD.

A Sound Source Separation System with the Ability of Automatic Tone Modeling

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.248-255.

A Financial Source or Opportunities for Experiments? Musique concrète in Japanese film music in the 1950s and 60s

Proceedings of the Electroacoustic Music Studies Network Conference, Paris, 2008, on line: http://www.ems-network.org/ems08/abstract.html.

An Interview with Yasuhiro Yoshigaki: The Logic of Emergency! and Vincent Atmicus

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-48-E-50. With CD.

The Local Differences of the recent Tendency of the Electroacoustic Music in South Korea

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Musique concrète in Japan

Proceedings of the Electroacoustic Music Studies Network Conference, Paris, 2008, on line: http://www.ems-network.org/ems08/abstract.html.

Meanings in Making Music: Has Composing Changed with Technology?

Proceedings of the Electroacoustic Music Studies Conference, Shanghai, 2010, 4 p., www.ems-network.org

Timbre Symbol-based Music Notation

Proceedings of the Electroacoustic Music Studies Network Conference, Paris, 2008, on line: http://www.ems-network.org/ems08/abstract.html.

Listening to the Sound: Meanings in Making Music

Proceedings of the Electroacoustic Music Studies Conference, Paris, 5 p., www.ems-network.org

CHEARS 2008: EARS full text translation plan

Fusion or Fission. The Paradox and Politics of Contemporary Chinese Avant-Garde Music

in Locating East Asia in Western Music, Y.Uno Everett and F. Lau, ed, Middletown, Wesleyan University Press, p. 23-39

A Study on the Interactive "Hopscotch" Game for the Children Using Computer Music Techniques

International Journal of Multimedia & Its Applications (IJMA), vol. 2, n. 2, May

Sound Design in Electro-Acoustic Music Concert

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 2p. http://www.omf.paris-sorbonne.fr/EMSAN

"It's SHO Time" --- An Interactive Environment for SHO(Sheng) Performance

Proceedings of the International Computer Music Conference (ICMC, Beijing, China), San Francisco, International Computer Music Association, p. 32-35.

The History of Japanese Free Jazz (excerpt)

Improvised Music from Japan 2002-2003, translated by Cathy Fishman, Suzuki Yoshiyuki, ed., Tokyo, p. E-56-E-57. With CD.

Sound Design in Electro-Acoustic Music Concert

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 2p. http://www.omf.paris-sorbonne.fr/EMSAN

MUSICACOUSTICA Beijing Festival Unveiled in CCOM

Central Conservatory of Music (CCOM), Beijing; translation: Wang Xiaoxi

A Report on the Erstwhile Festival "AMPLIFY 2002: balance"

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., Tokyo, p. E-58-E-60. With CD.

Héritages culturels et pensée moderne. Les compositeurs taiwanais de musique contemporaine formés à l'étranger

Thèse, sous la dir. de M. Battier, université Paris-Sorbonne, 384 p.

An Interview with Jon Abbey

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., Tokyo, p. E-61. With CD.

Electro-acoustic music in Taiwan : is it still at the stage of prehistory?

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Les sources d'inspiration chez le compositeur Yoshihisa Taira

Ph.D. dissertation, Marc Battier, dir., Musique et musicologie, Université Paris-Sorbonne, France

Taiwanese women composers and Mixed-Music. VIRTUAL MULTIPLICATION by Lin Mei-Fang TIEN NEE by Chao Ching-Wen

Proceedings of the The Second Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2009, 13p. http://www.omf.paris-sorbonne.fr/EMSAN

Cassette Memories: Flickering Memory and Glimpses of What Lies Beyond

Improvised Music from Japan 2002-2003, translated by Haruna Ito, Suzuki Yoshiyuki, ed., Tokyo, p. E-62-E-63. With CD.

Les compositrices taiwanaises et la musique mixte. Multiplication Virtuelle de Lin Mei-Fang Tien Nee de Chao Ching-Wen

Proceedings of the The Second Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2009, 12p. http://www.omf.paris-sorbonne.fr/EMSAN

Contemporary Japanese Music. A Lecture by John Cage

in Locating East Asia in Western Music, Y.Uno Everett and F. Lau, ed, Middletown, Wesleyan University Press, p. 193-198

Le parcours musical de Qigang Chen (de 1985 à 2001) au regard des musiques contemporaines chinoise et japonaise

Ph.D Dissertation (Thèse, sous la dir. de M. Battier), université Paris-Sorbonne, 478 p. On line (see below).

Sound, Song and Cultural Memory – Concerning the History of Electroacoustic Music in Taiwan

Proceedings of the Electroacoustic Music Studies Conference, Paris, 5 p., www.ems-network.org

On Utah Kawasaki's New Album "utah. mod. radi"

Improvised Music from Japan 2002-2003, translated by Toshimaru Nakamura, Suzuki Yoshiyuki, ed., Tokyo, p. E-65. With CD.

The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1970s

Computer Music Journal 22(1), p. 49-55

An Annotated Bibliography of Japanese Electroacoustic Music

Computer Music Journal 22(2), p. 4-6

An E-Mail Exchange: Radu Malfatti and Taku Sugimoto

Improvised Music from Japan 2002-2003, Suzuki Yoshiyuki, ed., Tokyo, p. E-66-E-73. With CD.

Errata

Computer Music Journal 22(1), p. 3

International Computer Music Festival, Kobe, Japan, 18-20 September 1998

Computer Music Journal 23(2), p. 88-93

View Masters, The Sound Collection Observation Organization: A Report on Events in 2002

Improvised Music from Japan 2002-2003, translated by Christopher Stephens, Suzuki Yoshiyuki, ed., Tokyo, p. E-22-E-25. With CD.

Die Anfänge der Elektronischen Musik in Japan 953-1965

DecimE Mitteilungen 10:7-13, Berlin

The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s

Computer Music Journal 21(4), p. 11-22

Theme of MUSICACOUSTICA-BEIJING 2005

2005年北京国际电子音乐节主题阐述

Primary Research on Interactive Music of Chinese New Media Art in theRecent Decade

中国新媒体艺术之互动音乐十年初探

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 2p. http://www.omf.paris-sorbonne.fr/EMSAN

Language－Theme of MUSICACOUSTICA-BEIJING 2006

2006年北京国际电子音乐节主题阐述

中央音乐学院

The Recognition and Editing System for Shakuhachi Score

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.405-407.

SOUND·OLYMPICS－Theme of MUSICACOUSTICA-BEIJING 2007

声音·奥林匹克 － 2007年北京国际电子音乐节主题阐述

Composing for Japanese Instruments

Rochester (NY), University of Rochester Press, trans. by Marty Regan

Asia - Theme of MUSICACOUSTICA-BEIJING 2008

亚洲－2008年北京国际电子音乐节主题阐述

Electroacoustic music in cultural context — two points towards sound materials and structure

Proceedings of the Electroacoustic Music Studies Conference, Paris, 5 p., www.ems-network.org

Interaction －theme of MUSICACOUSTICA-BEIJING 2009

交互－ 2009年北京国际电子音乐节主题阐述

Sound Arts and the First Generation of Max Pieces in Japan

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Acoustic Parameters in the Time Processing of Japanese Music-- in the Partially Indeterminate Cadence

33rd International Acoustical Conference

musique et technologie font un bel avenir

音乐与科技共创美好明天 － 2004年北京国际电子音乐节主题阐述

中央音乐学院

Electronic sounds and interactivity in Japanese contemporary sound performance

Proceedings of the The Second Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2009, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

日本戦後音楽史(上）（下）

Internet Hanyang News, Hanyang University
平凡社（東京）

"DIVERSITY" - The Theme of MUSICACOUSTICA-BEIJING 2010

“多元”－2010年第十一届北京国际电子音乐节主题阐述

中央音乐学院

Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model

Proceedings of the International Computer Music Conference (ICMC, Waseda University, Tokyo, Japan), San Francisco, International Computer Music Association, p.378-380.

"Virtual World" －Theme of MUSICACOUSTICA-BEIJING 2011

“虚拟世界” －2011年北京国际电子音乐节主题阐述

中央音乐学院

Tradition and Innovation in the Art Music of Post-War Japan

Ph.D., The City University of City of New York, 232 p.

Exploring and Innovation - Chinese mode and the pursuit of ideas in MUSICACOUSTICA-BEIJING

探索与创新——论北京国际电子音乐节的中国模式与理念追求

中央音乐学院

The Development of an Automatic Bagpipe Playing Device

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.430-431.

Exploration and Practice Based on Optical Multi-touch

基于光学多点触摸技术的交互式电子音乐探索与实践

On the Mechanism of ’Hypersonic Effect’

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.432-434.

A Look at Interactivity Between Performers and Computer

A Look at Interactivity Between Performers and Computer

2010 International Electroacoustic Music Studies Network. The theme of this year’s conference is “Teaching Electroacoustic Music: Tools, Analysis, Composition”, Shanghai, China, June 23, 2010

Montreuille and Multi-media

モントルイユとマルチメディア

Nagoya Toshi Center 名古屋都市センター

The Multiple Roles of Music Technology in Music Education

The Multiple Roles of Music Technology in Music Education

Lexique des musiques d’Asie Orientale

Paris, Éditions, You Feng

Defining the Concept of Electroacoustic Music

电子音乐的概念界定

Journal of the Central Conservatory of Music 4, 2002

Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.311-313.

The Structutre of in the Second Half of the Century

The Structutre of in the Second Half of the Century

Proceedings of the 15th International Congress of Aesthetics

Recent Computer Music by Japanese Composers in Japan, America, and Europe

Music of Japan Today, E. Michael Richards and Kazuko Tanosaki, eds, Newcastle, Cambridge Scholars Publishing, 2008, 222-232.

The Ontological Meaning of Musical Interactivity---towards the aesthetic research of the musical interactive art

Proceedings of the 11th International Symposium on Electronic Art

Notes on the Film Music of Takemitsu Tôru

Contemporary Music Review, 2002, Vol. 21, No. 4, 5-16

The Development of an Automatic Drum Playing Device

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.428-429.

A Primary Research to Sound Organization and Structure of Dialog/ No Dialog by Pierre Jodlowski

Proceedings of the Electroacoustic Music Studies Conference, Shanghai, 2010, 16 p., www.ems-network.org

Double Visualization and Multiple Interactivity in Music

Proceedings of the International Congress of Aesthetics 2007

Musique et technologie au Japon

La Revue musicale n° 268-269, 'Musique et technologie. Réunion de Stokholm, 8-12 juin 1970, organisée par l'UNESCO', p. 173-180

An Anlysis of Tayutai for Koto (1972) Composed by Makoto Shinohara. A 3-dimensional Approach

Interface vol. 16, Swets & Zeitlinger, pp. 75-96

"Humanization" of computer music and its practice research

计算机音乐的“人性化”及其实践研究

Master Dissertation, Arts Acadimie of Nan Jing(南京艺术学院)

Music and technology in Japan

La Revue musicale, 'Music and Technology. This work prepared for UNESCO on the basis of the papers and reports of the meeting on Music and Technology organized by UNESCO in Stockholm, Sweden, in June 1970', p. 173-179

The Structural Analysis of The Dialogue From Different Space 

电子音乐组曲《不同空间对话》结构分析

About Asia Computer Music Project 2010

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Alternative Perspective towards Japanese History of Electronic Music – Live Electronics in Early vs Latest Days

Proceedings of the Electroacoustic Music Studies Conference, Sforzando! New York, June 2011, 8 p., www.ems-network.org

The New Notion of Algorithmic Pattern’s Application in the Sound Design of Interactive Electronic Music

交互式电子音乐声音设计中算法模式应用之新理念

eArt Digital Audio Competition and Seminar 2010

New Music in Japan

Interface vol. 8, p. 169-185

Improvisation I and Pulse 72± by Ryo Noda: an Analytical and interpretative study

DMA dissertation, University of Georgia, Athens, Georgia, 1995

On Max/MSP

谈计算机音乐软件 Max/MSP

JOURNAL Equipment of Entertainment et Technology, 2007, z1
演艺设备与科技,2007年第z1期

Simplicity as complexity - technicalities and aesthetics of Japanese musical instruments and music

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p. 11-17.

Multiplication Virtuelle

Ph.D. dissertation, University of California at Berkeley, 2007

对中国电子音乐发展脉络的梳理与评估

Yi shu ping lun (艺术评论 Arts Criticism), Pékin

Musical Time in the Avant Garde: The Japanese Connection

Ph.D., Dept. of music, University of California at Santa Barbara, 161 p.

Simulated Formant Modeling of Accompanied Singing Signals for Vocal Melody Extraction

Proceedings of the 9th Sound and Music Computing Conference (SMC12), Copenhagen, Denmark, p.33-40

Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

A Personal Approach

in Confronting Silence. Selected Writings translated and edited by Yoshiko Kakudo and Glenn Glasow, Berkeley (CA), Fallen Leaf Press, p. 79-82

Next Generation Performance Rendering ‒ Exploiting Controllability

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

Ju-Jikan. 10 Hours of Sound from Japan

１０時間

Crossfade, a joint project of the San Francisco Museum of Modern Art, the Goethe-Institut, ZKM (Center for Art and Media, Karlsruhe) and the Walker Art Center (Minneapolis)

Post-World War II Japanese Composition

D.M.A. Dissertation, University of Illinois at Urbana-Champaign, 91p.

Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

Joji Yuasa and the Jikken Kobo: Conceptions of Cosmos Reflected in Cosmos Haptic

Symposium Music of Japan Today: Tradition & Innovation, Hamilton College Department of Music, Hamilton College, Clinton, NY, USA, March 28-9, 1992

A Few Steps in a Revolution of Everyday Life: Walking with the Surrealists, the Situationist International, and Fluxus

Ph.D. Dissertation, Institute of Fine Arts, New York University, May 2010

An Annotated List of Compositions for Solo Violin with Electroacoustic Sounds

Dissertation, DMA, University of Illinois at Urbana Champaign, 262 p.

Difficult music: An ethnography of listening for the avant-garde in Tokyo

Ph.D. Dissertation, Columbia University, 347p.

Musical Analysis of a Computer Music Project, by Computer-Assistance, for Computer Music Applications

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

Jikken Kobo (experimental workshop): Avant-garde experiments in Japanese art of the 1950s

Ph.D. dissertation, New York (NY), Columbia University, 323 p.

Atmosphere as Culture: Ambient Media and Postindustrial Japan

Ph.D. Dissertation, University of California, East Asian Languages and Cultures, Berkeley, 197p.

DIPS : the real-time digital image processing objects for Max environment

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

The characteristics of Japanese postwar music

Orientation seminars on Japan, No.20, The Japan Foundation, Office for the Japanese Studies Center, p. 16

Japanese Anti-Art: Japanese Society and Influence from the West

M.A. Dissertation, Department of Music, University of Alberta (Canada), 78p.

A Mobile Robot Platform for Music and Dance Performance

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

A Review on 'Experimentation' and Exploration on Installation Electroacoustic Work in Malaysia

Proceedings of the Electroacoustic Music Studies Network Conference, Paris, 5 p., www.ems-network.org

Making and Unmaking Freedom: Sound, Affect and Beijing

Ph.D. Dissertation, School of Interdisciplinary Arts, College of Fine Arts, Ohio University, 244p.

Real-time Initiative Exchange Algorithm for Interactive Music System

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

Recent Experiment and Emerging Works at the Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak – The Integration and an Experiment of a Traditional Wayang Kulit Performances and Electroacoustic Music

Proceedings of the Electroacoustic Music Studies Conference, Leicester, 7 p., www.ems-network.org

Pierre Boulez: Aesthetics of serialism

Ph.D. Dissertation, Tokyo University of Foreign Studies, 305p.

Tangible Sound: Musical Instrument Using Fluid Media

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 4 p.

Exploring Electroacoustic Music, Visual and Space in Inflatable Cosmodome

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 11p. http://www.omf.paris-sorbonne.fr/EMSAN

Towards automatic musical instrument timbre recognition

Ph.D. Dissertation, Princeton University, 244p.

Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones

Proceedings of the International Computer Music Conference (ICMC, Havana, Cuba), San Francisco, International Computer Music Association, 0 p.

Iroha

D.M.A. Dissertation, Division of Composition, Music History, and Theory of the College-Conservatory of Music, University of Cincinnati, 86p.

Computer Aided Composition in Chinese Studio

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.310.

Electrified voices: Media technology and discourse in modern Japan

Ph.D. Dissertation, Columbia University, 277p.

Forms of temporal experience in the music of Toru Takemitsu

Ph.D. Dissertation, State University of New York at Buffalo, 237p.

Cultural and technical perspectives on "Winter Landscape"

D.M.A. Dissertation, University of North Texas, 143p.

Vocal Fold and False Vocal Fold Vibrations in Throat Singing and Synthesis of Khöömei

Proceedings of the International Computer Music Conference (ICMC, Havana, Cuba), San Francisco, International Computer Music Association, 4 p.

Cosmology and Technology in Music

Proceedings of the International Computer Music Conference (ICMC), Waseda University, Tokyo, Japan, San Francisco, ICMA, p.9.

Summer Rain. Part I. "Summer Rain - Dawn" for two-channel tape. Part II. "After the Summer Rain" for piano and two-channel tape

D.M.A. Dissertation, University of North Texas, 95p.

Learning-Based Jam Session System for A Guitar Trio

Proceedings of the International Computer Music Conference (ICMC, Havana, Cuba), San Francisco, International Computer Music Association, 4 p.

Music as a Reflection of a Composer's Cosmology

Perspectives of New Music, Vol. 27, No. 2 (Summer, 1989), pp. 176-197

Playing Off Site: The Untranslation of "Onkyô"

Asian Music 41. 1 (Winter-Spring 2010): 36-59.

Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models

Proceedings of the International Computer Music Conference (ICMC, Berlin, Germany), San Francisco, International Computer Music Association, 8 p.

Theater as an Environmental Medium

Perspectives of New Music, Vol. 31, No. 2. (Summer, 1993), pp. 192-209.

Snow Spell: An interactive composition for erhu, flute, piano, cello and Max/MSP

D.M.A. Dissertation, University of North Texas, 139p.

Introduction: Revolutions Per Minute: Sound Art China

轉速：中國聲音藝術大展

YAO Dajuin, curator, RPM: Sound Art China / 轉速：中國聲音藝術大展, Sonart Shanghai (上海聲納), 20/10/2013-12/2013. Web site: http://sndart.com/2013sh/sound-art-china/

Musique : reflet d’une cosmologie

InHarmoniques, n°2 « Musiques, identités », Paris, IRCAM – Centre Georges Pompidou, mai 1987, p.160-171.

Asian Women in Music Today

Musicworks Magazine: Spring 2000 (76): 51.

Max/MSP Summer Workshop (beginners): The different attitudes among students towards interactive music in China

Proceedings of the The Third Round Table Discussion and Forum of Development on Asian Electroacoustic Music (EMSAN Day), CEMC, Central Conservatory of Music, Beijing, 28 Octobre 2010, 1p. http://www.omf.paris-sorbonne.fr/EMSAN

Ju-Jikan: Ten Hours of Sound From Japan

Musicworks No. 88, Spring 2004

CHEARS: China Electroacoustic Resource Survey [abstract]

Proceedings of the Electroacoustic Music Studies Conference, Leicester, 1 p., www.ems-network.org

Aesthetic and technical analysis on "Soar!"

D.M.A., University of North Texas, 98p.

A study of Sukhi Kang's Inventio for Piano and Electronic Sound

D.M.A. Dissertation, University of North Texas, 48p.

Decay, Resonance, Auditory Space

YAO Dajuin, curator, RPM: Sound Art China / 轉速：中國聲音藝術大展, Sonart Shanghai (上海聲納), 20/10/2013-12/2013. Web site: http://sndart.com/2013sh/samson-young-essay/

The Music of Jōji Yuasa

Edited by Peter Burt, Newcastle upon Tyne, Cambridge Scholars Publishing

Japanoise. Music at the edge of circulation

Durham, Duke University Press

"From subculture to cyberculture? The Japanese Noise Alliance and the Internet"

Japanese Cybercultures, Nanette Gottleib and Marl McLelland, ed., London, Routledge, p.60-74

An analytical study of Kang Sukhi's piano work: "Inventio"

D.M.A. Dissertation, University of Wisconsin, Madison

2·5×6 metres of space: Japanese music coffeehouses and experimental practices of listening

Popular Music, volume 27/1, p. 15–34. PDF on line (see below)

Electronic Music in South Korea

eContact!, CEC’s online journal of electroacoustics, 11.3

The development of contemporary Korean music with emphasis on works of Isang Yun

D.M.A. Dissertation, The Ohio State University, 100p.

A Critical History of New Music in China

The Chinese University Press, The Chinese University of Hong Kong, 2010. Translated by Caroline Mason, 911 p.

Electronic Music in China

eContact!, CEC’s online journal of electroacoustics, 11.3

Poèmes franco-japonais

ASA n°2, Tokyo, 1966; Paris, André Silvaire, 1967, n.p.

A Catalog of Solo Works for Marimba with Electronics and An Examination and Performance Guide of "Flux" for Marimba and Electronic Tape by Mei-Fang Lin

Doctor of Musical Arts dissertation, Arizona State University, November 2O11

The Digital Culture and Contents Development Project. Hanyang's opportunity to lead the domestic computer music education field

Internet Hanyang News, Hanyang University

Creating Korean Music: Tradition, Innovation and the Discourse of Identity

Perspectives on Korean Music, vol. 2, Burlington (VT), Ashgate

Japan Noise: Global Media Circulation and the Transpacific Circuits of Experimental Music

Ph.D. Dissertation, Columbia University, 2006

Zhang Xiaofu interview

Originally published by EMF Institute, Electronic Music Foundation, 2006

Musical Composition in Twentieth-Century Korea

Korean Studies, 16, p. 43-60

Takemitsu and the influence of "Cage Shock": Transforming the Japanese ideology into music

Doctor of Musical Arts Dissertation, University of Nebraska, 2010

A Multi-Faceted, Concrete Art. Conversation with Dajuin Yao

eContact! 16.2 — Sound Art and Interactivity in Singapore (August / août 2014). Montréal: Communauté électroacoustique canadienne / Canadian Electroacoustic Community, 2014
Originally published by EMF Institute, Electronic Music Foundation, 2006 under the title: "Dajuin Yao interview".

Korean Contemporary Music, a brief history

Sonus, vol. 20, Spring 2000, p.29-35.

Exploring the spaces for a voice: The noises of rock music in China (1985--2004)

Ph.D. Dissertation, The Chinese University of Hong Kong, September 2006